Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Nader became famous as a "consumer advocate," but as the thrilling first hour of An Unreasonable Man makes clear, that humdrum bureaucratic term didn't do justice to his courage, his vision.
  2. While the first hour is evocative and suspenseful, the second doesn’t quite muster the depths of paranoia and doom you’re led to expect.
  3. As drama, the movie is sustained yet hopeless — it coasts along on the kind of schoolbook-simple, this-is-good-and-this-is-bad pieties Vietnam made obsolete.
  4. It's a David-and-Goliath tale, full of anger and disturbing accusation, but it's also inspiring.
  5. The idea of a secret world of professional killers adhering to a set of civilized conventions may sound absurd, but it’s what makes the Wickverse more intriguing and far richer than the usual numbskull orgy of cinematic nihilism.
  6. Its title sounds like the premise for some kind of high-adrenaline adventure about maze-running or outgunning a nuclear apocalypse. But The Escape is both less thrilling and much scarier, in its own way — a quiet domestic-drama chamber piece with a vein of pure desperation thrumming beneath it.
  7. Branagh's genuine affection and nostalgia for his subject suffuse the movie; if only the misty romanticism of his story could match it.
  8. What the characters in The Witnesses -- and we, the audience -- pay testimony to in André Téchiné's urgent, compassionate, and ultimately optimistic French drama are the toll the epidemic has rung, and the responsibility of the living to choose life.
  9. Rouses you in conventional ways, but it's also the rare animated film that uses 3-D for its breathtaking spatial and emotional possibilities.
  10. It's a tease of a satire that never really follows through on its audacious premise.
  11. The result is a brutal piece of speculative fiction that highlights the ugliness of war — even if it never quite lives up to its provocative premise.
  12. Side Effects is mostly a good Saturday-night movie, but by the end, it's caused a few unintended side effects of its own: a bit of head-scratching, and a giggle or two of disbelief.
  13. Titanic floods you with elemental passion in a way that invites comparison with the original movie spectacles of D.W. Griffith.
  14. There have, over the years, been a lot of terrific undersea documentaries, but if you want to know what distinguishes this new one, it comes down to a single word: technology.
  15. Holbrook makes Abner a shining-eyed, noble crank.
  16. Over 95 minutes, Blindspotting builds tension like a simmering cauldron on the verge of boiling over. Its themes of racial prejudice, class conflict, friendship and loyalty find a voice that’s both disarmingly funny and heartbreakingly tragic.
  17. The intense interviews and damning statistics (20 percent of all female personnel have experienced sexual assault) do the work of whipping up outrage.
  18. Glazed over by its worship of Che Guevara.
  19. By the time the narrative comes to Colvin’s greatest get — she was essentially the first Western journalist to get inside Homs and refute Syrian President Bashar al-Assad’s bold-faced lie that he wasn’t bombing his own people into oblivion — the price of that sacrifice, and the power of her story, feels finally, fully real. Whatever her private battles, War works hard to be the public reckoning her work deserves.
  20. As the film goes on, their rebellious thirst for freedom and independence slowly builds to a physical and psychological emancipation that Moselle never quite follows through on. Still, she’s discovered a stunning, stranger-than-fiction story and tells it with sensitivity, intimacy, and compassion.
  21. A jolting, artfully made drama set in and around a suburban playground somewhere between "American Beauty" and "In the Bedroom" on America's psychic highway.
  22. The movie is a great big feast of wreckage. But that’s also what makes it a bit numbing.
  23. The definition of a crowd-pleaser.
  24. Writer-director Jim Sheridan, co-screenwriter Terry George, and Sheridan's favorite actor (and Oscar winner for My Left Foot) Daniel Day-Lewis reunite in The Boxer with a mellower political message that translates, roughly, into ''Can't we all just get along?''
  25. More noteworthy for its intentions than its execution.
  26. The final affirmation of this romance is really an affirmation of Baumbach's talent: that a young filmmaker fixated on the solipsistic rituals of guyhood understands the hearts of women, too.
  27. Despite its stars-and-stripes title, Marvel’s latest billion-dollar-blockbuster-to-be, Captain America: Civil War, is essentially a third Avengers movie – it’s also the best one yet.
  28. More connect-the-dots detective thriller than traditional doc, John Maloof and Charlie Siskel’s revelatory riddle of a film unmasks a brilliant photographer who hid in plain sight for decades working as an eccentric French nanny.
  29. Super Dark Times perfectly nails the minute details of adolescence—a minefield of confusion about right and wrong that leads to all kinds of impulsive bad decisions.
  30. This is a tough-minded story of change that happens in almost imperceptibly tiny increments - as true growth so often does in reality.

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