Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. The audience gets the message (religious fanaticism: bad), but nothing we see is convincing on its own.
  2. An aggressively inept demon-seed chiller starring a bunch of grown-ups who should've known better.
  3. If any of these characters were half as resonant as Wenders appears to think they are, the film might have seemed charming instead of merely stranded.
  4. Love means never having to say you're recycling plot material.
  5. It's hardly much of a thrill to see The One recycle, on a lower budget, the slo-mo bullet dodges from "The Matrix," along with unspectacular variations on several other of that film's time-bending demolition-ballet effects.
  6. The jokes are flaccid, the acting is stiff, and the whole idea is such a boner, you have to wonder if the writer was missing another critical organ when he came up with it.
  7. This morphing of "The Bad News Bears" and a "Three Stooges" episode parades its dumbness with such zip that it almost passes for clever.
  8. A clunky family-therapy soaper.
  9. The creepy-faced robot twin babies are funny (for a while); the rest of the film is not. It's like "Meet the Parents" with Dr. Phil as the officiant from hell.
    • 25 Metascore
    • 33 Critic Score
    Bogusly wholesome six-gun dud.
  10. The actors more eager to goof around in schlumpfy costumes on a low-budget lark than to play their trashy characters with the seriousness such farce requires.
    • 25 Metascore
    • 0 Critic Score
    Probably the worst movie that's sludged across my professional eyeballs -- worse than "Daddy Day Camp," "Baby Geniuses 2," and "BloodRayne."
  11. There are moments of real funniness in this smarter-than-anticipated goof-fest.
    • 25 Metascore
    • 25 Critic Score
    An appropriately absurd finale for a series that long ago went over the top.
  12. There's barely a trace of the magic of 1939's "The Wizard of Oz"; the bricks are still yellow, but the road doesn't lead anywhere special.
  13. I'm happy to report, though, that even a dud like Spy Hard can't completely douse the stumbling Zen charm of Leslie Nielsen, whose genius is that he never quite sheds the illusion that he isn't in on the joke.
  14. It's a shame that this glossy production doesn't seem to realize it's actually promoting an altogether different message: when moms dare to leave the house, everything goes wrong.
  15. As the naughty ghost pal of Phoebe Cates, an obnoxious British actor named Rik Mayall is like Michael Keaton’s Beetlejuice without the juice. In Drop Dead Fred, all he does is smash and spill things and say many, many potty words.
    • 25 Metascore
    • 42 Critic Score
    (Madonna is) clearly full of good intentions; too bad she's lacking discernible emotions.
  16. When not unnecessarily bland, synthetic, and indistinguishable from undistinguished teen TV, A Cinderella Story is unnecessarily coarse and dumbed down, with every character except Sam and Austin subject to perfunctory ridicule.
  17. Sounds mildly fun, be forwarned: When in Rome doesn't even offer that.
  18. It doesn't help that most of the jokes (like a rip-off of ''There's Something About Mary'''s dog-in-the-crotch bit) are themselves stolen.
  19. While he's (Bridges) having more fun than anyone in the audience is likely to be having, it's such a rip-snorting go-for-broke performance that it almost makes R.I.P.D. worth the price of admission. Almost.
  20. Obsessed has little plausibility, but at moments it's an entertaining bad movie, and the performers are vivid.
  21. The lushness of a Modigliani is largely absent from Modigliani.
  22. A mud-simple horror trudge set in a swamp colony of Abercrombie models.
  23. Soft-core trash with a tent-show hook.
  24. Wes Craven's first new movie in five years is a brainless, joyless, and yes, you might even say, soulless teen slasher.
  25. It will come as no surprise that the movie isn't scary. But here's the real damn: It isn't funny, either.
  26. Preposterous-for-no-good-reason supernatural tale.

Top Trailers