Film Threat's Scores

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For 5,429 reviews, this publication has graded:
  • 60% higher than the average critic
  • 6% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 3.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Xanadu
Lowest review score: 0 The Twilight Saga: New Moon
Score distribution:
  1. Positive: 3,510 out of 5429
  2. Mixed: 1,487 out of 5429
  3. Negative: 432 out of 5429
5429 movie reviews
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    • 43 Metascore
    • 30 Critic Score
    Hot Rod
    There are enough laughs here to fill a five-minute skit but sadly, the film lasts a lot longer than that.
    • tbd Metascore
    • 30 Critic Score
    Goyo: The Boy General
    For American viewers, the film will hopefully provide an incentive to learn more about the Philippine-American War, an important but frequently ignored chapter in American history. Thanks to all of this, Goyo: The Boy General avoids being a complete disappointment, and you’ll at least be glad you watched it.
  3. Envy
    The most telling symptom of bad comedy is pretty easy to diagnose: no laughs.
  4. Master of the Flying Guillotine (re-release)
    A noisy, chaotic affair.
  5. The Passion of the Christ
    While it fails to shed significant new light on its subject, Gibson's film and the all-Jesus-all-the-time attention from the media it's attracted do tell us something somewhat disconcerting about the state of American culture: That the way to make a religion based on love and forgiveness relevant today is to turn it into violent entertainment.
  6. The Wood
    Unfortunately for Epps, Diggs and Jones -- three capable actors -- the disjointed direction of the material robs them of any dimension and forces them to play tail-chassing caricatures.
  7. A Beautiful Mind
    Aside from all the known material on public record the filmmakers chose not to use, Howard isn't even capable of believably bringing this off.
    • 19 Metascore
    • 30 Critic Score
    Downloading Nancy
    Downloading Nancy is an excruciating experience.
    • 46 Metascore
    • 30 Critic Score
    The Da Vinci Code
    Even more frustrating than the trite dialogue exchanges, is the robotic performances delivering them. This is Tom Hanks' worst performance is years (maybe even his worst ever). Ron Howard's slothful direction is giant misstep from his previous effort ("Cinderella Man"), relying on techniques and hopefully he won’t repeat it again.
  10. Street Kings
    Two things come to mind as you watch the first act of Street Kings, the first is how fresh and exciting the movie would’ve been if it was released in 1984, the second is the question, “James Ellroy wrote that?”
  11. Fred Claus
    Fred Claus is belligerently unfunny.
  12. The Holy Land
    Small, amateurish Israeli feature.
    • 33 Metascore
    • 30 Critic Score
    54
    The movie does a great job of capturing the excessive behavior and the fun that was had but it falls short in delivering a realistic picture of lives after the party ends. Christopher, like Rubell, is into giving his audience escape, not reality.
  14. An Acceptable Loss
    What could have explored the real complexities behind a serious issue instead became a self-congratulatory pat on the back for holding a specific viewpoint, and a boring one at that.
    • 47 Metascore
    • 30 Critic Score
    Anything But Love
    Director and (uncredited) choreographer Robert Cary and his performers are simply not up to the task of recalling the great moments they are trying so hard to evoke.
  16. Notorious
    Absent the actual music, Notorious would be a lot worse.
    • 29 Metascore
    • 30 Critic Score
    Pathfinder
    The fault here lies in the film’s dead rhythm, which never lights the sparks necessary for an action film. The plot and action progress like an eroding lakeshore, but the energy and excitement are washed away in every scene.
  18. Jawbreaker
    Death and comedy rarely mix, and this tedious and painfully un-funny effort by director Darren Stein is no exception.
    • 68 Metascore
    • 30 Reviewed by
      Alan Ng
    Thunderbolts*
    While Florence Pugh and David Harbour try to inject some soul into the chaos, the film proves that no amount of punchlines can save a story that forgot its superpower. Sometimes you don’t need a group hug—you need a good old-fashioned throwdown.
  20. Curse of the Golden Flower
    Zhang Yimou is seriously off his game with the utterly ridiculous Curse of the Golden Flower, a new epic that feels like "Hero" meets "The Lion in Winter" meets "Peyton Place." The film is worthless as a serious work of art, but it may offer the jaded viewer a surplus source of MST3K-inspired wisecracks.
    • 39 Metascore
    • 30 Critic Score
    When Will I Be Loved
    Something in Toback’s approach to the subject of sex, somehow both lecherous and detached, makes it tough to get a handle on the film.
    • 59 Metascore
    • 30 Reviewed by
      Alan Ng
    Mortal Kombat
    The bright spot of Paul W.S. Anderson’s film is the villains.
    • 42 Metascore
    • 30 Reviewed by
      Alan Ng
    Captain America: Brave New World
    The problem with Brave New World falls squarely on the writing and the story.
  24. The Boy, the Mole, the Fox and the Horse
    It makes the mistake of developing the characters less in order to increase the chance of symbolism more.
  25. Hermanas
    Valeria Bertucelli and Ingrid Rubio as Elena and Natalia barely register for the camera, either in their adult incarnations or as the mod teens of 1975 Argentina.
    • 32 Metascore
    • 30 Critic Score
    Land of the Lost
    Summertime junk food.
  27. Fangs Out
    Fangs Out is rough from start to finish.
  28. The Bucket List
    Edward and Carter are like the original Odd Couple, except nobody’s laughing.
    • 24 Metascore
    • 30 Critic Score
    Captivity
    A terrible rehash of better torture genre exploitation, with none of the charm.
  30. Welcome to the Circle
    No one would rationally expect the man behind Disneynature fare such as Penguins, Elephant, and Diving with Dolphins to make his directorial debut with a demonic horror feature.Yet here we are, witnessing David Fowler perform a 180° swivel, from anthropomorphizing animals to slaughtering human beings in Welcome to the Circle. The results clearly demonstrate that he should’ve stuck to voicing chimpanzees.
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