Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. It's Gerwig's care and attention to detail that gives Barbie an actual point of view, elevating it beyond every other cynical, IP-driven cash grab.
  2. The mechanical beauty and android possibilities of the future excite the filmmaker, and that's where Minority Report becomes an alluring postcard from the edge. But it's an edge over which Spielberg never seems to want to step.
  3. Director Tom Harper (War & Peace) aptly conveys the single-mindedness that a life of art requires, and the double standard applied to the women who pursue it at the cost of other, seemingly more essential things. But it’s Buckley, wild and free, who makes the movie sing.
  4. The best thing about this long-awaited feature-length project, a classic Simpsonian interplay of family psychology, social commentary, and brainy visual and verbal jokes tossed off at rat-a-tat speed, is how relaxed it manages to be.
  5. Traces the sport to its Polynesian beginnings, then zooms in on the genesis of 20th- century Southern California surf culture -- the boards, the bikinis, the laid-back cowabunga.
  6. With his crudely drawn stick-figure body and big, round Wiffle-ball head, Cuca is a bundle of jitterbug energy and boundless imagination. Like Riley’s in "Inside Out," his noggin is a wondrous place to spend an hour or two.
  7. Room 237 makes perfect sense of "The Shining" because, even more than "The Shining" itself, it places you right inside the logic of how an insane person thinks.
  8. Obliquely related to her recent movies, Hogg's latest is either her slyest joke to date, or another swerve in an especially fecund career phase.
  9. There's an adult life force in every frame of this luxuriously paced work, even in the sight of rain and a lady's stocking.
  10. Hanks plays Fred as he lays: a sort of secular Buddha in a red knit cardigan whose gently probing questions and Zen proclamations work as a slow dissolving agent on Lloyd’s resistance.
  11. A ramshackle, winningly raw coming-of-middle-age shot in vivid black and white but told in emotional Technicolor.
  12. Directed by another great character actor, John Carroll Lynch (Zodiac, American Horror Story), Lucky is an elegiac and ultimately affirming meditation on mortality, regret, and smiling through hardship. You couldn’t ask for a more poignant swan song from a more singular artist.
  13. Something marvelous happens as the filmmaker, in his first feature, expertly metes out small scenes of communication between people taught, for generations, to be wary of one another: This Band swings with the rhythms of hope.
  14. A bold, searching, wrenching experience. It may be the most complexly impassioned message movie Hollywood has ever made.
    • Entertainment Weekly
  15. Known for distinctive horror movies like "Cure" and "Pulse," inventive Japanese filmmaker Kiyoshi Kurosawa finds just the right melancholy tone to suit a new and all too familiar kind of horror: economic downsizing.
  16. Lorenzo’s Oil is at once harrowing and riveting. In the age of AIDS, it has telling observations to make about how the institutionalized complacency of the medical establishment actually works. As remarkable a job as Miller and the actors have done, though, the film begins to wear you down. At 2 hours and 15 minutes, it’s far too long, and (more crucially) it has a flat, repetitive structure.
  17. For anyone who loves stop-motion animation, the first 40 minutes of this bleak adventure will scratch your trippy itch and then some.
  18. The first great, mind-tickling treat of the new movie year.
  19. Good Night, and Good Luck has a small-scale time-capsule fascination, yet its hermeticism is really a form of moral caution -- a way of keeping the issues neat, the liberal idealism untainted.
  20. Acompelling, cant free drama about clashing class systems and challenged family relationships that's all the more engrossing for its organic, near documentary style.
  21. A spooky, moving documentary.
  22. A stunning study of one desperate woman's conscience.
  23. With his Mephisto-phelean swagger and chewy, good ol’ boy drawl, Reynolds is a chest-beating revelation.
  24. If Ingmar Bergman had directed a remake of "All About Eve," it might have looked something like Clouds of Sils Maria. Mysterious and narratively playful, Olivier Assayas’ film features a trio of finely calibrated female performances that examine the psychological toll of being an actress — or working for one.
  25. This thrilling stop-motion animated adventure is a high point in Selick's career of creating handcrafted wonderlands of beauty blended with deep, disconcerting creepiness.
  26. A so-so meditation on historical amnesia. It’s also so weighted down with mysticism and metaphor it forgets to quicken your pulse or whiten your knuckles.
  27. If you're going to get on the wavelength of Little Miss Sunshine, you've got to be able to enjoy a comedy in which the characters fit into hermetically cute, predetermined sitcom slots.
  28. Benson and Moorhead masterfully ratchet up the sense of unease, before the third act takes a turn for the truly terrifying.
  29. Sweetgrass is austere enough to make Frederick Wiseman's films look like Jersey Shore episodes, yet it has its own suspense.
  30. The film is fizzy, lightweight fun with some real moments of genuine heart.

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