Tokyo Tattoo Girls is an extremely niche strategy RPG that doesn't build off of what is most interesting about the game's systems and instead chooses to rely on cute anime girls for appeal, which might work for some.

Although it does have some redeeming qualities, it’s hard to justify paying full price for a DLC that barely gives you access to its biggest new addition and introduces even more arbitrary difficulty spikes.

Super Bomberman R is living among a wave of re-imagines of classic titles and often feels too traditional for its own good.

Cloudpunk is miles away from being an enjoyable ride in a pixelated cyberpunk world.

I never felt like I had control of navigating the various menus; switching between traditional and cursor menu navigation was slightly unpredictable.

I really wanted Bubsy: The Woolies Strike Back to be good, or at least entertainingly bad, but I was just left with a tepid, overpriced, and somewhat generic 2D platformer that wasn’t funny or fulfilling enough to justify a $30 purchase.

The endearing love story and vibrant art style of Haven can't save it from being a derivative and forgettable RPG adventure.

Drive Girls is for those Vita fans out there that are dying to play an action game from Tamsoft and can’t wait for some of their other games to come West. The game fails to deliver a proper fighting system or campaign to make it worth the short gameplay experience, but if you’re looking for decent graphics and cute anime girl illustrations then maybe this niche Vita game is just what you need.

The only saving grace is that The Grand Tour Game has a strong fun element that keeps it in line with the show’s humor and that on its own should be enough to keep me playing, but unfortunately, it doesn’t. I feel like the game lets itself down after a few episodes and ends up not having any replayability. For Amazon Game Studios’ first console title, it’s not half bad, but it’s certainly not enough to entice me to pick up Amazon Prime to watch the show outside of the game.

A massive disappointment and not a very good game in the slightest.

Gathering the necessary resources to fulfill a Genesis mission can take a lot of time, especially if you end up getting pushed back by hostile invasions. There is a base sense of joy to be had from making the numbers go up, but I never completed a Genesis mission and I doubt whatever feeling or reward it gives was worth the effort to reach it. I think it is more than enough to say I have no interest in playing more of it just to confirm what I already know: it’s not great.

Blood of Mehran is a game that might look the part from the outside looking in, but if you spend any extended time with it at all, you'll see that it's far from a polished Prince of Persia clone. The visuals have that Unreal Engine sheen to them, but the animations, voice acting and overall design let the side down. However, nowhere near as egregiously as the wafer-thin plot, the derivative, the wonky gameplay, or the aggressively linear format. It's one of the most predictable, uninspired, and underwhelming action RPGs you'll likely ever come across. There is a certain level of cozy comfort that comes with that, but all in all, this is not worth your time or money.

This wet fart of a release that Activision-Blizzard gave us feels like they’re stepping on my childhood and then spitting in its eye even as the teacher is pulling it off me.

Perhaps with a little Joy, We Happy Few could be more palatable to modern audiences.

The perfect example of one step forward, two steps back. While the world is more beautiful than any of its predecessors, it feels empty in much the same way that the game does. All of the systems seem to be their own worst enemy.

Madden 21 is a mess. Last year, the team masked bad gameplay with shiny new X-Factor abilities. However, with 21 not fixing any of the big issues, that luster is completely gone. What you’re left with is a game that’s fully concentrated on squeezing every last cent out of its customer base. That’s nothing new for EA, but Madden NFL 21 just seems even more blatant than usual.

Power Rangers: Battle for the Gird had a lot of potential as a fighting game, but it ends up squandering most of it with a lack of content.

The Deer God may be a great visual experience to unwind with, and it has a spiritual message to match. But when it comes down to the actual gameplay, the game just feels too stiff and uninteresting. Despite an almost enchanting presence, the actual mechanics of The Deer God will do as much as possible to push you away.

Double Cross ultimately plays things too safe to its own determent with mechanics that can be found, and are done better, elsewhere.

School Girl/Zombie Hunter is not a good game; it’s barely even an okay game. What I found that I enjoyed most was the localization effort, a few of the boss battles, and some of the environments. Outside of that, this game will most likely fall into obscurity and be forgotten, which is something that I’m not proud to say because of how much I’ve personally enjoyed other Tamsoft releases.

A bland sad protagonist with all the charisma of a rock with a frowny face, a mystery box-style narrative that only ends with more mystery boxes, a combat system that wants to be multiple entirely different games. The Callisto Protocol might function, and it’ll certainly have its launch issues patched out in due time, but in no way can I recommend it to anyone but the most morbidly curious. Everything was stacked in this game’s favor, and it still wasn’t enough. We didn’t need Dead Space 2.0 - we just needed a cohesive, focused game. Instead, it's an oddly soulless concoction of unfocused ambitions, poor planning, and inconceivably amateurish design. Whether you're winning or losing, Callisto Protocol never feels right.

Sadly, I would only recommend Double Dragon IV to you if you are a Double Dragon fanatic or very die hard beat ’em up fan, and if that’s the case, you probably already own it. It is fairly cheap, but even then, I have played much more enjoyable games for the same price.

Old school adventure games usually have challenges that either tie into the story or make the solution even more sweet as you get to continue the narrative. Memoranda rarely achieves either of these goals.

I am still excited to see what WWE 2K21 will look like, especially since Visual Concepts will have the time to actually learn how this engine works and use it properly, but it really is a drag that the entry with some of the best features just plays like hot garbage.

There are elements here that could make an interesting spiritual sequel to ActRaiser, but they never realize the potential.

Seeing the lack of variety in the design of these is one way [Morphies Law] falls short of the games that inspired it.

The game is pretty simple to understand, and can even be a tiny bit exhilarating at first in dogfights, and relaxing in the exploration segments. Once that incredibly short space-shooter honeymoon phase wears off though, Manticore – Galaxy on Fire turns into a repetitive, unattractive slog to get through.

There are good ideas in 1348 Ex Voto, but they're undercut by the shoddy implementation of its systems. The voice cast carries the game, with several amazing performances woven throughout. Unfortunately, the whole experience is letdown by a variety of glitches, fundamental design flaws with the combat, confusing levels, and several jarring story transitions that make it seem as if 1348 Ex Voto was shoved out the door before it was ready.