Entertainment Weekly's Scores

For 7,798 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7798 movie reviews
  1. One more case of a winning ''SNL'' character tamed by the wan, fizzled farce around him.
  2. The only fun is in watching Stallone square off against Alan Cumming and Mickey Rourke.
  3. Has no pretentions to be anything more than a goose-bumpy fantasy theme-park ride for kids, but it's such a routine ride.
    • 40 Metascore
    • 50 Critic Score
    Originally conceived as a videogame, Kaena is now, instead, a creamy-colored yet derivative sci-fi fantasy with a few rip-offs so blatant (''The Empire Strikes Back,'' ''Alien,'' etc.) that even kiddie fans not yet mentally agile enough to make sense of the loopy plot could pick them out.
  4. Soderbergh, in essence, has come up with a plodding and far less psychologically arresting version of ''Ghost.''
  5. When the film version isn't assaulting you with gizmos, it's an awkward, depersonalized piece of hackwork.
  6. Operates on such outdated, unimaginative conventions of movie chemistry that Moore and Brosnan end up appearing older and stodgier than necessary.
    • 58 Metascore
    • 50 Critic Score
    The first-rate cast is wasted serving up this melodramatic turkey.
  7. A conflicted entertainment, compromised by trying too hard to impress the restless, self-referential adults in the audience.
    • 52 Metascore
    • 50 Critic Score
    It feels wrong; the entire machinery of the movie seems to be rotating around Woody Allen's vanity. He remains a canny (if, in this case, hollow) film craftsman, but by now we know him far too well to be asked to find him adorable.
    • 39 Metascore
    • 50 Critic Score
    Crudup is the best navigator a road movie like World Traveler can have, but even he can't single-handedly transport these goods from nowhere to somewhere.
  8. Anxiety is a fair response to a midlife crisis, but that hardly means that we want to see the heroine of a movie spend scene after scene trapped in a nervous dither of indecision. That's exactly what happens in Lucia, Lucia.
  9. Hoffman acts the hell out of the role.
  10. A romantic comedy with all the confectionary value of one of those watery diet shakes; it practically evaporates while you're watching it.
  11. Isn't coherent, exactly, but what dripping-ghoul horror movie is these days? The new rule is, It's not hip to make sense when you're raising hell.
  12. After ''Seven'' and three ''Hannibal'' hits, the audience tolerance for baroque serial-killer flourishes has been duly amped. We require sustained creativity in our sick violence, and Taking Lives, after a token bit of ghastly foreplay, loses its life.
  13. Works hard to be exciting, but the movie scarcely lives up to its title. It could have used a bit of a fuel injection itself.
  14. Lacks even the good, guilty setup of "I Know What You Did Last Summer" -- the sense that the heroes are fleeing the consequences of their own crime.
  15. The animation in Lilo & Stitch has an engaging retro-simple vivacity, and it's nice to see a movie for tots make use of Elvis Presley, but the story is witless and oddly defanged.
  16. This is just cut-rate, generic daughter of Indy Jones hokum.
  17. The plot is a nonsensical mess -- which just caps off the ugliness.
  18. Mark it: Phil Collins officially has nothing more to teach us. The tunes he's composed for Brother Bear are so generic, they're modular.
    • 38 Metascore
    • 50 Critic Score
    Slick, fact-based, missionary-themed drama.
  19. It's so shameless, so psychotically nervous about keeping you ''thrilled,'' that the phrase over the top won't do it justice. It's like a drug designed for people who've done every drug and now want to be jet-propelled into numbness.
  20. Only pretends to care about good people who sometimes do bad things. In fact, it hasn't got time for the pain.
  21. Any random episode of Law & Order would be more sophisticated than this heavy-handed, moralistic Southern-lawyer corn pone, directed by Francis Ford Coppola.
  22. May find an audience, but I found it to be a leftover John Hughes triangle.
  23. The actors more eager to goof around in schlumpfy costumes on a low-budget lark than to play their trashy characters with the seriousness such farce requires.
  24. With Intolerable Cruelty, though, something scares me: I cannot detect a heartbeat of feeling, no matter how close I press a stethoscope against the star machinery of George Clooney and Catherine Zeta-Jones.
  25. Welcome to the brave new world of slut-chic cosmetic feminism.

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