Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. A graceful, unsentimental, well-made movie.
  2. Once in a long while, a fresh-from-the-headlines movie - like "All the President's Men" or "United 93" - fuses journalism, procedural high drama, and the oxygenated atmosphere of a thriller into a new version of history written with lightning. Zero Dark Thirty, Kathryn Bigelow's meticulous and electrifying re-creation of the hunt for Osama bin Laden, is that kind of movie.
  3. Nicholson’s live-wire performance turns what could have been a standard movie malcontent into a martyr.
  4. Don't tell Walt Disney, but Hayao Miyazaki really holds the keys to the magic kingdom.
  5. The power of The Social Network is that Zuckerberg is a weasel with a mission that can never be dismissed. The movie suggests that he may have built his ambivalence about human connection into Facebook's very DNA. That's what makes him a jerk-hero for our time.
  6. The Voyage Home is pure, joyful cinema.
  7. Memento, which may be the ultimate existential thriller, has a spooky repetitive urgency that takes on the clarity of a dream.
  8. With Malcolm X, Lee has created a galvanizing political tragedy, the story of a leader who, through his very perception and daring, recognized that death — and only death — would be his final evolution.
  9. Brie Larson, as the caring but tormented Grace (who's pregnant and doesn't know if she has the faith to have her baby), and John Gallagher Jr., as her gentle-dweeb fellow worker Mason (who fears his love can't save her), show you what emotionally naked acting is all about.
  10. E.T. is ultimately a tale of love, and the film becomes a cathartic leap into pure feeling. [2002 re-release]
  11. Westerns can be a tough nut to crack, but Hostiles may be the finest example of the genre since "Unforgiven."
  12. Searing, powerful, and morally entangled.
    • 82 Metascore
    • 100 Critic Score
    Although the laughs are tempered with a seedy undercurrent and a lump-in-the-throat ending, Allen has rarely been funnier.
  13. The Wrestler is like "Rocky" made by the Scorsese of "Mean Streets." It's the rare movie fairy tale that's also a bravura work of art.
  14. The rare Hollywood epic that dares to entertain an audience by engaging the world.
    • 57 Metascore
    • 100 Critic Score
    This adventure, interwoven with the spectacular tale of Siddhartha’s journey toward enlightenment, makes for magical, mind-broadening entertainment.
  15. Hoop Dreams is an astonishing emotional experience — it has highs, lows, and everything in between.
  16. Erupting like a scalding geyser from the ground right beneath our feet, Spike Lee’s daring, dizzying, sympathetic, symphonic, vital, vehement Chi-Raq is the most urgently 2015 movie of 2015.
  17. May be the first movie to fully capture the way that drugs dislocate us from ourselves.
  18. DuVernay has done a great service with Selma. Not only has she made one of the most powerful films of the year, she's given us a necessary reminder of what King did for this country...and how much is left to be done.
  19. An extraordinary film; it may be the most haunting documentary since ''Crumb.''
  20. As riveting as its title.
  21. There’s enough slapstick and silliness to keep kids entertained.... But the film also has a bittersweet streak about the loss of innocence and the fleetingness of childhood.
  22. What's on screen will leave you in a state of wonder. The sweeping cinematography surveys the cracked earth and Davidson's chapped skin with equal intensity, as if to remind us how vulnerable we puny mortals are.
  23. Extraordinary new documentary that turns Robert Crumb's twisted life story into a disturbing, exhilarating work of biographical art.
  24. The nervy style of this newfangled Western, with its eerie, insinuating score by Nick Cave and Warren Ellis, is so effective that long after Pitt and Affleck have left the screen, emotional disturbance lingers like gun smoke.
  25. Mesmerizing.
  26. She's an Everywoman you can believe in, showcased in the kind of deft comedy of feminine passion - where deep despair meets Wilson Phillips - that a great many people have been waiting for. Now that Wiig and company have built it, will they come?
  27. Damien Chazelle's extraordinary black-and-white retro dream of a feature debut.
  28. Without ever dipping into indignity among wet, half-naked men, Shower sparkles with joy.
  29. Beautiful, compassionate, articulate domestic drama.
    • 68 Metascore
    • 100 Critic Score
    Though the film may not have one decent character, A Boy and His Dog (rereleased after a six-year moratorium) manages to be a likable celebration of friendship among the ruins.
