For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
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- Entertainment Weekly
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- Entertainment Weekly
- Posted Sep 7, 2018
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Reviewed by
Lisa Schwarzbaum
A gentle, traditional (like, from the last century) romantic comedy.- Entertainment Weekly
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Reviewed by
Scott Brown
Special kudos go to Walker, for his dead-on impression of a time-traveling 2x4, and the perpetually hysterical O'Connor, who delivers one of the most grating performances in history.- Entertainment Weekly
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Ty Burr
There's not much else for viewers to do but give themselves over to the whims of the bad-movie gods.- Entertainment Weekly
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Owen Gleiberman
Mostly preposterous, and it has no dramatic center, but the racing scenes hold you in their death-trip grip.- Entertainment Weekly
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Owen Gleiberman
As Brier's comrade-in-lip-gloss, Ashlee Simpson, dressed to look like a teenybop girl version of Crispin Glover in "River's Edge," is the real deal -- in fake cred.- Entertainment Weekly
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Maureen Lee Lenker
There’s a great film to be made about organ donation — the miraculous, often mysterious link between donor and recipient and how that decision touches lives. But 2 Hearts doesn’t come close to finding the pulse required to be that movie.- Entertainment Weekly
- Posted Oct 16, 2020
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Keith Staskiewicz
For his part, Lee seems to have pored over every sports underdog movie of the last twenty years, boiled away all the interesting particulars, and kept whatever dross was left.- Entertainment Weekly
- Posted Sep 20, 2013
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Jordan Hoffman
Bad movies come and go, but Hurry Up Tomorrow presents the Weeknd as so needy and so irritating that it may have lasting effects. The next time one of his songs comes up on a playlist, I may hit fast-forward. I've spent enough time with this guy.- Entertainment Weekly
- Posted May 15, 2025
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Chris Nashawaty
It’s a comedy that’s so witless and unfunny and shoddily made it makes "The Hangover 2" look like "The Godfather 2."- Entertainment Weekly
- Posted Feb 19, 2015
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Chris Nashawaty
Aliens vs. Predator: Requiem is a B movie that truly earns its B.- Entertainment Weekly
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Owen Gleiberman
Proof that a thriller can be sleekly shot, expertly cast, paced with crisp professionalism...and still be a letdown if its twists and turns hold no more surprise than yesterday's weather report.- Entertainment Weekly
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Lisa Schwarzbaum
This ill-fitting movie was mail-ordered from an out-of-date catalog of teen-com stereotypes.- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Pathfinder's moody, muddy look is courtesy of music-video director Marcus Nispel, who doesn't distinguish between people and tree trunks when it comes to emotional content.- Entertainment Weekly
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Owen Gleiberman
This dank and rhythmless ''psychological'' potboiler was directed by Jamie Babbit, who made 2000's "But I'm a Cheerleader," and though she has shifted tones from shrill camp to moody angst in The Quiet, she still thinks in stereotypes so thin that they put you to sleep the moment they open their mouths.- Entertainment Weekly
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The looming notion that Ratchet & Clank’s story and characters already exist (in playable form, to boot) consistently tugs us away from the film at hand and into the nearest GameStop, where we’re free to browse the shelves for a far more satisfying experience.- Entertainment Weekly
- Posted Apr 29, 2016
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Reviewed by
Owen Gleiberman
An act of nose-thumbing that never quite figures out how, or even where, to position its thumb.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Kate Hudson is as blah and dazed as her costar is cloyingly enthused. If it's possible to have too even a tan, Hudson in Fool's Gold would be the poster child for it.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Red Riding Hood goes from trite to triter, a plot collapse that overtakes any of the visual prettiness from cinematographer Mandy Walker (Beastly).- Entertainment Weekly
- Posted Mar 10, 2011
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Leah Greenblatt
Your enjoyment of all this will probably depend heavily on your willingness to let the words romp and Taliban coexist for approximately two hours. The movie itself is slight and sometimes outright offensive, though it’s also intermittently amusing and not entirely unself-aware.- Entertainment Weekly
- Posted Oct 22, 2015
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Devan Coggan
Ayer and Landis’s world is so dull and ill-conceived that few will want to spend any additional time there. It’s a world of magic that lacks any of its own.- Entertainment Weekly
- Posted Dec 21, 2017
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Owen Gleiberman
Even in her dullest vehicle, Lindsay Lohan exudes an unfakable shine.- Entertainment Weekly
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Lisa Schwarzbaum
As distressed as a comedy can be without qualifying as a snow emergency.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
What willful streak of perversity inspired Kevin Costner to take on this wacky tale of a letter carrier-turned-postapocalyptic hero?- Entertainment Weekly
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Lisa Schwarzbaum
It's a puzzlement how so many pros could have so wrecked one of the most beloved, hummably familiar movie musicals in the Rodgers and Hammerstein repertoire.- Entertainment Weekly
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Owen Gleiberman
In this American remake of the spooky, more-atmospheric-than-coherent 2005 J-horror thriller, the ghosts blink and crackle into existence with an electromagnetic sputter, but really, they're not so different from the gauzy, see-through spirits of yesteryear.- Entertainment Weekly
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Jason Clark
Even with lowered expectations toward escapist fare taken into account, the film is a long slog, with Marsden and Bracey conveying little but Crest smiles and smolder, while Liberato and Monaghan are stuck doing endless cry-face.- Entertainment Weekly
- Posted Oct 17, 2014
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Reviewed by
Lisa Schwarzbaum
Unfortunately, the charming Batfamily can't stay in their cave indefinitely; they've got to go out and fight crime. And that's where this elaborately high-style production from Batman Forever director Joel Schumacher hits an iceberg.- Entertainment Weekly
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