Entertainment Weekly's Scores

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For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
  1. Positive: 4,958 out of 7797
  2. Mixed: 2,079 out of 7797
  3. Negative: 760 out of 7797
7797 movie reviews
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  1. The Love Punch
    There’s nothing remotely original about the premise, and jokes about prostates feel more pandering than funny, but the leads make this dumb romantic caper watchable.
  2. Last Man Standing
    Writer-director Walter Hill follows up last year’s nuanced, underrated Wild Bill with this numskull, overwrought shoot-’em-up.
  3. Unicorn Store
    The result is a candy-coated, willfully quirky wisp of a film; like a Michel Gondry fantasy dipped in glitter and rainbow sprinkles.
    • 44 Metascore
    • 50 Critic Score
    Chaos Theory
    Peddles the usual carpe diem movie bunk.
    • 44 Metascore
    • 75 Critic Score
    The Closer You Get
    Featherweight tale of Guinness-guzzling bachelors.
  6. The Code
    Doesn't have much time for refinement of image or elegance of plot. What it's got instead is an insider's feel for the local, excitable hoodlum life and speech.
  7. Committed
    An inert screwball cartoon, a celebration of monogamy as fashion statement.
    • 44 Metascore
    • 67 Critic Score
    Brokedown Palace
    It's strangely enjoyable to see her(Danes) and Beckinsale busted on a bogus heroin-smuggling rap and thrown in the slammer with bad 'dos and no makeup.
  9. The Ninth Gate
    A film not even a star as foxed and foxy as Johnny Depp himself could save.
  10. Love & Sex
    The Dutch born Janssen sparkles serenely.
  11. Pearl Harbor
    The picture is nearly painstaking in its traditionalism, a tale of love, war, and valor in which nostalgia for ''simpler times'' gets mashed together, almost fetishistically, with nostalgia for old movies and for the spirit of knightly self sacrifice during World War II.
  12. The Jacket
    Director John Maybury has a feel for shock rhythms, and he's skillful at keeping you guessing, but after a while you want your questions to cohere into compelling answers, and in The Jacket they don't, quite.
  13. Kingsman: The Golden Circle
    If the first Kingsman, at its best, felt like a dry martini of a joke, then this one is more Jack and Mountain Dew — unsubtle, unrefreshing, and unnecessary.
  14. Drive Angry 3D
    Even the film's one "original" twist is just a desperate attempt to link it up to Ghost Rider, the only lousy Nicolas Cage action film that is actually spawning a sequel.
  15. In My Country
    In My Country doesn't so much explore as use the tragedy of black South Africa to give its heroine a righteous slap of nobility.
  16. The Union
    All of the action is shot cleanly, and I could always tell where everyone was in relation to one another during the setpieces — which may not sound like much of a win, but if you think that, you clearly haven't watched too many direct-to-streaming movies. If you want something done efficiently, hire a union man.
  17. The Twilight Saga: New Moon
    Fan-ready and saga-solid.
  18. The Legend of Tarzan
    You just wish — after two solid but oddly joyless hours — that Legend strained less to hit its marks, and swung a little more.
  19. Stomp the Yard
    The shallow frat-on-frat rivalry and the poor-boy-loves-rich-girl subplot don't mean a thing. But the stepping does got that swing.
    • 44 Metascore
    • 67 Critic Score
    Kidnap
    While a quick payday might be the case for Berry on Kidnap (she also serves as a producer), the Oscar winner earns her way to the bank in this mildly titillating (albeit unsophisticated) thriller, which bears a striking resemblance to her 2013 flick "The Call."
  21. Henry Poole Is Here
    It's less a tale of religious rebirth than a faith-based Hallmark card.
  22. Holidate
    As it is, though, the leaden dialogue and awkward pacing ensure that the shallow, unfunny Holidate never takes off.
  23. Pacific Rim: Uprising
    If you enjoyed 2013’s Pacific Rim but secretly wished it was more like a vapid Transformers sequel, then you’ll love Pacific Rim Uprising. Everyone else can give this heavy-metal howler a hard pass.
  24. The Brothers Grimsby
    Here’s what you didn’t expect: That The Brothers Grimsby, an upstairs-downstairs spy comedy, would be Cohen’s best work in a decade.
  25. Peter and Vandy
    More naturalistic -- and as a result, more believable.
  26. Nowhere
    A visual and aural overload that ultimately tires rather than conveys a feeling of f—-d up-ness.
  27. Hotel Transylvania 2
    Genndy Tartakovsky returns as director, and the creator of "Samurai Jack and Dexter’s Laboratory" has somehow managed to kick up the energy even more for the sequel.
  28. Brightburn
    The movie is more or less all premise. The rest is just an occasionally suspenseful, occasionally gory sci-fi riff on any number of earthbound creepy-kid thrillers.
  29. Innocent Blood
    Inocent Blood is an unbelievably lethargic horror comedy directed by John Landis (An American Werewolf in London). Anne Parillaud, the French star of La Femme Nikita, is less sexy than morose in the role of a modern-day vampire who preys on mafiosi. Why mafiosi? For no good reason other than that it allows Landis to stage a lot of scenes in which cut-rate Italian hoodlums stand around yelling at each other.
  30. Two Weeks
    The movie's warm advocacy of hospice, with all the dignity such end-of-life care provides, does real, influential good.
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