Film Threat's Scores

  • Movies
For 5,430 reviews, this publication has graded:
  • 60% higher than the average critic
  • 6% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 3.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Xanadu
Lowest review score: 0 The Twilight Saga: New Moon
Score distribution:
5430 movie reviews
    • 68 Metascore
    • 60 Critic Score
    Heist movies seem pretty quaint and analog in our era where high stakes crime is primarily electronic in nature. But until someone can make embezzlement cinematically interesting, we’re left with theft and this movie just gets away with it.
    • 47 Metascore
    • 60 Critic Score
    Everything about the sequel feels bloated.
  1. Is Walk Hard” funny? Sure; very much so, in places. At least I think it is. It might just be the “Date Movie” talking.
    • 73 Metascore
    • 60 Critic Score
    A film with a bare-bones story told with such potency that its occasional flights of heavy-handed symbolism are easily excused.
  2. Has just enough quirks and unexpected shocks along the way to keep things interesting.
  3. From the plotting and the characterizations to the explosions and excessive use of blue light filters, everything about Bad Company has been done and seen before.
  4. The kind of film in which you pretty much know that everything is going to turn out all right in the end. That doesn't mean, however, that one won't enjoy watching this warm and fuzzy exercise in escapism in the process.
    • 71 Metascore
    • 60 Critic Score
    I was desperate to eat at Shopsin's by the end.
  5. Any romantic comedy that lacks Meg Ryan can’t be faulted too hard.
  6. This has the unmistakable feel of a vanity project about it, which makes it a little tough to take either Dillon or the film seriously.
  7. Ben Whishaw’s raw central performance keeps one glued to the screen, but the cold and distancing result doesn’t quite do it justice. Shame, as Karia, displays a knack for building tension and maintaining an almost nauseatingly melancholic atmosphere. If only he dug a little deeper.
    • tbd Metascore
    • 60 Reviewed by
      Alan Ng
    I’m Not In Love is competently made. Despite the screenwriting-as-therapy formula, it’s entertaining and engaging to watch.
    • 60 Metascore
    • 60 Critic Score
    Takes a personal, kinder-gentler Michael Moore/Nick Broomfield approach to exposing anti-Semitism.
  8. Polley attempts to tackle the issue from multiple angles – how male toxicity is passed down to helpless youth by their elders, for example – but ends up running in circles.
  9. As a violent, supernatural adventure, the film should attract both action and horror enthusiasts alike, yet Evans ends up slightly short of thrills and ambiguity, which are always valuable aspects of the genre.
  10. Let’s not lose sight of what's really been accomplished here. Alex and Marty – just like Batman and Robin, Fred and Barney, and Snagglepuss – are welcome additions to the gay animation pantheon.
  11. The life-like thriller, eccentric comedy, and outlandish horror elements don’t quite gel as well as intended, clumsily getting in each other’s way.
  12. Overall the pace is a little slow and the film is too quiet, but it’s definitely a notch above typical low-budget fare and entertaining to watch.
  13. While the film is admittedly imperfect, it nonetheless deserves to be seen by all Americans to provide a clear understanding of what kind of a country we are currently at war within.
    • 50 Metascore
    • 60 Reviewed by
      Alan Ng
    Let’s be real: the only reason to see a Jason Statham movie is for all that juicy action. Fist fights, knife fights, gunplay, machine-gun mayhem, explosions… all in this game of cat-and-mouse.
    • 64 Metascore
    • 60 Critic Score
    A great meld of rock history, the sociological and familial impacts of mental disability and some courtroom intrigue.
  14. Ivan Kavanagh has an eye for style and a clear gift for building suspense. That said, the film is sadly less than the sum of its frequently-impressive parts. If nothing else, his messy, violent, dark and sad reflection of our society proves that the Western will never grow old.
    • 48 Metascore
    • 60 Critic Score
    Like a TV sitcom where the locations of commercial breaks can be foreseen, after about twenty minutes of Butterfield 8, you can predict when a transition will conclude a scene.
    • 57 Metascore
    • 60 Critic Score
    Many have described "Journey" as a 3D film dumbed down to a theme park attraction. However, its visual splendor would have left Walt Disney weeping and Sergei Eisenstein preaching of cinema's second coming.
  15. Makes a good chick flick for guys who want to appear artsy by taking their date to a foreign language film. Just remember: front row...and don't forget the aspirin.
  16. With basically a single set and a limited cast, the producers get the most of their limited budget, particular with a couple of spectacular death scenes.
    • 51 Metascore
    • 60 Critic Score
    It's a fun but somewhat uneven romp, enlivened by its unusual setting and lovely female lead, Miranda Otto.
    • 65 Metascore
    • 60 Critic Score
    The film is short on plot, and any form of character development, but I am sure the target audience of children will find plenty to enjoy even though most adults may find it a bit boring. All in all, Jimmy Neutron is a nice holiday diversion for the family.
  17. Isn't going to win over the art house crowd, but you could do a lot worse for summer entertainment.
    • 79 Metascore
    • 60 Critic Score
    Possibly the most European of major American directors, Jim Jarmusch wears his influences on his sleeve and makes no bones about it.

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