For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 1.9 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
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Reviewed by
Chris Nashawaty
Jonze's satiric, brave-new-world premise is undeniably clever, but it's also a bit icy emotionally.- Entertainment Weekly
- Posted Dec 11, 2013
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Reviewed by
Leah Greenblatt
If Gerwig’s woke Women-hood verges on anachronism, though, it also feels fully loyal to the spirit of Alcott, a woman always well ahead of her time. And like a sort of balm too, for an era when the novel’s long-held values — courage, kindness, strength in vulnerability — still feel a lot further away than they should.- Entertainment Weekly
- Posted Nov 25, 2019
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Reviewed by
Chris Nashawaty
Bogart is hilariously crusty as a hard-drinking river rat who journeys downriver on a rickety steamer with a prim missionary (a flawless, lock-jawed Hepburn), trying to stay one step ahead of the Germans.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
If ''Finding Nemo'' is an awesome Pixar superpower, The Triplets of Belleville is a charming, idiosyncratic, self-governing duchy with huge tourism potential on the other side of the animated-movie planet.- Entertainment Weekly
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Owen Gleiberman
By the end, the rug gets pulled out from under us, showing that even the reality we think we see may be an illusion.- Entertainment Weekly
- Posted May 8, 2013
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Reviewed by
Maureen Lee Lenker
Nickel Boys is a fragmented film, so much so that it can be difficult to grasp it. But at a certain point, it turns around and grabs you instead, refusing to let go until you're left sitting in a startling and stunned silence.- Entertainment Weekly
- Posted Sep 4, 2024
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Reviewed by
Chris Nashawaty
With her brassy, determined aunt, Ida sets off to find answers and discovers life beyond the convent walls in this leisurely but satisfying journey.- Entertainment Weekly
- Posted May 1, 2014
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Reviewed by
Lisa Schwarzbaum
(Denis's) visual style is hypnotic, rapturous, and she makes barren landscapes look gorgeous, hard men look vulnerable.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Waltz With Bashir has transcended the definitions of ''cartoon'' or ''war documentary'' to be classified as its own brilliant invention.- Entertainment Weekly
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Reviewed by
Maureen Lee Lenker
In Madison, Baker has found a perfect conduit for his ideals, making Anora a culmination of the themes that have dominated his work for years.- Entertainment Weekly
- Posted Aug 31, 2024
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Reviewed by
Chris Nashawaty
This couldn’t be further from the corsets and curtsies of your typical Hollywood prestige period piece. It’s more like "All About Eve" directed by a Satyricon-era Fellini all hopped up with enough sex, deviance, hypocrisy, decadence, and spicy profanity to make your average Masterpiece Theatre patron reach into their PBS tote bag for some smelling salts.- Entertainment Weekly
- Posted Sep 4, 2018
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Leaves you shaken and ecstatic at the same time, transported by the vision of a major film artist.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
A buoyant, funny, and disarmingly humane comedy of beautiful losers in revolt.- Entertainment Weekly
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Reviewed by
Chris Nashawaty
Naturally, if you’re putting it before youngsters’ innocent eyes for the first time, you’ll want to stick close by in order to play grief counselor when Bambi’s mother ”meets” a hunter in the woods.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The film, by seasoned cinematographer Dror Moreh, is a feat — of access and of passionate and appropriately unsettling political commentary.- Entertainment Weekly
- Posted Feb 6, 2013
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Reviewed by
Owen Gleiberman
The new film, which unfolds in real time over the course of 80 minutes, is a deeper, darker, altogether more memorable experience. It doesn't extend the characters so much as fulfill them.- Entertainment Weekly
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Reviewed by
Leah Greenblatt
Worst has no shortage of gorgeous-people problems — more than enough, in fact, to fill 12 cinematic "chapters" — but it vibrates with real life, a film so fresh and untethered to rom-com cliché it might actually reshape the idea of what movies like this can be.- Entertainment Weekly
- Posted Jan 21, 2022
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Reviewed by
Owen Gleiberman
A movie of staggering virtuosity and raw lyric power, a masterpiece of terror, chaos, blood, and courage.- Entertainment Weekly
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Reviewed by
Leah Greenblatt
Licorice (the title, never once mentioned or explained, remains a happy non sequitur) is a love letter to an era, and more than that a feeling: a tender, funny ramble forged in all the hope and absurdity of adolescence, one wild poly-blend rumpus at a time.- Entertainment Weekly
- Posted Nov 25, 2021
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Reviewed by
Devan Coggan
Only Yesterday may have been released in 1991 and take place in 1982 and 1966, but Taeko’s reflection on girlhood is truly timeless.- Entertainment Weekly
- Posted Feb 25, 2016
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Reviewed by
Owen Gleiberman
By the time The Crying Game is over, you'll never look at beauty in quite the same way.- Entertainment Weekly
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Reviewed by
Leah Greenblatt
A bittersweet comic absurdity, told in the rhythms of real life.- Entertainment Weekly
- Posted Mar 5, 2020
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Reviewed by
Chris Nashawaty
When you get past Miller’s orgy of loco action sequences—and they’re so good, you may not need to—the story is pretty thin.- Entertainment Weekly
- Posted May 11, 2015
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Reviewed by
Lisa Schwarzbaum
One of the unshowiest and most true-blooded epics of Americana you're ever likely to see.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Helen Mirren's allure lies not in finding what's regal in every woman she plays, but in finding what's womanly in every royal.- Entertainment Weekly
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Reviewed by
Maureen Lee Lenker
Grief is a funny animal; it tangles itself in our organs and sinews, permanently altering how we love, how we see ourselves, and how we make sense of our identity. That's what Haigh is unraveling here, with a bittersweet emphasis on the power of love and its ability to transcend even death itself.- Entertainment Weekly
- Posted Sep 3, 2023
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Reviewed by
Bruce Fretts
Paul Newman won his Best Actor Oscar for its 1986 sequel, The Color of Money, but he executed an equally award-worthy turn in Robert Rossen’s jazzy, boozy pool-hall morality play.- Entertainment Weekly
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- Critic Score
Remember when ”ER” delivered keen social critiques wrapped in satisfying drama? If you miss that medicine, you need a dose of director Akira Kurosawa’s Red Beard, a three-hour soap opera about a 19th-century Japanese clinic.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's a mad cycle of arrogance and despair, and Bloody Sunday etches it onto your nervous system.- Entertainment Weekly
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