For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
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| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Owen Gleiberman
Hurtling and impassioned, driven by some of the greatest popular music ever recorded, this wildly overripe and unkempt biopic is a true experience.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Scott Brown
12:08 East of Bucharest is a shrewdly built comedy, but the characters are broad-verging-on-cheap unholy hick fools.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The very opposite of a storybook romance, and also the very model of a great comedy for our values-driven time.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
You miss the knockabout edge of "Bend It Like Beckham" -- though the ending, in its Pavlovian sports-flick way, pumps you up.- Entertainment Weekly
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Reviewed by
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Reviewed by
Owen Gleiberman
Mr. Brooks begins promisingly, but it grows steadily more preposterous as it goes along, becoming the first feel-good serial-killer movie.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The tale itself is so spectacularly perverse, and the film stays so authentically close to the personalities involved, that you don't feel dirty -- you feel cleansed.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
A marvel of warm collaboration and shared jokes about husbands and wives, shot both in dreamscape color and pristine black and white.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
This measured bio-production might be viewed as a lesser companion piece to "Vera Drake" -- although in the case of Pierrepoint: The Last Hangman, all the period-piece tastefulness makes for a story more instructive than emotionally tangible.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The enjoyably icky heart of Bug is still contained within the airless, increasingly ''bug-proofed'' room that becomes Agnes and Peter's whole world.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Knightley's Elizabeth becomes a pirate captain this time. You know a franchise has run its course when it has a buccaneer heroine who looks as if she'd hate to get her face smudged.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Angel-A shows how director Luc Besson can be French in a way that even the French might despise...Quel ick. And très tedious.- Entertainment Weekly
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- Critic Score
A sluggish procedural on what it was like to make the journey to Ellis Island back in the day.- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Steel City could have used more rhythmic drive, but if Jun keeps weaving together characters this compelling, he could be a major film artist in the making.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
This satire of empty-suit capitalism has scalding moments, but most of it suggests Being There meets The Office gibberized into theater of the absurd.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The boys-in-the-Italian-hood clichés were penned by "Sopranos" scribe Terence Winter, so they have snap, if not freshness.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
An overstructured, overacted indie drama about gambling, addiction, and the sawdusty romanticism of old-time magicians.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The chintzy characters, hair-raising deaths, and one spectacular rocket-launcher joke aren't enough to give "Hostel" a run for its blood.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The faux espionage plot, with its winks at terrorism, is really just a convoluted plea for the relevance of precious indie artistes (i.e., Hal Hartley).- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Feels like an attempt to rebottle the postmodern fizz of Wes Anderson's "Bottle Rocket." I wish instead they'd put a stopper in it.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Jaglom's scruffy style doesn't carry it through. He puts enough toxic insincerity on screen to singe, though.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Until Once, I'm not sure that I'd ever seen a small-scale, nonstylized, kitchen-sink drama in which the songs take on the majesty and devotion of a musical dream.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Excels at creating a keen, creepy sense of a civilization stopped dead in its tracks -- vaporized, almost, except for those disemboweled bodies left still undisposed.- Entertainment Weekly
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Reviewed by
Scott Brown
Here's a sobering thought: If every war gets the comedy it deserves, could Delta Farce, a strenuously unfunny "Three Amigos" knockoff, be our M*A*S*H?- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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- Critic Score
A painful comedy that reduces the "Garden State" star to pratfalls while many comic A-teamers around him (including Paul Rudd and Amy Adams) play idiots.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Based on a true story, this Indian variation on a theme of "The Burning Bed" emphasizes the psychological freedom the inmate finds behind bars.- Entertainment Weekly
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