Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Powell and Majors, both born with surfeits of natural charisma, strain mightily to imbue their scant dialogue with deeper meaning, but Devotion, earnest and determinedly earthbound to the end, never really captures the air up there.
  2. Fourteen years after "Happiness," why is director Todd Solondz still mucking around with the sort of idiot neurotic dweeb who makes George Costanza look like George Clooney?
    • 66 Metascore
    • 91 Critic Score
    With its stylized black-and-white sequences and fast-paced melodramatic plot, this homage to film noir is both intense and purposely self-conscious.
  3. Creed II slavishly follows the sentimental-palooka Rocky template as if it were a sacred text. Still, it doesn’t make those old rope-a-dope tropes any less effective.
  4. Directed by Lili Fini Zanuck, the Oscar-winning coproducer of Driving Miss Daisy (it’s her first time behind the camera), Rush has a raw surface authenticity. But that’s about all it has.
  5. In Wiener-Dog, Solondz just keeps telling the same dark joke over and over again—and it just keeps getting less and less funny. It’s a dog.
  6. The trouble is, nothing about this couple is particularly rooted in Los Angeles. The love affair has a bland, generic feel. What's more, the picture lacks verve.
  7. Between bouts of decisive action, the characters mill around the French countryside (in lovely costumes, to be sure, by Jenny Beavan) as if unsure of which sexual stereotype to bust next.
  8. Whether its stronger rating and more somber tone will translate to a home-bound family audience, only time and streaming revenues will tell; in the meantime, Mulan might be the closest thing to a true old-fashioned theater-going experience the end of this strange summer will see.
    • 66 Metascore
    • 75 Critic Score
    Lee’s documentary is, ultimately, enjoyably nostalgic, but says little more than what we already know.
  9. The film’s greatest strength is the pairing of Miller and Luna, an immensely charismatic duo who give Adrienne and Matteo’s relationship (not to mention her metaphysical crisis) credibility even where Miele’s script does not.
  10. [Coppola] crafts an elegy to a Vegas of a different era and the tarnished reality of once sparkling dreams.
  11. Director Scott Elliott, in his feature-film debut, is especially perceptive about what goes on at the edges during deepening family crises, literally at the borders of the screen.
  12. As an introduction to a first-class director who shouldn’t require any introduction at all, By Sidney Lumet is a thoughtful and thought-provoking treat.
  13. High-octane trash, but you will go "Ohhhhhh!"
  14. Davies registers believable frustration and deadpan teenage disengagement in equal measure.
  15. An energetically demented psycho-killer comedy set in faux-noir L.A., Seven Psychopaths rollicks along to the unique narrative beat and language stylings of Anglo-Irish writer-director Martin McDonagh (In Bruges), channeling Quentin Tarantino.
  16. John Cena is top billed, and though his brick-jawed military man doesn’t actually get many scenes, he does get a disproportionate share of the script’s best lines. He gives good muscle, but Bumblebee brings something even more important — and actually transforming — to the series: a sense of humor, and a heart.
  17. A dreamy adaptation of Natalie Babbitt's cherished 1975 children's novel.
  18. It's nifty to behold, but about the only drama in Steamboy lies in waiting for this colossal hovering machine-monster to blow a gasket.
  19. There are some stretches of the film that are frankly a bit boring and wouldn’t be missed if they were cut.
  20. If you want to hear juicy inside tales of the scams devised by Lee Atwater, the right-wing visionary of media-age dirty tricks, you'll find loads of them in Boogie Man.
  21. Megan Leavey is one of those strong-arm soaps, and it certainly doesn’t hurt that it has a certain secret weapon in the forced-waterworks department—an adorable bomb-sniffing German shepherd. All together now: Awwwwww.
  22. For a while, the girls' personalities seem almost interchangeable, but that's part of the texture. Katie Chang gives the leader a ripe synthetic glow, and Emma Watson does a remarkable job of demonstrating that glassy-eyed insensitivity need not be stupid.
  23. It's nice to see actors like these do such subtle, sympathetic work for a gifted young director — and to find an outlet for storytelling that doesn't demand neat redemption, but still allows for grace.
  24. Q&A is a major film by one of our finest mainstream directors. As both a portrait of modern-day corruption and an act of sheer storytelling bravura, it is not to be missed.
  25. Until he wraps things up much too neatly and idealistically, Koepp puts together a sturdy and efficient thriller.
  26. In The Informant!, that brain -- screwy and yet capable of doing important undercover work -- free-associates like Ellen DeGeneres on a swing through Walmart. Cute, but as even Agent 86 would say in "Get Smart": Missed it by that much.
  27. Crimson Peak is a cobwebs-and-candelabras chamber piece that’s so preoccupied with being visually stunning it forgets to be scary.
  28. The real draw is Dinklage: with his mournful eyes and crooked smile, he's the tender, towering soul of Cyrano.

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