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| Paramount Pictures | Release Date: August 24, 1966 |
Starring:
Alfie Bass, Denholm Elliott, Eleanor Bron, Jane Asher, Julia Foster, Michael Caine, Millicent Martin, Shelley Winters, Shirley Anne Field, Vivien Merchant
Summary:
An unrepentant ladies' man gradually begins to understand the consequences of his lifestyle.
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ALFIE is a surprisingly successful exercise in dramatic irony: the title character, a charming mediocrity who fancies himself a ladykiller, delivers a running commentary on his tawdry sexual conquests and penny-ante criminal ambitions, cheerfully oblivious to an audience that knows more about him than he will ever know himself.
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Caine brings out the gusto in Naughton's dialogue and despite the obvious weaknesses in the film (the gratuitous "cinematic" barroom brawl, the clumsy witnessing of the christening, the symbolism of the dog), he keeps the viewer absorbed in Alfie, the cold-hearted sexual hotshot, and his self-exculpatory line of reasoning.
Alfie pulls few punches. With Michael Caine giving a powerfully strong performance as the woman-mad anti-hero, and with dialog and situations that are humorous, tangy, raw and, ultimately, often moving, the film may well shock. But behind its alley-cat philosophy, there's some shrewd sense, some pointed barbs and a sharp moral.
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For all its implicit misogyny, the original 1966 film version of Bill Naughton’s play remains durable because of Michael Caine’s career-defining performance as the cockney ladies’ man, not to mention the memorable title tune (sung by Cher) and driving jazz score (written and performed by Sonny Rollins).
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Good in parts, mainly due to the excellence of Vivien Merchant, Jane Asher, Julia Foster, Shirley Anne Field and Shelley Winters as his various conquests and, in a brief but memorable role, Denholm Elliott as a sad abortionist. [28 Mar 2010, p.57]
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