Entertainment Weekly's Scores

For 7,798 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7798 movie reviews
  1. Despite its Irish setting, Black ’47 feels more than anything like an American Western, what with its shades-of-grey morality and almost Biblical quest for payback. Like Clint Eastwood’s Bill Munny in "Unforgiven" or John Wayne’s Ethan Edwards in "The Searchers," Martin is a silent avenger pushed to do things he doesn’t want to do but also can’t ignore.
  2. As long as Norton plays Harlan as a modern-day Joe Buck, a kind of four-in-the-afternoon cowboy, we're drawn by his waltz of innocence and vagueness. But Down in the Valley turns out to be one of those films with a thick, gummy overlay of Western ''mythology.''
  3. A fine example of Danish filmmaker Susanne Bier's (Brothers) talent for weaving together accessible domestic melodrama and issues of ethical awareness of the world beyond our doorstep.
  4. His film is an essential, fascinating critique—and product—of our ''look at me'' culture.
  5. You'd think that the film would ask you to be appalled at this scenario of forced servitude -- but no, it's treated as harmless and cute, like an Israeli ''Chico and the Man.''
  6. One of the rare movies from Israel that refuses to spell out its politics, and you may wind up grateful for the ambiguity.
  7. The movie excoriates the hypocrisy of self-hating gay lawmakers (several of whom it outs), yet it also explores the burden of the public closet.
  8. I can't say that I've ever entertained fantasies of writing on someone's body. But Peter Greenaway's The Pillow Book (Cinepix) does, at least, succeed in making it look like an erotic activity.
  9. He (Spurlock) takes Comic-Con seriously. He talks to Kevin Smith, Harry Knowles, and other famous grown-up geeks, but mostly he follows a handful of people whose dream it is to pass through the fan/professional looking glass and carve out a place for themselves in the industry of fantasy.
  10. There's a contemplative loveliness to The Way, an affecting personal project both for Emilio Estevez, who wrote, directed, and plays a small role, and for his father, Martin Sheen.
  11. A major disappointment. Bleak, brutal, and ultimately pointless.
    • 64 Metascore
    • 42 Critic Score
    Overwrought.
  12. Coppola's stranded royal suggests that at heart, Marie Antoinette was just a simple girl who wanted to have fun, and got her head handed to her.
  13. Funny and ebullient look at a man in full confusion.
  14. Cotton candy story with an acrid aftertaste.
  15. Sky Captain is a gorgeous, funny, and welcome novelty.
  16. Filmmaker Jared Hess (who cowrote the script with his wife, Jerusha Hess) installs Napoleon front and center as a punchline in and of himself -- and as that dispiriting product of narrative defeat, a symbol.
  17. Cold Weather becomes the world's first mumblecore "thriller" - a good idea for a movie that someone, in the future, should execute a bit less lackadaisically.
  18. It’s a shame that, despite some excellent performances, this urgent, well-intentioned film feels so conventional and stolid.
  19. The scandal of McCarthyism is too daunting to shake off. But Guilty By Suspicion leaves you wishing that someone would finally make a decent movie about it.
  20. Any doubts as to whether Sienna Miller is a gifted actress should be laid to rest by Interview.
  21. A breakneck inner-city odyssey of jump-cut shaky-cam suspense.
    • 64 Metascore
    • 50 Critic Score
    In Where the Day Takes You, a prettified look at teen homelessness in Hollywood, even a junkie’s vomit looks designer.
  22. Another thinking-person's thriller from director Danny Boyle and writer Alex Garland, also co-pilots on "28 Days Later."
  23. Whatever its melodramatic shortcomings, South Central offers a wrenching view of modern youth-gang violence by demonstrating, with desperate candor, that the civilized alternatives are fast disappearing.
  24. Moses was elevating mankind to a place closer to God, but when the Red Sea parts here, the feeling it gives you isn't awe; it's closer to deep impact.
  25. As is often the case with Lee, though, the film left me wishing for even more scenes of casual intimacy, still the most powerful way to carry any message.
  26. It's got the thrills, it's got the creepy-crawlies, and it's got just enough plot to make you care about the characters. Alien: Romulus is a hell of a night out at the movies.
  27. A lightweight teen rom-com that isn’t likely to clear up anyone’s grasp of what the studio stands for, but it is breezy and charming enough to merit a watch contingent on reasonable expectations.
  28. Frozen 2 makes a valiant effort to live up to its predecessor, but can’t escape its shadow.

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