Dead-on for Cronenberg fans though the mutant reptile and amphibian factory might be a tad(pole) too much for the squeamish at heart.

Director Marc Rosenbush gets the absolute most he can out of his no-budget-friendly, minimalist location and a solid, if unremarkable cast.

Insanely inventive and brimming with exceptional performances, The Saddest Music in the World is as audacious as it is entertaining.

A consuming and stimulating work and a theoretical thriller, it is a film which could only be created by a remarkably skillful filmmaker.

I love sex with strangers! Yeah, the film is cool too. But damn, do I love sex with strangers!

The 3D visuals are an enormous part of MVA's experience and they also help to cover up the lackluster “comedy.”

As Leth overcomes each obstacle set before him, the film becomes a work of extraordinary artistry, intellectual exhilaration, emotional uplift, and outright affection.

While its heart is in the right place and the cast gives powerful performances, Things Behind the Sun doesn't shed any new viewpoint or perspective on the subject matter.

This is a low-key, indie take on a well-worn genre; one that frequently resorts to scatological humor and easy targets, making for an odd mix of the sophisticated and crass.

Once you become accustomed to her material and begin to anticipate it, some of the shine comes off the act.

A film about a family billed as "bizarrely dysfunctional" – is a pleasant enough experience. However, it probably could have used a little more of the bizarre or dysfunctional to spice things up.

There's a natural authenticity to the film that makes it intensely watchable, even though it's repetitive and slightly underwritten.

A young man wanders the streets looking for love. There you have most of the plot of Julián Hernández's masterful debut feature. But what a rich cinematic journey this is!

While the film boasts an all Chinese cast, the story, culturally, is pretty tame.

Yumiko Shaku as Yuki is small, beautiful, and stunningly sexy while she plies her deadly skill like a dancer. Her self-assured poise and large expressive eyes say everything that the minimal dialogue doesn’t.

Renfield is a good movie that squanders its potential to be great.

Dan Habib certainly has noble intentions in mind with Intelligent Lives. The energetic, ambitious young people at its core are a joy and discovering where they wind up is sweet. However, the documentary never goes far enough to explain vital elements in the civil rights advancements for those with disabilities, and the directing style fails to generate forward momentum.

There is energy to this film that is somewhat different from Nunez's others. Along with a terrific cast, Nunez keeps the action driving forward: dangerous, sexy, and conflicted.

The Bank Job secures the viewer’s attention pretty quickly and does not relinquish that hold for a second.

To be sure, The Love Guru is incredibly funny. Side-splitting laughter only stops when the movie does, so don't expect it to linger all the way to the parking lot.

Anytime the characters aren’t actively trying to kill each other, it feels like the directors just got bored and are marking time till they can get to the “good part.”

A genuinely brilliant cast--Robin Wright Penn and Katie Holmes are especially notable--distinctive camerawork, and terrific art design all contribute to this unique blend of fantasy and reality that truly transports the viewer to a magical realm.

Scodelario carries the film with an energetic, no-holds-barred performance. She’s in almost every shot, planning out escapes and outwitting the reptiles, and she gives it her all.

Lord of Misrule might just be the most effective outing for the director yet. It possesses an earnestness and polish that affords audiences a morbidly fun and familiar film yet still manages to turn a few expectations on their ears precisely when they need it.

The fascinating visuals and performances by Leung and the assortment of actresses like Gong, Zhang Ziyi and Maggie Cheung ensure that the film is still worth watching.

A soulful soliloquy about the fragility of memory and starting over, Brian Cavallaro’s 32 Weeks sails along smoothly until a storm of an ending sends it sinking into melodramatic—and oddly gruesome— depths.

Kill Ben Lyk manages to be entertaining and inconsequential in equal measures. Give it a shot.

Jurassic World: Fallen Kingdom is exactly what you think it’ll be. Whether that’s a good thing or a bad thing is up to you.