Empire's Scores
- Movies
- TV
For 6,818 reviews, this publication has graded:
-
54% higher than the average critic
-
3% same as the average critic
-
43% lower than the average critic
On average, this publication grades 0.9 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Superman IV: The Quest for Peace |
Score distribution:
-
Positive: 3,006 out of 6818
-
Mixed: 3,654 out of 6818
-
Negative: 158 out of 6818
6818
movie
reviews
- By Date
- By Critic Score
-
- Critic Score
Less melodramatic and earthier than the classic 1939 version with Olivier, Robert Fuest’s take still heaves with passion thanks to Dalton’s fiery chemistry with Anna Calder-Marshall’s Cathy. John Coquillon’s cinematography expertly captures the drabness of the Moors setting, while Michel Legrand offers a haunting score.- Empire
- Read full review
-
-
Reviewed by
Ian Nathan
Fairly routine western makes a disappointing swansong for Hawks. Still good fun though, if you like this kind of thing.- Empire
- Read full review
-
Reviewed by
-
- Empire
- Read full review
-
-
Reviewed by
David Parkinson
If Cassavetes' hipster cine-language has lost a little of its age and the innovative improv style won't be for everyone, the themes he tackles, riffed by a masterful group of actors, remain enthralling.- Empire
- Read full review
-
Reviewed by
-
-
Reviewed by
Kim Newman
A true evocation of the spirit of the Strand Magazine, this is the best Holmes movie ever made and sorely underrated in the Wilder canon.- Empire
- Read full review
-
Reviewed by
-
-
Reviewed by
Kim Newman
A key turn-of-the-decade film, with Nicholson railing against waitresses and barking at noisy dogs as Rafelson observes seedily picturesque roadside America.- Empire
- Read full review
-
Reviewed by
-
-
Reviewed by
David Parkinson
A typical older male mentore story...told with sensitivity and perceptiveness.- Empire
- Read full review
-
Reviewed by
-
-
Reviewed by
David Parkinson
The life and crimes of Virgil Starkwell, a petty hoodlum who finds love with a laundress, Louise, in between botched blags and stints on a chain gang.- Empire
- Read full review
-
Reviewed by
-
-
Reviewed by
David Parkinson
It’s instilled with the bite and bark of Bilko’s capitalist fervour, and has a fun line in cool, snappy dialogue, although never intending to be quite so broadly a comedy.- Empire
- Read full review
-
Reviewed by
-
-
Reviewed by
Kim Newman
Not a sequel to the bland film of Jacqueline Susann’s trashy best-seller, this is more like a demented remake, alternating modish psychedelia with deliberately square moralising.- Empire
- Read full review
-
Reviewed by
-
-
Reviewed by
Ian Nathan
Those with the patience to sit through a slow first half will be rewarded with another gutsy ending.- Empire
- Read full review
-
Reviewed by
-
-
Reviewed by
Kim Newman
Straining for significance at every moment, this is one of a wave of late '60s/early '70s Westerns that represent Hollywood's idea of the counterculture in love beads, feathers and picturesque gore.- Empire
- Read full review
-
Reviewed by
-
-
Reviewed by
Kim Newman
A lurid gothic gangster psychodrama from Roger Corman, this is Shelley Winters’ finest hour-and-a-half, cast as Arizona Clark ‘Ma’ Barker, a role it would be impossible to overplay.- Empire
- Read full review
-
Reviewed by
-
- Critic Score
Scott is simply awesome as the one-of-a-kind General George Patton, the brilliant campaigner and man among men renowned for the rage he directed at the berks in authority and the adulation he inspired in his men.- Empire
- Read full review
-
-
Reviewed by
Kim Newman
Shot in a grainy grey and white helps to give the film an amateurish and at the same time realistic feel, particularly as it's based on true events. With standout performances from Lo Bianco and Stoler, this is a forgotten gem that's waiting to be rediscovered.- Empire
- Read full review
-
Reviewed by
-
- Critic Score
Dour script but sterling performances from the two male leads, this is basically watchable if you're interested in the subject.- Empire
- Read full review
-
- Empire
- Read full review
-
-
Reviewed by
William Thomas
This is the Bond flick blessed with the best plot, a genuine sense of emotion and a spirit closest to Ian Fleming’s novels.- Empire
- Read full review
-
Reviewed by
-
-
Reviewed by
David Parkinson
Emphasis has been placed on extravaganza, when it should really have been placed on getting good performances out of a talented cast.- Empire
- Read full review
-
Reviewed by
-
-
Reviewed by
William Thomas
Like the stranded astronauts, we are forced to sit around for too long in stale air, waiting for something to happen. An overly-long, vacuous foray into space.- Empire
- Read full review
-
Reviewed by
-
- Empire
- Read full review
-
- Critic Score
Note-perfect performances, a screenplay steeped in both nostalgia and a timely sense of insight, and anti-heroes you can't help but love.- Empire
- Read full review
-
- Empire
- Read full review
-
-
Reviewed by
Ian Nathan
Mind you, Eastwood went on the star with an orang-utan, twice, so this is only his third maddest film. Although, it could be his dullest. Which was one thing no one would of expected of this madcap enterprise, born of a what-the-heck attitude from its macho stars — that it would struggle so hard to be fun.- Empire
- Read full review
-
Reviewed by
-
- Critic Score
Once the pop sensibilities are out of the way, this clever foursome becomes more than the sum of its part.- Empire
- Read full review
-
- Critic Score
As a metaphor for England at the dawn of the 70s, The Italian Job is a hard one to top.- Empire
- Read full review
-
-
Reviewed by
Ian Nathan
While you cannot dismiss its place in history, its power is in what it represented rather than what it did.- Empire
- Read full review
-
Reviewed by
-
- Critic Score
From The Godfather to Heat, the stamp of The Wild Bunch is self-evident. Italian director Carlo Carlei summed up the debt owed to the film and its director when he said, "There is a chain of inspiration like The Bible... Everything comes from Peckinpah."- Empire
- Read full review
-
-
Reviewed by
William Thomas
Although some say Wayne's Oscar was given out of sympathy instead of his performance, he still acts well as the sheriff who's past his peak. Proving he wasn't always a serious as he was made out to be, he plays the role with aplomb, even pastiching himself in other films.- Empire
- Read full review
-
Reviewed by
-
-
Reviewed by
Adam Smith
Superb performances and a compelling script have made this film a strange mix of Oscar-winner and Cult Classic.- Empire
- Read full review
-
Reviewed by