Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Leconte (''Ridicule'') gives his heart to the luck of romance, to the dream state visual style of Fellini, and, most lyrically, to the passion of the dagger point swoon.
  2. Instead of a full-bodied comic portrait of the coming-out-party set, Metropolitan offers a thin, cartoon version. Then it uses that cartoonishness to make everyone on-screen seem irresistibly cute.
  3. The movie is more than a bonfire of the inanities; it’s a shrewd indictment of a dream gone spectacularly, criminally wrong.
  4. As vividly imagined as The Crucible is, it’s up to the actors to animate the stern Puritan cadences of Miller’s dialogue. They bring it off spectacularly.
  5. Packed with dazzling images, the film makes 3-D feel like something brand-new to the medium.
  6. Dispatch often feels like the filmmaker in concentrate form, both his best and worst instincts on extravagant display.
  7. Nothing more than a modest, streamlined ''making of...'' diary about a movie that never got made -- it's ''Project Greenlight'' with bigger stars and bigger disasters.
  8. Dazzling psychological cat-and-mouse drama.
  9. All those twangy, homespun observations interrupt and annotate the narrative until Black and MacLaine's scenes start to feel as trivial as reenactments on a true-crime TV show.
  10. When we finally see the time-lapse images his cameras took, they're awesome and terrifying - a meltdown out of a poetic horror film.
  11. She's an Everywoman you can believe in, showcased in the kind of deft comedy of feminine passion - where deep despair meets Wilson Phillips - that a great many people have been waiting for. Now that Wiig and company have built it, will they come?
  12. Tully feels like the work of a writer who’s matured and lived and become less superficial without giving up any of her natural gift for finding humor in the absurd.
  13. This is a sensual, psychologically modern costume drama influenced by both "The Godfather" and gals' guides to empowerment.
  14. For kids, blessedly unironic by nature until wised up by nurture, the movie is just shiny, funny, and filled with songs.
  15. The film’s not entirely effective as drama. The pacing and sparse plot keep it from being truly immersive, and it’s not exactly a film designed to spur social change, either. Instead, it’s worth watching for Gere alone.
  16. I don’t think we’ll ever see anyone else do Churchill this well again unless the man himself comes back from the dead.
  17. An Inconvenient Truth can't, of course, reveal a future that is still up to us, but by the time you're done watching, the real question is, Which way on God's green earth would you want to err?
  18. The Beat That My Heart Skipped lacks the screw-loose existential vibrance of "Fingers," yet it teases out a romantic underside to the original I never quite knew was there.
  19. As the jabbering psychotic Jeffrey Goines, Brad Pitt has a rabid, get-a-load-of-me deviousness that works for the film's central mystery: We can't tell where the fanatic leaves off and the put-on artist begins.
  20. Nimona is an incredibly fun character who is animated very expressively even in her regular human-ish form, and energetically voiced by Moretz, but by the tropes of Arthurian-style romances, she could only be classified as a "monster." The story admiringly delves into how such monsters are in fact created by a society that refuses to accept their differences.
  21. "Old Boy's" vivid star Choi Min-sik plays a terrible schoolteacher -- yet another damned soul in Park's inflammatory, inimitable movie inventory of hell on earth.
  22. Enchanted is festooned with extravagant set pieces -- there's a great number in praise of romantic gestures, and a ballroom scene to make even grown-up girls swoon.
  23. Intense, autobiographically based drama.
  24. The storytelling structure is far more interesting than the story itself. And the elegiac pictures of boats and water are, dismayingly, most engrossing of all.
  25. The movie, quite simply, goes to sleep whenever Zatoichi isn't fighting. When he is, it's a pulp dazzler.
  26. Has a rowdy, jumpin'-jive vivacity. It's not quite as emotionally rounded as ''Shrek'' was... but it's got heart and delirium in equal doses, as well as a firecracker rhythm all its own.
  27. As riveting as its title.
  28. Despite fine intentions and four lovely performances from the female leads, Our Little Sister is simply too light to be felt. It floats away in the wind—and the memory — like a paper umbrella.
  29. Spy
    McCarthy’s mind just seems to race in a faster gear than her costars, allowing her to blast off arias of profane put-downs with such speed and demented originality that her mouth practically shoots sparks. As a physical comedian, she possesses the greatest gift of all: She’s totally unafraid of looking stupid.
  30. The animation in Lilo & Stitch has an engaging retro-simple vivacity, and it's nice to see a movie for tots make use of Elvis Presley, but the story is witless and oddly defanged.

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