For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
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Reviewed by
Chris Nashawaty
There's a long tradition of filmmakers poking fun at the movie business. But no one bit the hand that fed him more viciously or with sharper fangs than Billy Wilder in Sunset Boulevard.- Entertainment Weekly
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Wilder’s movie manages to be a scathing social satire and cautionary tale (the corporate lingo is prescient: ”preliminarywise,” ”manpowerwise”); a brilliant physical comedy (Lemmon’s tennis-racket-spaghetti-straining skills are superb); and a devastating romance between Baxter and Miss Kubelik (Shirley MacLaine). All of which makes Wilder’s masterpiece tough to take if you’re looking for a laugh riot.- Entertainment Weekly
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Reviewed by
Ken Tucker
A ruthlessly heartbreaking tale of a famous gunslinger (Gregory Peck in a black mustache and a little black hat) grown weary of facing down an increasingly young bunch of challengers to his quick-draw supremacy.- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The conclusion of Peter Jackson's masterwork is passionate and literate, detailed and expansive, and it's conceived with a risk-taking flair for old-fashioned movie magic at its most precious.- Entertainment Weekly
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- Entertainment Weekly
- Posted Nov 22, 2017
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- Entertainment Weekly
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Reviewed by
Leah Greenblatt
Though it may not be an easy movie to watch, or even a particularly original one — there’s still Kramer vs. Kramer, after all — Marriage still feels like something special on the screen: a movie that somehow makes its intimacy seem like a radical act, one messy, heart-wrecking moment at a time.- Entertainment Weekly
- Posted Sep 11, 2019
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Reviewed by
Mark Harris
To watch it now is to appreciate more than ever Gene Hackman’s uncompromising talent, Owen Roizman’s great, barely-color cinematography, and a time when the spectacle of a foulmouthed, racist, brutal cop could still outrage as many moviegoers as it excited.- Entertainment Weekly
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Reviewed by
Chris Nashawaty
It’s stunningly ambitious and thrillingly alive the way the best movies are.- Entertainment Weekly
- Posted Dec 7, 2016
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Reviewed by
Leah Greenblatt
Sciamma's elegant, melancholy fable captures something lovely and ineffable: a brief glimpse into life's great mystery.- Entertainment Weekly
- Posted Apr 28, 2022
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Reviewed by
Leah Greenblatt
Gerwig doesn’t trap her protagonist in the oblivious underage bubble that most coming-of-age dramedies inhabit; Lady Bird’s parents, played by Tracy Letts and Laurie Metcalf, are fully formed humans with their own deep flaws and vulnerabilities.- Entertainment Weekly
- Posted Nov 3, 2017
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Funny and scary, Reversal is a tour de force for Schroeder, who examines the idle rich, the intricacies of the legal system, and the imperatives of morality concisely but with unmatched brio.- Entertainment Weekly
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Reviewed by
Leah Greenblatt
Lee's hand in all this seems to be a light one; aside from his intimate but unobtrusive camerawork, the show appears essentially unaltered from the live performance.- Entertainment Weekly
- Posted Sep 10, 2020
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Reviewed by
Leah Greenblatt
Kore-eda is working up to something else, steering the story he’s built so carefully toward an utterly unexpected detour. As much of what we think we know unravels, the film becomes not just an enjoyable, intermittently poignant portrait of imperfect people but a profound meditation on the meaning of family.- Entertainment Weekly
- Posted Nov 15, 2018
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Reviewed by
Owen Gleiberman
It seems pompous and scattershot now -- a tweaking of privileged European smugness that unfolds with a playful daisy-chain logic but has the tone of a quaint, doddering lecture.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
- Posted Dec 10, 2019
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- Critic Score
The film’s air of doom isn’t what some would call romantic, but as in The English Patient, it heightens the leads’ ardor.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
With Inside Llewyn Davis, they've made a film that is almost spooky in its perversity: a lovingly lived-in, detailed tribute to the folk scene that — hauntingly — has shut their hero out.- Entertainment Weekly
- Posted Dec 4, 2013
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Reviewed by
Chris Nashawaty
Action-packed and jaw-droppingly epic (it was the first time director John Ford ever shot in Monument Valley), Stagecoach is the perfect Western to show to people who don’t like Westerns.- Entertainment Weekly
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Controversy aside, ”Blimp” splendidly marries a sprawling narrative to stunningly imaginative filmmaking.- Entertainment Weekly
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Reviewed by
Leah Greenblatt
The movie belongs to Blanchett, in a turn so exacting and enormous that it feels less like a performance than a full-body possession.- Entertainment Weekly
- Posted Sep 7, 2022
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Reviewed by
Lisa Schwarzbaum
For bleakness, the movie can't be beat -- nor for brilliance.- Entertainment Weekly
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Top Hat is tops with two of the duo’s most sublime numbers (The Piccolino, Cheek to Cheek), plus Fred’s rat-a-tat solo, a funnier-than-you-remember script (Erik Rhodes’ English-mangling designer exclaiming: ”Never again will I allow women to wear my dresses!”), and the hummable Irving Berlin score.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Extraordinary new documentary that turns Robert Crumb's twisted life story into a disturbing, exhilarating work of biographical art.- Entertainment Weekly
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Fellini weaves the director’s memories and fantasies into a brilliant blend as Guido comes to realize that lives, like movies, need direction.- Entertainment Weekly
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Reviewed by
Chris Nashawaty
Tautly directed by Tom McCarthy (The Visitor), the film hums as a tense shoe-leather procedural and a heartbreaking morality play that handles personal stories respectfully without losing sight of the bigger, more damning picture.- Entertainment Weekly
- Posted Nov 4, 2015
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Reviewed by
Owen Gleiberman
The Wizard of Oz remains the weirdest, scariest, kookiest, most haunting and indelible kid-flick-that's-really-for-adults ever made in Hollywood.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The most beautiful movie ever made about a man who could only move one eyelid -- almost dangerously beautiful.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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