Entertainment Weekly's Scores

For 7,798 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7798 movie reviews
  1. Urgent, heartfelt, and not-quite-as-predictable-as-you-think environmental rabble-rouser.
  2. The timeliness of the film is particularly affecting when they all say goodbye to their loved ones, then cope with loneliness by compulsively online shopping and trying not to think about horrible possibilities over which they have no control. There are better movies than this one, sure. But this is its moment. Call it military punctuality.
  3. A handful of adrenalizing sequences of animated anarchy can't save this story from feeling overly primitive.
  4. What in the Buddha's name is going on in I Heart Huckabees? Russell has come up with a grab bag of ideas that don't stick with you because they don't stick together.
  5. The movie flaunts its comedy roots like a messy bleach job.
  6. Rendition certainly makes the case that torture, whatever name it goes under, is indefensible, yet one can agree with that view entirely and still feel that the movie is just a borderline exploitation of what anyone who reads the papers already knows.
  7. Trolls doesn’t reach for the emotional resonance of DreamWorks’ more ambitious efforts; its lessons of loyalty and kindness are standard-issue, and tear ducts remain untapped. Still, the movie’s serotonin pumps like a fire hose. It’s almost impossible not to surrender to the bliss.
    • 55 Metascore
    • 67 Critic Score
    This rosy film is clearly not for the Peter Pan set: Even today’s younger viewers who aren’t eggheads may never have heard of a sandlot-much less the Sultan of Swat. The only thing they’ll revel in is replaying the slobbery-canine-confronting climax again and again.
  8. Ewan McGregor and Eva Green are easy on the eyes as lovers in Perfect Sense, an intriguing apocalyptic romance with a multi-purpose title.
  9. A rousingly square romantic epic spiced with dashes of sex and bloodlust; it's "Robin Hood" meets "The Last of the Mohicans" meets "Death Wish".
  10. Peculiarly coy feminine-empowerment fable.
    • 55 Metascore
    • 75 Critic Score
    It’s just Paul and Lee hanging out, playing off each other beautifully, every exchange of dialogue a gloveless, effortless toss ‘n’ catch, sparkling under Laszlo Kovacs’ sun-kissed cinematography.
  11. You may go into Flatliners hoping for a psychedelic mindblower, but the film is about as exciting as staring at a lava lamp for two hours.
  12. Partly a straightforward surf movie with impressive wave-catching footage. However, other sections track the legal troubles of Jai Abberton, a Bra Boy who was tried and acquitted of murder. This makes for an often fascinating but awkward mix.
  13. There's a pomo twist to the whole overeager enterprise, in all its theoretical, film-school charm: Similar to 2010's "Machete," the movie was born from a fake 
 trailer commissioned by Grindhouse directors Quentin Tarantino and Robert Rodriguez.
  14. An old-fashioned romance-and-sickness picture, a publicity-grabbing sex picture, an Apatow-lite horny-boys picture, and a liberal satire on pharmaceutical-industry excesses committed in pursuit of pill sales - all in one.
  15. Writer-director Paul Andrew Williams' unnecessarily hectic debut feature won several British film festival awards, no doubt for its bounty of low-budget stylized violence and blood, as well as its thing for prostitutes and runaways.
    • 55 Metascore
    • 42 Critic Score
    With relationship patter that sounds like acting-class exercises, almost none of these stories feel true.
  16. Antonio Banderas is a charming and talented man, but in Take the Lead he lays on the old-world panache so thick - the accent, the flowery courtliness, the romance of romance - that he comes off like Dracula's metrosexual cousin.
  17. The film knows how absurd this is, yet its triumph is that, by the end, we're actually rooting for Mary to see the library as her salvation.
  18. When You're Strange, a documentary history of the Doors directed by Tom DiCillo, is for people like me who can stumble onto the scrappiest Doors video on VH1 at 3 a.m. and sit there, mesmerized.
  19. This sweetly downtrodden, punch-drunk Rocky is often appealing to watch. Yet as a character, he doesn’t have much drive — and neither, I’m afraid, does the movie.
  20. Under the direction of "Bend It Like Beckham's" Gurinder Chadha, this festively busy and exuberantly multicultural charmer is its own intriguingly postmodern creation.
  21. Modest and prosaic, with an unfortunate fairy-tale ending (yes, it features Tom Jones).
  22. Donald spits hot fire and brimstone, but Kiefer remains as bland an avenging angel of action as ever.
    • 55 Metascore
    • 75 Critic Score
    Cumberbatch’s talent for giving the impression that his brain’s moving a little faster than everyone else’s suits his new subject perfectly — if only the movie moved with the same thrilling momentum.
  23. The pleasure of any Star Trek movie lies in experiencing the familiar mixed with the inventive.
  24. The movie is stiff-jointed and dull.
  25. Credit is due to Jackie Chan, who gives his all to make Ninjago work.
  26. Caring may be fundamental, but it never quite feels necessary.

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