For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Owen Gleiberman
Joshua does grow a bit repetitious (it lacks the cathartic climaxes of a horror film), yet it has cool and savvy fun with your fears.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Sometimes Brenda Blethyn is content merely to nibble the scenery. In Introducing the Dwights, a drippy Australian family comedy caper, she chomps it to a pulp until we long for her straightforward monstrosity as a mother in "Little Voice."- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Out of a harrowing story set in a foreign thicket, Herzog has found American beauty.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Bay, at heart, isn't a fantasist; he's a literal-minded maestro of demolition.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The creepy-faced robot twin babies are funny (for a while); the rest of the film is not. It's like "Meet the Parents" with Dr. Phil as the officiant from hell.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Ratatouille is a blithe concoction, as well as a miraculously textured piece of animated design.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The Cuban escapade, designed to provoke, backfires when he loses focus by including Cuban firefighters in an homage to 9/11 first responders.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
For all the creaminess of the sets and costumes, every character talks as if she is still made out of written words, not flesh, and each woman's struggles feel about as important as a tea dance.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Vitus, a fizzy domestic fairy tale from Switzerland, gives you a lift, as it revels in the oddball joy of genius as kid power.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's like "Capturing the Friedmans" scrubbed to a happy ending.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
A spectacularly turbulent portrait of the chaos and bloodshed that have come to define Haiti.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
With In Between Days, the filmmaker captures feminine melancholy with rare precision. Find this movie.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Despite the best of intentions, an actress who makes her own headlines gets in the way of the big picture.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
As charmingly verklemmt New York women with bad luck in men and good luck in apartments go, Nora Wilder in Broken English has all the breaks.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
There's an adult life force in every frame of this luxuriously paced work, even in the sight of rain and a lady's stocking.- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Jennifer Baichwal's gorgeous documentary Manufactured Landscapes amplifies the powerful work of Edward Burtynsky, a Canadian artist who specializes in large-scale photographs of terrain transformed by civilization into rivers and tides of industrial ugliness.- Entertainment Weekly
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- Critic Score
If you only ever see one bad movie about warrior chicks who meet on a tropical isle for a fight contest, make it DOA: Dead or Alive.- Entertainment Weekly
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Reviewed by
Scott Brown
The dialogue aims young and low, and sounds translated from comic-book Esperanto.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The culprit, I'd say, is the uninteresting casting of Miss Roberts in the title role. She's a pleasant enough performer, but her made-for-teen-TV acting style, a perky blandness, doesn't supply a clue as to the appeal of Nancy Drew after all these years.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's a tale that reduces angst, not to mention love, to a generational tic.- Entertainment Weekly
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Lisa Schwarzbaum
An irresistibly vibrant concert-tour documentary.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The words belong to Mr. Shakespeare. All else in this Macbeth is the pleasurably fevered invention of brash Australian director Geoffrey Wright.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
There's great music, an excellent dog, and that indescribable Kaurismäki tension between misery and a cosmic joke.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
In a world ruled by process, is compassion still real? Or is it just another scam? In Ocean's Thirteen, it is deviously, and merrily, both.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
An authentic real-world creep show -- better, if anything, than its predecessor.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
An animated family movie about penguins -- in the wake of "March of the Happy Feet," they're the Angelina Jolie of animals, both cute and admired everywhere. Plus, it's about surfing.- Entertainment Weekly
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