Entertainment Weekly's Scores

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For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
  1. Positive: 4,958 out of 7797
  2. Mixed: 2,079 out of 7797
  3. Negative: 760 out of 7797
7797 movie reviews
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  1. Anatomy of Hell
    Homophobic, sex-phobic, maybe even human-phobic.
  2. Diana: The Musical
    If you want royal intrigue and insight, do yourself a favor and revisit Harry and Meghan's Oprah interview because Diana: The Musical is rather like the royal family itself these days, expensive and pointless.
  3. You Again
    Yes, You Again. We've met before.
  4. I Am Sam
    The dumbing down of low-IQ sentimentality.
  5. Stigmata
    A crude, silly supernatural thriller.
  6. Hitman: Agent 47
    In this post-"Mad Max: Fury Road" action movie age, “occasionally bonkers” just doesn’t cut it anymore.
  7. The Other Sister
    Still, there's no mistaking the central message: Slow people have much to teach us. Or is it: Slow people -- aren't they funny? Either way, it's pretty vile stuff.
  8. A Good Day to Die Hard
    In the way of workaday flicks built around long-in-the-tooth badasses, Die Hard 5 leaves room for McClane to make a few jokes about his thinning hair and to rue that he wasn't a better father when his kids were growing up. Oh, boo-hoo.
    • 28 Metascore
    • 50 Critic Score
    Ghost Ship
    That creaking noise you hear in Ghost Ship is the rattling of countless plot skeletons that have sunk before.
  10. Even Cowgirls Get the Blues
    Cowgirls, a flaky-surreal adaptation of Tom Robbins' 1976 feminist hipster road novel, finds the director of "Drugstore Cowboy" and "My Own Private Idaho" lost in the ozone of his own private whimsies.
  11. Nobel Son
    Randall Miller (Bottle Shock), appears to be trying to cross a bad Elmore Leonard thriller with a bad indie-festival family-angst comedy. He gives us the worst of both worlds.
  12. London Has Fallen
    The new sequel, London Has Fallen, implausibly ups its predecessor’s stakes to "Die Hard in the City of London." Unfortunately, widening the scope this dramatically causes the entire fragile action-movie axis to spin wildly out of control.
  13. Passion of Mind
    Nobody's got a clue. Enquiring minds don't even want to know.
  14. Third World Cop
    Ends up about as exotic as a straight-to-cable potboiler.
  15. Just Married
    Collapses into the most generic sort of teen movie-ville, just at the moment it's convinced you that its lightly appealing stars are capable of better.
  16. Blood: The Last Vampire
    Gory but dramatically inert vampire schlocker.
    • 28 Metascore
    • 25 Critic Score
    Airborne
    High production values and a moderately appealing cast do nothing to ameliorate the tedium... The sappy concoction concludes with a genuinely impressive race sequence, but it’s not worth the wait.
  18. A Merry Friggin' Christmas
    Even if Robin Williams were still among us, the limp, drearily derivative A Merry Friggin' Christmas would feel like it had a pall cast over it.
    • 28 Metascore
    • 83 Critic Score
    Surf Nazis Must Die
    The best thing about this B movie is always going to be its title, but there’s more than a catchy name to this DVD.
  20. CHIPS
    While CHIPS sure is goofy, it falls flat compared to other buddy-cop comedies in its genre, relying too heavily on unpleasant sex jokes (often revolving around gay panic) and a nonsensical crime plot.
  21. Pandorum
    How brazenly can one film rip off "Alien," "I Am Legend," and, somewhat oddly, "The Poseidon Adventure"?
  22. The Big Wedding
    The movie, in its basic concept, is corny and contrived, but as written and directed by Justin Zackham, it's executed in a pleasantly wry and understated fashion.
  23. Dirty Deeds
    Too mild to be dirty, yet too dirty to be charming, and altogether too generic to be much of anything.
  24. The Hitcher
    A remake of the 1986 suspense ''classic,'' is as processed and hoot-worthy as the original.
  25. Drop Dead Gorgeous
    A cheap cut-glass tiara of a booby prize goes to Drop Dead Gorgeous for messing up so utterly.
  26. Pokémon: The Movie 2000
    Any grown men and women who pay to see the movie face a harrowing ordeal.
    • 28 Metascore
    • 16 Critic Score
    Happily N'Ever After
    Stuffed with stock characters -- the vain prince, the critter sidekicks -- who adamantly stay stock.
  28. The Haunting of Molly Hartley
    The story's a snooze, so the filmmakers punch it up with smash cuts and thunderclaps that turn the most laughably banal items -- birds, mail, an alarm clock -- into cheap jack-in-the-box shocks.
    • 28 Metascore
    • 50 Critic Score
    Fireproof
    The filmmakers hedge their bets by making the young marrieds agnostic at the start of the movie, in order to turn Fireproof into a manual for eternal as well as marital salvation.
  30. Man Down
    Director Dito Montiel splinter’s the film’s story on multiple tracks, in a truly shameless and incredibly obvious effort to protect a Big Twist.
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