As great as the script and cinematography are (they are both unassailable), the real magic of Unforgiven is in the performances.

One of the best movies of the year, and a great accomplishment for Messrs. Harmon and Schrab. Maybe now we’ll get a feature length "Robot Bastard" movie.

The American Meme works best when it reveals the subtle pain behind much of the manufactured fantasy.

This film is gorgeous, massive in scope, well-written, and superbly acted. It goes beyond being a Michael Bay-explosion fest and definitively transcends action and destruction porn. This is a real movie. Every single issue I had with the original release is fixed—everything from pacing, cinematography, acting, characterization, and even the film’s score.

Tejano is one of those films that can be described as a hidden gem as it sneaks under the radar and will have you talking, telling your friends about it, and wanting to watch it again.

It’s a feast for the eye and for the mind, done in a nonchalant way that would make the most seasoned filmmakers jealous.

Everyone involved with the film brings their top talents to the fore, and the result is a touching, heartbreaking and an ultimately honest personal experience.

Think of "Escape from New York" starring two French Spidermen on speed, and you've got District B13, a snazzy, sensational action ride from big-bang guru Luc Besson.

Provocatively toying with horror conventions, Roxanne Benjamin ensures maximum impact when the terror begins; though the occasional awkward edit rears its ugly head. Anchored by a star-making lead turn and sporting superb sound design, Body At Brighton Rock is a bloody good time.

There have been a lot of documentaries about the historic Woodstock festival, but many have not discussed much other than the performance aspect of it. This documentary lets the ones who were there discuss what it took to put the festival together, the challenges the festival faced, the unity of everyone involved, and what it meant to the country during a critical time.

Deadpool & Wolverine is an absolute blast, mixing savage humor, intense action, and heartfelt moments. Let’s hope this isn’t the end of the line for this dynamic duo – we need more adventures in this brilliantly chaotic universe!

The film's overall result is a document of towering, devastating emotional impact.

Nearly all of the footage in the film is incredible, both in terms of content and restoration. The performances are like nothing else in Dylan’s career or anybody’s career.

Offering beauty and strength in an oppressed and marginalized world, Eileen breaks the boundaries of perceived power.

The final act is all but guaranteed to astonish and satisfy. See this movie.

It’s a most humane and beautiful story.

The great thing about this documentary, other than seeing some very provocative dancing, is that it goes beyond the superficial and talks about the socioeconomic situations that most black people in America face.

The Mother And The Bear is a very different spin on the romantic comedy and self-actualization tale. By combining the two, Johnny Ma creates a distinct and engaging story. It is led by the brilliant Kim Ho-Jung, who is aided by a wonderful supporting cast. The music also does a lot of heavy-lifting, emotionally speaking, and everything just comes together in a truly sweet and life-affirming way.

Master builds up to one of the most emotionally explosive horror finales I have seen in a while.

I Am Here stands as a testament to the enduring qualities of the human spirit.

Streaks of sadism emphasize the prevailing humanity, as do the borderline-psychedelic brushstrokes: the intentionally murky nightmarish visuals, Ariel Marx’s nervous score, the bleak set design, the impassivity with which cinematographer Chananun Chotrunngroj’s camera observes the two women’s descent into madness.

Warren’s film may leave you bruised, but don’t let that stop you from seeking it out.

A fresh and rewarding take on cinematic terror.

Becky is a thrilling game of cat-and-mouse that leaves you unsure if the good guy is really that good at all. It’s funny at parts, shocking in parts, but mostly it’s just a great thriller that just so happens to have a 13-year-old girl as the heroine.

If you’re in the mood for a biographical film, Joyce Carol Oates: A Body in Service of the Mind is a splendid example. Seek it out, wherever it may be playing or streaming.

Randal is a beautiful hostile piece of work that only could have come from America. He's the sort of guy who never put in a quality day at the office in his life, but somehow probably winds up winning the biggest lotto drawing ever with a ticket he stole from his loser best friend's Quickie Mart.

The Columnist is that rare mix of comedy and horror that isn’t too cheesy or over the top.

I can go on and on about the multiple tiny lightning bolts Hansen-Løve catches in her bottle. Arguably the biggest lightning she caught was hiring Seydoux.