For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
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| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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- Critic Score
With Walken around, hair up high, of course there are fleeting moments of fascinating weirdness, but even then, you're still moderately embarrassed for the cast.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Its pulpy violent excess will tip over...into slightly more excessive excess. That's its silly, scuzzball joy.- Entertainment Weekly
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Reviewed by
Scott Brown
The sheer, animal idiocy beaming from their faces in the opening credits of The Brothers Solomon creates the film's only moment of uncalculated comic joy.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
What makes The Hunting Party an original, gonzo treat is the way that Shepard plants the movie's tone somewhere between hair-trigger investigative danger and the from-the-frying-pan-into-the-fire glee of a Hope/Crosby picture.- Entertainment Weekly
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- Critic Score
A wry movie that, packed with his well-known friends and scored intermittently to bouncy accordion music, plays like a softer episode of "Curb."- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The morality of revenge is barely at issue in a movie that pushes the plausibility of revenge right over a cliff.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
John August directs it briskly, as a gossip-era "Twilight Zone" of image and reality.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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- Critic Score
One of those wearisome Hong Kong action movies where characters engage in Mexican standoffs not so much to ratchet up excitement or generate tension but rather to look cool for as long as possible.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
A joke of a title in search of a movie with a single good joke.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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- Critic Score
For a second, the movie has the snap of a truly surprising thriller -- like a Hispanic "Kill Bill" -- about an aging lioness willing to kill to protect her cub.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Atkinson's goofball grotesquerie never lets up -- right through to the inspired finale.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
For a light comedy, The Nanny Diaries turns out to have an off-putting theme. It glorifies the romance of slumming.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The gooey sanctity of the bond between fathers and sons all but nullify Jackson's zesty performance.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
There are no zombies to distract from the plausibility of Right at Your Door. And that's what makes this smart, coolly horrifying American indie thriller one of the scariest movies you're likely to see all year — a post-9/11 nightmare about terrorism, panic, and paranoia with real, waking-life implications.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The audience gets the message (religious fanaticism: bad), but nothing we see is convincing on its own.- Entertainment Weekly
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- Critic Score
There are few cinematic crimes more heinous than making a boring action movie. Sadly, that's what the first hour of Triads-versus-Yakuza thriller War is.- Entertainment Weekly
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Reviewed by
Scott Brown
Whatever you're imagining -- self-serving self-awareness; unedited hipster mopes; yammering dear-diary script -- The Hottest State, Ethan Hawke's bathetic tale of a good-looking young actor's first heartbreak, is far worse.- Entertainment Weekly
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Owen Gleiberman
What defines the slacker-geek twentysomething men and women who wander through Joe Swanberg's too-hip-to-be-romantic comedy Hannah Takes the Stairsis that they treat their libidos as minor accessories -- only to stammer through every casual conversation as if they were on a first Internet date.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Superbad is cute if you like guys who aren't even remotely bad, in a coming-of-age tale so old-fashioned the girls might just as well be wearing bloomers.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
By the end of Death at a Funeral's effortful farce about busted British propriety, you may feel that peculiar facial ache that comes from wishing to laugh with no really satisfying release.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
You'd better deliver the goods. And Them, despite some moody imagery out of the "Blair Witch" school, never does.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
There's no denying its grip: It is lurid, fascinating, sickening, and eye-opening.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
This activist documentary -- alternately impassioned, despairing, edifying, and hectoring about all the ways humans are screwing up the earth in a death rattle of hubris -- shouts, People, do something! In contrast, "An Inconvenient Truth" feels positively hushed.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
A funny and madly arresting new documentary.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Every once in a while, though, Firth's eyebrow hints, Can you believe I'm wearing this dorky leather breastplate?- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It would be nice to see a sharp, funny, penetrating satire of the new, kicked-up culture of empty media fame, but Tom DiCillo's scattershot buddy movie Delirious isn't it.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Delpy wrote and directed this study of a relationship heading (it would seem) for the rocks. She stages it with a funny and diverting improv-y flow.- Entertainment Weekly
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