Entertainment Weekly's Scores

For 7,798 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7798 movie reviews
  1. Special kudos go to Walker, for his dead-on impression of a time-traveling 2x4, and the perpetually hysterical O'Connor, who delivers one of the most grating performances in history.
  2. Unbearable were Witherspoon not such a genuinely attractive performer.
  3. The magnolias in Callie Khouri's fried green movie look limp.
  4. Deliberately quaint and old-fashioned, a once-over-slightly exercise in nostalgic wonder directed by the British-born great-grandson of H.G. Wells, who treats the spirit of his ancestor's novel with literal-minded fealty.
  5. The movie implodes, with each actor less vivid than he or she ought to be and each character less connected to the others than necessary for such an arbitrary plot.
  6. Falls short of its source.
  7. Between cycles of gunfights and glowering, Yun-Fat displays some of the dignity and suave good looks that account for his star status (without much chance to show his wit).
  8. TV's ''I Spy'' knew how to swing. The movie 'I Spy knows only how to scramble and string together moments of Murphy braggadocio and Wilson stoner-ocity, and the sweat shows.
    • 43 Metascore
    • 50 Critic Score
    Quiet and sleepy.
  9. A Dirty Shame isn't dirty fun. It's the perv "Footloose."
    • 28 Metascore
    • 50 Critic Score
    That creaking noise you hear in Ghost Ship is the rattling of countless plot skeletons that have sunk before.
  10. The truth is, the freakiness kinda turns the director on, and he nearly strangles Suspect Zero with love.
  11. The balance of inspired idiocy to hackneyed buffoonery is out of whack.
  12. While we can agree, for the sake of Iberian-American cinematic friendship, to go along with the whole simplified 1960s swinger premise and ''The Jackie Gleason Show'' choreography, we can also long for the comparatively nuanced 1990s swinger premise of ''Friends.''
  13. It's every bit as nonsensical and overitalicized a mess as ''The Whole Nine Yards.''
  14. The umpteenth recycled shocker about a mystical dark child with an aura of disaster.
  15. Dudsville.
  16. Like a naive modernist hymn made by someone who doesn't, deep down, believe in hymns.
  17. In The Dreamers, Bertolucci wants to take us back to a more revolutionary time, but mostly he ends up recalling the faded revolution of his own glory days.
  18. Slipshod rather than sly. There's no fury to the movie, repressed or otherwise, which may be why when the Revolution arrives, it has all the impact of a guillotine with a deadly dull blade.
  19. There's only one performer in the movie who looks completely at ease with what he's doing: the horse.
  20. The funny thing about Lawrence is he's often paired with a partner (e.g., ''Blue Streak,'' ''Bad Boys,'' etc.), yet has no aptitude for sharing the screen.
  21. A comedy that might have made Butch and Sundance jump off a cliff.
  22. Studded with Lampoon/John Hughes anachronisms.
  23. Thérese unfolds with the sunlight-and-daffodils piety of a Sunday school slide show.
  24. A ripe psychosexual compost heap of a drama that emits a provocative scent of rot and nonsense.
  25. Creator producers Paul Germain and Joe Ansolabehere have come up with some unexceptional children and underdeveloped adults.
  26. Enough to anesthetize the living.
  27. The movie is so busy turning the Sioux characters into photogenic saints that it never quite allows them the complications of human beings.
  28. Requires tremendous restraint not to conclude that this entertainingly apocalyptic mess is about nothing, since it may well be about everything. But I doubt it.

Top Trailers