Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Heartbreaking, infuriating, and unmissable.
  2. After a while, the director of the more perceptive "Frances Ha" and "The Squid and the Whale" tips his hand, painting the aging Xers as guardians of integrity and the millennials as opportunists. It’s a cheap shot, and it feels like he’s telling the kids to get off his lawn. It’s not Stiller’s character who’s the curmudgeon, it’s Baumbach.
  3. 12:08 East of Bucharest is a shrewdly built comedy, but the characters are broad-verging-on-cheap unholy hick fools.
  4. Through it all, Natalie Maines' decision to shirk humility, to stick by her guns, to the point that the group returns to that London concert venue in 2006 and she utters the same joke again, becomes a feisty and inspiring act of something there is only one word for: patriotism.
  5. If you were presenting a case for Newman’s legacy of acting brilliance, this film would be exhibit A.
  6. It's been 20 years since Tom Hanks put a movie star's face on the AIDS crisis in "Philadelphia." Since then, Hollywood has largely ignored one of the most tragic chapters of the 20th century. Considering that track record, even a movie as imperfect as Dallas Buyers Club is something worth celebrating.
  7. Better Man is beautifully emotional and engaging, and it’s an admirably big swing. But it would have a greater shot at making audiences go ape if the primate concept were used more judiciously.
  8. Notre Musique is Godard's post-9/11 statement, a meditation on how war emerges from the eternal, and hypocritical, duality of human perception -- the sense that it's always ''the other'' who dies.
  9. The Cockettes weren't talented, exactly, yet the bedazzled flakiness of their passion takes you closer than just about any movie has to what was once really meant by the term ''free-spirited.''
  10. The documentary equivalent of a page-turner.
  11. Firth plays him as a man of his time who is also mournfully ahead of his time. He's addicted to his own broken heart. A Single Man may break yours as well.
    • 77 Metascore
    • 100 Critic Score
    For those who saw it back in 1972, The Harder They Come was a revelation, evocative of a poor but vibrant Jamaican culture few Americans knew about, with a bombshell reggae soundtrack that for all intents introduced the musical genre here.
  12. There's nothing drab about the tormented place these men take each other to. You'll want to go along.
  13. Offers up dazzling ocean creatures in calmly shifting scenes that could double as the world's most expensive screensaver.
  14. The grand old filmmaker frames each scene like a fine painting. And fake snow falls with happy artificiality between rueful vignettes.
  15. A fascinating and lovingly crafted musical documentary that nevertheless misunderstands its own subject.
  16. Whenever Sin Nombre turns violent, it seizes you with its convulsive skill, but the film's images vastly outstrip its imagination.
  17. The plot feels less like a realistic dilemma than it does a willed exercise in neorealist catharsis — a way of inviting Western audiences to bask in their materialist ”empathy.”
  18. Director Joe Angio presents the group's music with the contagious enthusiasm of a diehard, but exuberance is no substitute for storytelling, and Revenge of the Mekons is in desperate need of a narrative path.
  19. At nearly 140 minutes, the narrative takes its time wending toward a final, inevitable confrontation, and the incidents that punctuate it can sometimes feel like singularly ugly stations of the cross to be marked off; a series of random man- and nature-made cruelties meted out without pity.
  20. Sam Elliott, Marcia Gay Harden, and Judy Greer supply sharp cameos, but this is Tomlin’s movie, and she obliges with a spiky, refreshingly unvarnished performance.
  21. As haunted house stories go, Presence is more interested in lurking dread than bloody jump scares, slowly ratcheting up the tension with long, uninterrupted takes.
  22. The skating scenes, too, are thrilling, but Robbie is the real revelation. In a performance that goes far beyond bad perms and tabloid punchlines, she’s a powerhouse: a scrappy, defiant subversion of the American dream. You won’t just find yourself rooting for this crazy kid; you might even fall a little bit in love.
  23. With the pitiless, devastating Fat Girl, Catherine Breillat puts men and women, boys and girls on notice: When fantasy, hypocrisy, and manipulation mix in a wet, sandy place, you dive into sex at your own risk.
  24. Ulee's Gold is a story of redemption, and Nunez doesn't make redemption look any easier than it is.
  25. It ought to be seen, because it's a work of moral and spiritual mystery.
  26. Grindhouse, like "Ed Wood" and "Boogie Nights," celebrates how certain low-grade entertainment, viewed in hindsight, looks different now than it did then, since we can see the ''innocence'' of its creation -- the handmade quality of it -- in a world not yet ruled by corporate technology.
  27. Smith transfers an Iowa-based short story by Randy Russell to India's western Goa region -- and works in Hindi, primarily with novice actors. The result is a story both authentically specific and profoundly global.
  28. This unsentimental, smartly assembled film is equally attentive to the cacophony of African poverty and the balm of harmony provided by these pied pipers of hope.
  29. The film is sketchy as biography, but it proves an aging artist can still crackle with the electricity of youth.

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