  30. Filmmaker Yung Chang finds a sad and beautiful way to glimpse the big picture of dislocation through an exquisitely poised small study.
  31. It's an intoxicating feeling when a movie excites and enlivens us like this -- and there's a particular giddiness to be had in thinking about what movies can (but don't often) do for one's soul after imbibing such a fine vintage.
  32. This beautiful, terrible story is not easily forgotten.
  33. Between clips of the concerts Seeger staged as hootenanny hosannas, the film chronicles how the blacklisted star stuck true to his beliefs -- which were more patriotic than those of his accusers.
  34. A haunting and incandescent work of art.
  35. Soaring and romantic, wild and serene, feminist and gutsy, Crouching Tiger, Hidden Dragon is one of the best movies of the year.
  36. One of the most revelatory rock portraits ever made.
  37. As with its predecessor, what elevates Gladiator II in the cinematic arena is the ways its themes and dialogue underpin its outrageous spectacle. David Scarpa's script is also fiercely intelligent.
  38. The movie draws us into the illusion that we're simply eavesdropping on the lives of three inner-city black and Hispanic girls.
    • 84 Metascore
    • 100 Critic Score
    One of those rare gems that prove equally stunning on both aesthetic and cerebral levels.
    • Entertainment Weekly
  39. Unfolds with a simplicity that's as breathtaking as its inevitability is harrowing.
  40. One of the great unheralded films of the late ’60s.
    • 91 Metascore
    • 100 Critic Score
    Whatever Kleenex moments it causes, Bambi is unmissable.
  41. Kevin Costner, as Bobby's carpenter brother-in-law, does the finest character acting of his career.
  42. Flight opens with one of the most harrowing in-flight-disaster depictions of all time.
  43. Russian Dolls captures how being a sexual cad has become an essential phase in the life of the modern male.
  44. So superb, so graceful, so strong -- another beauty in this year of good documentaries -- that I do believe it will influence career choices, sending inspired viewers to study pedagogy, or cinematography.
  45. Yet another outstanding little movie in the exciting Romanian New Wave.
  46. Nothing more (or less) than an enchanting light comedy of romantic confusion... It's a movie that understands love because it understands pain.
  47. It's a great, IQ-flattering entertainment both wonderful and wise.
  48. The third starring the totally captivating cool cucumber Daniel Craig as Agent 007 - is both an elegy and a mission statement. It's also a great, long-lasting jolt of pleasure.
  49. Pay attention to the enhanced detail audible in a new six-track sound mix, which may be the most important cleaning job of all; silence and Jerry Goldsmith's score have never twined so hauntingly.
  50. Tim Skousen and Jeremy Coon’s new documentary, Raiders!: The Story of the Greatest Fan Film Ever Made, isn’t the kids’ finished film. It’s a film about the making of their film — and it’s amazing.
  51. Disciplined script -- bitingly funny.
  52. Go
    The one truly thrilling movie I've seen so far this year.
    • 72 Metascore
    • 100 Critic Score
    Arnold conquers all comers, your heart, and the world!
  53. The ensemble cast shared the best-actor award at the 2006 Cannes film festival -- and rightly so.
  54. Rowlands gives a harrowing performance as a housewife coming unhinged.
  55. The richest and most satisfying romantic movie of the year. It's really about two great loves at once -- the love of life and of art -- and the way that Shakespeare, like no writer before him, transformed the one into the other.
    • 84 Metascore
    • 100 Critic Score
    A riveting, superbly acted political thriller.
  56. Before Midnight confounds expectations in powerful and even haunting ways. It's not just darker than the previous two films. It's bigger, deeper, and more searching. It follows the characters through a tale of embattled love that extends far beyond them.
  57. Goodnight Mommy, a brilliantly sinister horror film in the recent art-house mold of "The Babadook" and "It Follows," has a premise that cracks like the whip of a devil’s tail.
  58. Gets weirder and meaner and darker and sadder as it progresses, which is amazing since it simultaneously remains funny and horrifying right up to the end.
  59. In this brilliantly sustained climax, Coppola unveils a vision of corruption that embraces the entire world, but he's also reveling in sheer theatrical magic in a way that only a master can.
  60. It’s utterly demented, slightly terrifying, and most of all hilarious. It’s also one of the giddiest and most stinging political satires since Thomas Nast took on Tammany Hall.
