Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. When it's dull, which it is too often for a kidnap caper, this movie is about a woman chirping ''notice anything new about my outfit?'' to a man whose idea of style is a jacket not crusted in human blood.
  2. Love and sex are scary in Bradley Rust Gray's over-Freuded exercise in semi-horror/gender studies.
    • 45 Metascore
    • 58 Critic Score
    (Culkin's) attempt to broaden his range with the not-for-kids thriller The Good Son — in a part that calls for complex emotions rather than amusing reactions-comes up way short.
  3. The movie isn't terrible; it's just low-rent and reductive.
  4. A primer no one needed, Where in the World Is Osama bin Laden? should have been called "The Post-9/11 World for Dummies."
  5. So let's hear it for the giant wig of Pre-Raphaelite gray corkscrews planted on the noggin of Jane Fonda as a glamorous hippie grandma. The hairdo meets its match in the dull Ann Taylor togs encasing Catherine Keener: That's how you know Granny's daughter is an uptight lawyer.
  6. A histrionic mess.
  7. Colombiana is silly fun at first, but as her break-ins and escapes grow absurdly complex - and her motivations increasingly muddy - it turns into the same silly stuff we've seen before, a dish of revenge served not so much cold as reheated.
  8. The dialogue aims young and low, and sounds translated from comic-book Esperanto.
  9. First, the good news. Justice League is better than its joylessly somber dress rehearsal, Batman v Superman: Dawn of Justice. Now the “but”…you knew there was a “but” coming, right? But it also marks a pretty steep comedown from the giddy highs of Wonder Woman.
  10. What we learn in this all-pain/no-pleasure episode is that marriage feels like a life sentence, weddings are miserable events, honeymoon sex is dangerous and leaves a bride covered in bruises, and pregnancy is a torment that leads to death in exchange for birth.
  11. Neither powerful nor interesting. It is a run-of-the-mill movie ''product'' developed as part of a 50 Cent marketing plan.
  12. Firewall is a witless entertainment, and a derivative one, too; it's everything listless about Hollywood in February, everything discardable about the genre in general.
  13. Mr. Brooks begins promisingly, but it grows steadily more preposterous as it goes along, becoming the first feel-good serial-killer movie.
  14. While I was watching Madea's Big Happy Family, I couldn't deny that it PLAYS. Madea, as always, is a figure of towering low-down wit.
    • 45 Metascore
    • 67 Critic Score
    If the film was less than satisfying as a big-screen event, it's still worth renting for Pfeiffer, who valiantly portrays the devastating complexities of grief and guilt.
  15. Would like to be a Halloween treat, but it's more like a nightmare of blandness.
  16. Dopey, not dope.
  17. No maid, and no fancy lady either, would swoon for a fellow as damp as the hero so grudgingly coughed up by Fiennes. In the words of Cinderellas everywhere, no effin' way.
  18. No worse than any disease-of-the-week TV movie, and no more moralistic than any Lifetime drama. But it's no better, either, and it ought to be.
  19. The award for the most annoying character to appear in a movie so far this year turns out to be a tie: It goes to both of the oh-so-swankly tormented romantic mischief makers of Love Me if You Dare.
  20. The CG is on the rubbery side, and the backdrops are jarringly 2-D. But Valiant isn't so hard to look at -- it's hard to listen to.
  21. A blithe, funny, and engaging movie.
  22. Confused? So is Miral, a film that makes bits and pieces of the Palestinian experience come alive without assembling them into a coherent vision.
  23. On Stranger Tides isn't nearly strange enough. Its one real act of piracy is stealing away your excitement.
  24. Jolie Pitt, who also wrote and directed, shows a lot of skin (her own and her cast’s) without ever really getting under it. Misery doesn’t just love good-looking company; it needs an emotional center and a satisfying narrative arc, too.
  25. Jared Hess, co-creator of Napoleon Dynamite and a string of other small oddball pictures, brings a fresh perspective to what could have been a lumbering IP-pallooza movie.
  26. Much of what happens in The Paperboy is so luridly bizarre you can't quite believe what you're seeing.

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