Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. The actors, particularly the inexhaustible Yeoh, do much of the work to ground what often feels, with its dream logic and layer-cake Inception feints, like a coded story whose secret key you haven't been invited to share.
  2. Blue Valentine is lushly touching and gorgeously told.
  3. Shot in alternating French and Flemish, it's also quintessentially European, but the language of his storytelling is the most universal kind: a moving and often sublime piece of small-scale filmmaking, told with uncommon empathy.
  4. A story in full billow; it sails through stretches of bloody battle, anxious waiting, wine-soaked relaxation, and marvelous scientific discoveries by the remarkable Maturin (Paul Bettany, well matched again with his ''A Beautiful Mind'' costar).
  5. Regrettably, the film's story is so busy yet flat that the effect isn't magical -- it's more like watching the tale of some very enchanted wallpaper.
  6. As brilliantly funny as Chris Rock is, he's never been able to replicate the high-voltage danger and electricity of his stand-up act on the big screen. But in his latest film, the sharply satirical Top Five, he not only makes a case for why he should be a bona fide movie star, he also proves he's a writer-director to be reckoned with.
  7. Between clips of the concerts Seeger staged as hootenanny hosannas, the film chronicles how the blacklisted star stuck true to his beliefs -- which were more patriotic than those of his accusers.
  8. Lean, elegant, and emotionally complex -- a marvel of backwoods classicism.
  9. The great Polish director Andrzej Wajda musters the power of classical filmmaking and personal emotional investment to dramatize a stunning atrocity long covered up.
  10. Yimou’s lovely import is the kind of lump-in-your-throat drama they don’t make much anymore, at least in Hollywood. Watching Coming Home you’ll wonder why that is — and who we can write a letter to to fix it.
  11. Living in Oblivion celebrates the very act of filmmaking as grand folly, a triumph of absurdist heroism.
  12. The vividness of the narrative never quite matches the riotous swirl of color and culture on screen — and neither do the songs, sadly, for how central they are to the story. Instead, Coco settles into something gentler but still irrefutably sweet: a movie that plays safe with the status quo, even as it breaks with it.
  13. Bridge of Spies is like Capra with a dash of le Carré.
    • 81 Metascore
    • 100 Critic Score
    Director Bruce Beresford's tightly focused adaptation retains all the impact of its Pulitzer Prize-winning stage original. Jessica Tandy and Morgan Freeman give exceptional performances as the aging widow and the sage black chauffeur who enlightens her in the segregated South.
  14. In a bold move that pays off, the movie jettisons dialogue altogether and tells its whole story through barn-animal noises, goofy sound effects, and sight gags so silly they’d make Benny Hill spin in sped-up ecstasy. The effect is contagiously cute.
  15. French mood-and-feeling master filmmaker Claire Denis returns to the Africa of her youth for an intense, mysterious drama exploring revolution and loss.
  16. That his (writer-director Tom McCarthy) strange, often funny film is so well-disciplined and deadpan refreshing is an achievement.
  17. The most haunting thing in Bennett Miller's latest film, Foxcatcher, is Steve Carell. That's right, the same rubber-faced comedian who gave us the dim-witted meteorologist of "Anchorman" and the oblivious corner-office boob of "The Office."
  18. The serious accusations are leavened by the moments of brimming, illogical, intimate neighborly dailiness the filmmaker also captures with warmth and infectious high spirits.
  19. Rohmer treasures the undervalued glories of discourse and the intimacy of conversation over the obviousness of action or sexual display.
  20. The movie darts, dreams, and sometimes seems to dance. The great Plummer, meanwhile, creates an inspiring, fully rounded man in late bloom, and McGregor responds with a performance to match.
  21. Campion's big-sisterly encouragement of Cornish's lovely, openhearted performance -- and Whishaw's well-matched response -- results in a character instantly, intimately recognizable to anyone remembering her own first love.
  22. In its audacious strangeness, the movie manages to do something history hardly ever gets to: surprise us.
  23. It took me two viewings to enjoy the landscape of Weerasethakul's mysterious jungle -- so very thick, steamy, and foreign -- without wishing for clearer trail markers.
  24. British filmmaker Andrew Haigh's background in editing (from Gladiator to Mister Lonely) is evident in the casual beauty of moments that only appear "found," giving Weekend an engrossing documentary feel.
  25. Like David Lynch, Quentin Tarantino, and Paul Thomas Anderson, Solondz revels in ironic pop passion. It's a signature moment when he transforms Air Supply's "All Out of Love" into a geek-love rhapsody.
  26. Raw
    Raw is unsettling and repulsive and, believe it or not, occasionally funny. It’s got audacity and style, and it packs an undeniably wicked punch.
  27. Anderson's film is something to be experienced, like a psychedelic drug trip where the journey trumps the destination. Unfortunately, his journey just didn't do it for me.
  28. The best documentaries reveal the ways in which truth can be stranger (and wilder and weirder) than fiction. And director Tim Wardle’s stunning and tragic Sundance sensation, Three Identical Strangers, is stranger (and wilder and weirder) than most.
  29. You need know nothing about Italian politics to completely enjoy the fantastical, Fellini-fied, tragi-comic, biographical fun-for-all Il Divo.

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