Empire's Scores
- Movies
- TV
For 6,818 reviews, this publication has graded:
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54% higher than the average critic
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3% same as the average critic
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43% lower than the average critic
On average, this publication grades 0.9 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Superman IV: The Quest for Peace |
Score distribution:
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Positive: 3,006 out of 6818
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Mixed: 3,654 out of 6818
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Negative: 158 out of 6818
6818
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Ian Nathan
Director Lewis Gilbert effortlessly marshals the intricacies of the plot (a nutty plan by SMERSH to ignite a world war), the exotic Japanese locations, and the extravagancies of having hundreds of ninja warriors abseiling into a huge enemy base unfathomably constructed in the belly of an extinct volcano (quite the engineering feat!).- Empire
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Reviewed by
Kim Newman
It has a wealth of marvellous Western imagery, grotesque-comic business (Van Cleef striking a match on seething baddie Klaus Kinski’s hunchback), Ennio Morricone’s baroque score, iconic stars and unforgettable supporting faces.- Empire
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Reviewed by
Kim Newman
Despite being not officially a Bond film this is good solid, entertaining action.- Empire
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- Empire
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Reviewed by
David Parkinson
Orson Welles second tribute to Shakespeare is an often-ignored masterpiece. Check it out.- Empire
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Reviewed by
David Parkinson
Wonderfully complex but warmly human, Bergman's drama is one of his very best.- Empire
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- Critic Score
Leone makes the borders of the frame feel limitless, his camera moves striking out unpredictably as if he could barely tame his vision. Ennio Moriconne’s indelible score added a wild swagger to this oddball tale of a lone guman conniving plan to set two gangs of killers against one another.- Empire
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Reviewed by
Kim Newman
Prestigious, well turned out piece of British historical drama with enough genuine intrigue and wit to persuade some audiences they aren't watching a history lesson.- Empire
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Reviewed by
Kim Newman
The story isn't as strong as either Leone or Corbucci's best work, but the iconic imagery and solid central performance from Nero make it easy to see why this became a worldwide success.- Empire
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Kim Newman
Shades of Pinter and Beckett are affectionately retouched with dark humour, dynamic wordplay and a tension all Kubrick's.- Empire
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David Parkinson
Funny in places but not Allen's best writing...and its difficult to get beyond the conceit.- Empire
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David Parkinson
Rarely has screen satire been so bleak or so mercilessly funny.- Empire
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Reviewed by
David Parkinson
If you can see past the heavy-handed religious overtones you will encounter an inspired and deeply intelligent Bresson classic.- Empire
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Reviewed by
Ian Nathan
The effects may have dated, as have the Cold War themes, but the almost real time adventure still has some tension to offer.- Empire
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- Empire
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Reviewed by
David Parkinson
A time capsule now of all that was considered controversial and gutsy in 1966.- Empire
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Reviewed by
David Parkinson
Less audacious than A Bout de Souffle, this is, however, one of Godard's most accessible pictures. A good place to learn how much of a debt modern cinema owes him.- Empire
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Reviewed by
Ian Nathan
Stories about love in a world gone mad don't come any more gorgeous, or any more sweepingly epic, than this.- Empire
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Kim Newman
Connery [is] cruising by this point and the movie doesn't quite match the swagger of Goldfinger, but still effortlessly plies the glory Bond years, concluding with a stunning underwater battle.- Empire
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Reviewed by
Phil de Semlyen
Courtenay is heartbreaking as a broken man crushed under the wheels of a callous system.- Empire
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- Critic Score
Atmospherically black-and-white photography provides suitable accompaniment to Sidney Lumet's unrelenting direction, with the two leads into it with plenty of relish.- Empire
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Reviewed by
David Parkinson
The music, even after a quarter of a century, is the film's redemption.- Empire
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Kim Newman
With its driving jazz score, hilarious dialogue and overdrive melodramatics, this is the ultimate expression of the American cinema's greatest fetishes: big breasts, fast cars, tight jeans, and sudden death. This is, in its own way, one of the great films of the 60's.- Empire
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David Parkinson
Interesting portrait of the shallow nature of fame but overall this fails to engage on an emotional level.- Empire
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Angie Errigo
Harry Palmer, charismatic but grounded in reality, is the perfect popular bridge between the spectacular escapades of Bond and the cold, harsh milieu of Deighton's embittered, betrayed spies.- Empire
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Ian Nathan
Great performances and an innovative approach to a tired old story make this one to watch out for.- Empire
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Reviewed by
Ian Freer
Larger than life, faintly ridiculous, completely cool, Goldfinger is the quintessential James Bond movie.- Empire
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