    • 69 Metascore
    • 100 Critic Score
    It's all somehow both familiar and dazzling, just as Ricci's kidnapped tap student, forced to pose as the protagonist's wife for his horrifically indifferent parents, is somehow both nondescript and heartbreaking.
  61. Leaves you shaken and ecstatic at the same time, transported by the vision of a major film artist.
  62. Easily one of the most personal and most powerful films of the year.
  63. Another beautifully chiseled piece of filmmaking - sharp, funny, generous, and moving.
  64. Gruesome stuff — and yet Body Bags moves along with such jaunty, good bad taste that it’s hard not to smile.
  65. In Amour, these two actors show us what love is, what it really looks like, and what it may, at its most secret moments, demand.
  66. It's a hilarious, and unexpectedly moving, documentary about the greatest metal band you've probably never heard of.
  67. The beauty of Swingers lies in the irony of its title: Despite their lounge-lizard posing, these guys will never really live up to their Rat Pack dreams.
    • Entertainment Weekly
  68. The movie is enchanting.
  69. Another must-see marvel of horror, comedy, and impeccable filmmaking by the Korean director Bong Joon-ho.
  70. This is essential viewing for understanding our world.
  71. A movie that re-creates its object of satire with such pitch-perfect flair that it all but erases the line between derision and love.
  72. The filmmaking is as strong as the subject matter, with an elegant structure.
  73. A rapturous and enlightening look at the history of the environmental movement in America.
    • 80 Metascore
    • 100 Critic Score
    The repartee is sharp, the plot is delightfully ridiculous, and the numbers — like ”Night and Day” and the epic Oscar winner ”The Continental” — are knockouts.
  74. Grindhouse, like "Ed Wood" and "Boogie Nights," celebrates how certain low-grade entertainment, viewed in hindsight, looks different now than it did then, since we can see the ''innocence'' of its creation -- the handmade quality of it -- in a world not yet ruled by corporate technology.
    • 87 Metascore
    • 100 Critic Score
    Mason gives a grand performance, his voice racked with desperation and pain yet sonorous.
  75. A marvelous and touching yuletide toy of a movie.
  76. What’s magical about Kane — the sheer transformative thrill of invention — is there in every shot, every performance, every narrative surge.
    • 74 Metascore
    • 100 Critic Score
    Nearly 50 years later, The Naked City‘s Oscar-winning cinematography and editing still have resonance.
  77. The stunning, must-see drama Crash is proof that words have not lost the ability to shock in our anesthetized society.
  78. The result is an intense, action-driven war pic, a muscular, efficient standout that simultaneously conveys the feeling of combat from within as well as what it looks like on the ground.
  79. The thriller that's exciting, cathartic, and powerfully disturbing. Prisoners is that type of movie. It's rooted in 40 years of Hollywood revenge films, yet it also breaks audacious new ground.
  80. It’s only when you’re in the grip of the climax that you realize how richly the filmmaker has painted a landscape that to other eyes might appear so parched.
  81. There’s no need to heavily editorialize here; Hittman is an assured enough filmmaker to portray this drama honestly and non-manipulatively, trusting her audience to interpret the complicated heartbreak of Autumn’s predicament without having to explain it to them.
  82. The antidote to every square tough-guy caper you've ever seen, and the inspiration for many great ones. It is an existential imperative to seek out a showing and burn rubber to get there, preferably in an excellent car.
  83. In spirit, Open Water reduces us to children peering through our fingers, waiting for the horrid deliverance we're not quite sure we want to see.
  84. All in all, Blood Simple looks better than ever.
  85. Easy Money is not merely an early-career curiosity. It's one of the best underworld films I've seen in years, and Kinnaman gives a fantastic performance in it.
  86. This is visceral, big-budget filmmaking that can be called Art. It’s also, hands down, the best motion picture of the year so far.
  87. The movie is rich with class tension, and if Allen nails the moods of the wealthy, he also gets surprising, dynamic performances from Hawkins, Cannavale, and Andrew Dice Clay as the folks who have no money but may have a fuller sense of what life is.
  88. It's thrillingly original, lyrical, and wise, and the filmmaker conveys the mutable intensity of young love with the authoritative originality of an important filmmaker.
  89. The Savages is terrific -- a movie of uncommon appreciation for the nature and nurture that go into making us who we are, a perfectly calibrated drama both compassionate and unsentimental.

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