Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. A tale of ordinary Americans scraping bottom, yet there's a redemption in that. The film asks: If you were this desperate, wouldn't you do the same?
  2. Sachs, Molina, and Lithgow have given adult moviegoers a perfect piece of summer counterprogramming — a warm, humane, resplendent romance to savor while our days are still long.
  3. Navalny has a bracing, heart-racing story to tell, even as the improbable facts rush past. But it never fails to focus on the human man: funny, prickly, and unimaginably brave, down to the last defiant frame.
  4. Watch for the director's own mother, Lili Kosashvili, a standout as Zaza's fierce, stately mama.
    • 82 Metascore
    • 91 Reviewed by
      Ty Burr
    From the opening shot of a burnt-orange GTO cruising a high school parking lot to the strains of Aerosmith's ''Sweet Emotion,'' Richard Linklater's film nails mid-'70s adolescence so precisely that you'll need Clearasil by the end credits.
  5. It's wonderful to see a Japanese movie in which a samurai, for all his somber discipline and skill, is also a touching and complicated ordinary man.
  6. Madeline is the kind of movie that won’t come anywhere near the mainstream, and clearly wasn’t meant to. But for the dozens of viewers it will almost certainly baffle or exasperate, there will be one or two completely captured by its peculiar magic.
  7. Requiem is drawn from an incident that was also the basis for last year's demon-seed hit, "The Exorcism of Emily Rose."
  8. A great many filmmakers — too many — use handheld cameras to evoke a sensation of raw, this is really happening immediacy. But director Paul Greengrass is unique. At a glance, his live-wire, ragged-camera method may seem overly familiar, but the way he employs it, that method is as expressive as the style of a superb novelist.
  9. And for all the absurdist laughs (and not a few cringes) both men wring from it, their interplay feels both inherently ridiculous and entirely true to life; a bittersweet bromance writ in whiskey and spandex.
  10. Even as the story's inevitable reckoning descends, Farhadi allows his modest morality tale to take on a note of battered, ambiguous hope: a cautionary fable whose purest notes ring poignantly, painfully true.
  11. So overstuffed with random fireworks that despite its politics, it's easy to imagine the film getting a four-star rave from Bush or Saddam.
  12. Beneath the runes and visions, it's a tale as old as Game of Thrones, and as simple as a story told around a campfire: a ride of the Valkyries spelled out in gore and popcorn.
  13. The movie is voyeuristic, sure, but in a way that evokes Alfred Hitchcock's "Rear Window" more than William Friedkin's "Cruising."
  14. A marvel of warm collaboration and shared jokes about husbands and wives, shot both in dreamscape color and pristine black and white.
  15. Raquel's devotion to her employer is barbed with hatred, need, and an insecurity she manifests through constant tiny acts of sabotage that would be funny if they weren't also so chilling -- bordering on psychotic.
  16. A great, searching, incendiary chronicle of the Sex Pistols, the razor-hearted visionaries of punk anarchy.
  17. If you see only one movie this year about a twisted, cuddly, courageous, fatally diseased, self-mutilating love slave, make sure that movie is Sick: The Life and Death of Bob Flanagan, Supermasochist.
  18. With a taut and timely screenplay by Taylor Sheridan, Sicario is a brilliant action thriller with the smarts of a message movie.
  19. A peculiar combination of willful meandering and matter of fact violence, and it occasionally confounds in its attempts to exalt.
  20. At once scary and stirring.
  21. What it does have is an overwhelming bittersweet melancholy at the passing of life from middle age into…well, you could call it late middle age.
  22. Even when its emotions risk running as cool as its palette, 2049 reaches for, and finds, something remarkable: the elevation of mainstream moviemaking to high art.
  23. A movie that re-creates its object of satire with such pitch-perfect flair that it all but erases the line between derision and love.
  24. What's lost in translation is recovered easily enough in Michael Sheen's astonishing performance as Clough.
  25. Mass, as maddening as it can be, still feels like an urgent and necessary movie, if not at all an easy one — and an exceptional opportunity too to watch four great character actors, finally called up from the sidelines to center stage, do what they do.
  26. 13th is a titanic statement by a major American voice. Viewing — right now — should be mandatory.
  27. After a rich, anecdotal first half, Fresh, inspired by the lessons of his derelict-chess-whiz father (Samuel L. Jackson), ends up setting his own human chess game in motion. You may not believe a minute of it, though you won’t forget Nelson’s face.
  28. That’s the movie’s greatest feint, though: Ultimately, it’s far less interested in galactic destiny than the infinite, uncharted landscape of the human heart.
  29. A blithe charmer balanced somewhere between a life-should-be-so-neat fairy tale and a life's-a-real-bitch tragicomedy, leaves political debate at the ticket counter and focuses solely on what it's like for Juno MacGuff to be Juno MacGuff.

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