For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
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Reviewed by
Owen Gleiberman
Nader became famous as a "consumer advocate," but as the thrilling first hour of An Unreasonable Man makes clear, that humdrum bureaucratic term didn't do justice to his courage, his vision.- Entertainment Weekly
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Chris Nashawaty
While the first hour is evocative and suspenseful, the second doesn’t quite muster the depths of paranoia and doom you’re led to expect.- Entertainment Weekly
- Posted May 21, 2014
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Reviewed by
Owen Gleiberman
As drama, the movie is sustained yet hopeless — it coasts along on the kind of schoolbook-simple, this-is-good-and-this-is-bad pieties Vietnam made obsolete.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's a David-and-Goliath tale, full of anger and disturbing accusation, but it's also inspiring.- Entertainment Weekly
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Reviewed by
Chris Nashawaty
The idea of a secret world of professional killers adhering to a set of civilized conventions may sound absurd, but it’s what makes the Wickverse more intriguing and far richer than the usual numbskull orgy of cinematic nihilism.- Entertainment Weekly
- Posted Feb 6, 2017
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Reviewed by
Leah Greenblatt
Its title sounds like the premise for some kind of high-adrenaline adventure about maze-running or outgunning a nuclear apocalypse. But The Escape is both less thrilling and much scarier, in its own way — a quiet domestic-drama chamber piece with a vein of pure desperation thrumming beneath it.- Entertainment Weekly
- Posted May 10, 2018
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Reviewed by
Leah Greenblatt
Branagh's genuine affection and nostalgia for his subject suffuse the movie; if only the misty romanticism of his story could match it.- Entertainment Weekly
- Posted Sep 7, 2021
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Reviewed by
Lisa Schwarzbaum
What the characters in The Witnesses -- and we, the audience -- pay testimony to in André Téchiné's urgent, compassionate, and ultimately optimistic French drama are the toll the epidemic has rung, and the responsibility of the living to choose life.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Rouses you in conventional ways, but it's also the rare animated film that uses 3-D for its breathtaking spatial and emotional possibilities.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's a tease of a satire that never really follows through on its audacious premise.- Entertainment Weekly
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Reviewed by
Devan Coggan
The result is a brutal piece of speculative fiction that highlights the ugliness of war — even if it never quite lives up to its provocative premise.- Entertainment Weekly
- Posted Apr 15, 2024
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Reviewed by
Owen Gleiberman
Side Effects is mostly a good Saturday-night movie, but by the end, it's caused a few unintended side effects of its own: a bit of head-scratching, and a giggle or two of disbelief.- Entertainment Weekly
- Posted Feb 6, 2013
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Reviewed by
Owen Gleiberman
Titanic floods you with elemental passion in a way that invites comparison with the original movie spectacles of D.W. Griffith.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
There have, over the years, been a lot of terrific undersea documentaries, but if you want to know what distinguishes this new one, it comes down to a single word: technology.- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Chris Nashawaty
Over 95 minutes, Blindspotting builds tension like a simmering cauldron on the verge of boiling over. Its themes of racial prejudice, class conflict, friendship and loyalty find a voice that’s both disarmingly funny and heartbreakingly tragic.- Entertainment Weekly
- Posted Jul 19, 2018
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Reviewed by
Lisa Schwarzbaum
The intense interviews and damning statistics (20 percent of all female personnel have experienced sexual assault) do the work of whipping up outrage.- Entertainment Weekly
- Posted Jun 21, 2012
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Leah Greenblatt
By the time the narrative comes to Colvin’s greatest get — she was essentially the first Western journalist to get inside Homs and refute Syrian President Bashar al-Assad’s bold-faced lie that he wasn’t bombing his own people into oblivion — the price of that sacrifice, and the power of her story, feels finally, fully real. Whatever her private battles, War works hard to be the public reckoning her work deserves.- Entertainment Weekly
- Posted Oct 31, 2018
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Reviewed by
Chris Nashawaty
As the film goes on, their rebellious thirst for freedom and independence slowly builds to a physical and psychological emancipation that Moselle never quite follows through on. Still, she’s discovered a stunning, stranger-than-fiction story and tells it with sensitivity, intimacy, and compassion.- Entertainment Weekly
- Posted Jun 14, 2015
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Reviewed by
Lisa Schwarzbaum
A jolting, artfully made drama set in and around a suburban playground somewhere between "American Beauty" and "In the Bedroom" on America's psychic highway.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The movie is a great big feast of wreckage. But that’s also what makes it a bit numbing.- Entertainment Weekly
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- Entertainment Weekly
- Posted Aug 18, 2016
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Reviewed by
Lisa Schwarzbaum
Writer-director Jim Sheridan, co-screenwriter Terry George, and Sheridan's favorite actor (and Oscar winner for My Left Foot) Daniel Day-Lewis reunite in The Boxer with a mellower political message that translates, roughly, into ''Can't we all just get along?''- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The final affirmation of this romance is really an affirmation of Baumbach's talent: that a young filmmaker fixated on the solipsistic rituals of guyhood understands the hearts of women, too.- Entertainment Weekly
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Reviewed by
Chris Nashawaty
Despite its stars-and-stripes title, Marvel’s latest billion-dollar-blockbuster-to-be, Captain America: Civil War, is essentially a third Avengers movie – it’s also the best one yet.- Entertainment Weekly
- Posted Apr 27, 2016
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Reviewed by
Chris Nashawaty
More connect-the-dots detective thriller than traditional doc, John Maloof and Charlie Siskel’s revelatory riddle of a film unmasks a brilliant photographer who hid in plain sight for decades working as an eccentric French nanny.- Entertainment Weekly
- Posted Mar 26, 2014
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Reviewed by
Chris Nashawaty
Super Dark Times perfectly nails the minute details of adolescence—a minefield of confusion about right and wrong that leads to all kinds of impulsive bad decisions.- Entertainment Weekly
- Posted Sep 28, 2017
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Reviewed by
Lisa Schwarzbaum
This is a tough-minded story of change that happens in almost imperceptibly tiny increments - as true growth so often does in reality.- Entertainment Weekly
- Posted Oct 24, 2012
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