Film Threat's Scores

  • Movies
For 5,446 reviews, this publication has graded:
  • 60% higher than the average critic
  • 6% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 3.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Xanadu
Lowest review score: 0 The Twilight Saga: New Moon
Score distribution:
5446 movie reviews
  1. Five Nights At Freddy’s has flaws, but it is an excellent adaption. It feels like the game while still being accessible to any newcomers by crafting an original story.
    • 33 Metascore
    • 60 Reviewed by
      Alan Ng
    The Breadwinner is a faith-based comedy without the faith. The comedy is safe and slapsticky, which means it’s pretty dull. It’s a family comedy for all ages, but for me, I wish this film would punch down once in a while.
  2. This is a movie that should have a medical warning in its trailer. Caution: viewing may be hazardous to your filmgoing fun; side effects can include drowsiness, irritation and difficulty swallowing.
  3. It’s not a great film, and it does rely a bit too much on the “evil bank” motif, but it might be worth a Saturday afternoon with the kids.
  4. RV
    The recreational vehicle has a long and storied tradition in American cinema, from "Damnation Alley" to "Lost in America" to "Stripes." Sadly, RV shares little of its namesake' nationwide appeal.
  5. There are some genuine scares to be had here, and not just of the “Boo!” variety.
    • 33 Metascore
    • 40 Critic Score
    What's shocking about Superhero Movie is not that it's been advertised to death on Nickelodeon to impressionable children, but that it's a completely on-the-nose satire of "Spider-Man.”
  6. The kind of movie where you shout advice at the characters on screen, because we have so much more information than they do.
  7. Here's a film that exhibits all kinds of joy in uncoiling a story with no ending, or an ending that's so arbitrary you get the feeling that the filmmakers just threw names in a hat to see who their killer would be.
  8. I humbly submit that Cedric the Entertainer be required to give up the "Entertainer" portion of his nom de plume until he actually starts entertaining us.
    • 33 Metascore
    • 50 Critic Score
    The film is challenging and consistently interesting, but also trite and overbearing to the extent that it damages its message.
  9. It's a little frightening to watch Hawn be "bubbly" at her age.
  10. I haven't seen such meaningful insight into the nature of human cooperation since this morning's "Sesame Street."
  11. Just make sure you exit the theater before Simpson's god-awful version of "These Boots Are Made for Walking" starts playing during the end credits, or you may find yourself taking the straw from your drink and puncturing your own eardrums in self defense.
    • 33 Metascore
    • 30 Critic Score
    54
    The movie does a great job of capturing the excessive behavior and the fun that was had but it falls short in delivering a realistic picture of lives after the party ends. Christopher, like Rubell, is into giving his audience escape, not reality.
  12. My only question is, how did they ensnare you, Eugene?
    • 33 Metascore
    • 60 Critic Score
    A lot better than one would expect. It's amusing, it's inspired and hey, it's a lot wittier than the last two "Scary Movies" combined. Though, like most lampoons, it runs out of steam about half way through.
    • 33 Metascore
    • 40 Reviewed by
      Alan Ng
    As unoriginal and awkward as Like a Boss is, Byrne and Haddish do everything in their power to elevate the mundane script to something worth viewing.
  13. Bottom line, what I took away from this movie was – that drunk guy sure was funny.
  14. The movie lives up to its “R” rating in the final scenes, but it’s too little too late.
  15. It’s not that Euphoria lacks good intentions or comes off as superficial in its treatment of death and dying. It’s just that there’s so much potential for grace or humor or despair or horror inherent in its premise. It’s sad to see so much of that thematic territory go so thoroughly, if politely, unexplored.
  16. A decent film, but not a great romantic comedy.
  17. Peretz's film continuously subverts the audience's expectations of what should likely happen given genre conventions.
  18. A sour attempt at making a Farrelly Brothers-style, down-and-dirty laugher for the female set.
    • 32 Metascore
    • 60 Critic Score
    It is obvious that the creative forces did not take the film to seriously and if you do not, you just might find yourself laughing along.
  19. Boasts some of the best filming seen in today’s so-called “dramatic documentaries,” but an unrefined script and frankly unbelievable ending keep it from becoming something better.
    • 32 Metascore
    • 20 Critic Score
    There are so many things wrong with Thomas Vinterberg’s It’s All about Love that if I wrote them down, this would be a five page review that would sound like a spiteful rant.
    • 32 Metascore
    • 40 Critic Score
    From what I can tell, the film is generally accurate regarding the events of Dec. 8. But I got as much out of it as I did by looking up Chapman on Wikipedia.
    • 32 Metascore
    • 0 Critic Score
    Sloppy, not funny, downright stupid, ridiculous as well as horribly themed and shot.
    • 32 Metascore
    • 10 Critic Score
    This horror fanatic doesn't have room for Craven in his genre anymore. Collect your cash and call it a day already, Wes.

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