Brimming with sincere intentions and a few interesting thoughts. It brings a rare sort of realism to the movie world.

Much of Dreamcatcher just doesn’t make sense.

In the end, what’s left is yet another bad Amityville movie that fails to entertain or scare. Still, the house does look scary. Maybe if they try one more time…

Hilarious and a must-see.

This film is arguably one of the most unsatisfying films I’ve had the disservice to watch.

In the end, I’m not sure if thriller, drama, or action would be best suited to describe Lakewood. Maybe it is not quite the edge-of-the-seat movie one might expect, but it is entertaining enough to keep one fully engaged.

Though there's nothing especially terrible about Stateside, there's nothing terribly special about it either.

Kraven The Hunter doesn’t entertain. The only thing it does right is release the hostages after two hours.

Let's start with the obvious: Olyphant just isn't that intimidating an assassin. Think of some of cinema's more memorable button men: Léon, Luca Brasi, Frank Nitti...that's right, not a pretty boy in the bunch.

Safer at Home starts on an off-putting note, and the epilogue muddies the timeline to the point of confusion. But, nestled between those two baffling sequences lies a gripping thriller brought to life by astute direction, an intelligent screenplay, and a great cast. While not perfect, this independent production is still worth an adventurous audiences’ time.

One does not require cinematic genius to have fun, and this movie is indeed fun.

The Last Thing He Wanted is trying to be too many things at once. It goes off on several tangents that don’t ever conclude.

If you can’t laugh at stuff like this, there are still a few days left in the theatrical run of “Santa Clause 2”. I hear the reindeer are horny as hell.

As a film on its own, Ghost Rider isn't amazing, but it is definitely a decent popcorn flick. As an entry into the superhero genre, Ghost Rider is only a couple notches above the "X-Men: The Last Stand."

The Child Remains strives to be a unique amalgamation of horror themes, however, it ultimately results in a confounded muddling through mismatched generic set pieces.

Rebel Moon-Part 2: The Scargiver is the cinematic sci-fi equivalent of that delicious chicken sandwich people punch each other in the face to get. Unscrunch your face and allow yourself to have an intergalactic blast like you did before you grew up to be so picky.

No less than four screenwriters are credited, yet the script is filled with the usual clichés (hello, red digital readout!) and supposed twists that can be seen a mile away.

It is a charming affair featuring a stellar cast with believable chemistry. Plus, there is enjoyment in getting to decide Cami’s fate and seeing where it takes you. I am going to rewatch this and choose another path.

This is essentially a by-the-numbers revenge film with some attempts at deeper characterization. The difference between this film and, say, "Batman Begins" is that Bruce Wayne, upon finding the tormentors of his youth, never tried to kill and eat them.

Because much of the dialogue exchanged between the brothers and some of Kyle’s auditory flashbacks allude to situations that aren’t clarified until over sixty minutes of the film have passed, there’s strong motivation to pay attention.

The story is so ridiculously obvious it's not even remotely enjoyable.

Likely to exceed expectations.

An almost constant misfire. From its paper-thin plot to the utterly flat script, virtually nothing works.

Not a good film. In fact, it's a rather bad example of that already barrel-bottom-scraping genre, the teenybopper romantic comedy.

You've seen it in "Carrie", you've seen it in "Prom Night 2", and you've seen it in "Urban Legends 2: Bloody Mary". Oh, you haven't seen that one? Well, join the club. Tamara is a hybrid of all three films.

Whether you’re a casual or an ardent follower of M. Night Shyamalan's films, The Happening could alienate or dominate your thinking cap. Remember--it's perfectly acceptable to laugh one second and shriek the next.

With The Haunted Mansion, Eddie Murphy continues in a long line of family film stinkers.

The question isn't whether Nispel's remake is better than the 1980 original (it isn't) but whether anything original is brought into the mix. And minus a mild plot twist you"ll probably see coming from the first five minutes, there isn't.