DualShockers' Scores

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For 1,379 reviews, this publication has graded:
  • 56% higher than the average critic
  • 5% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 1.1 points higher than other critics. (0-100 point scale)
Average Game review score: 76
Highest review score: 100 Ni no Kuni II: Revenant Kingdom
Lowest review score: 10 Serious Fun Football
Score distribution:
  1. Positive: 913 out of 1379
  2. Mixed: 408 out of 1379
  3. Negative: 58 out of 1379
1397 game reviews
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    • 73 Metascore
    • 70 Critic Score
    Directive 8020
    Directive 8020 is a good addition to the Dark Pictures anthology and a solid start to its second season. Its story ranks among Supermassive Games’ best work, marking a much-needed step forward for a studio that has struggled to release standout titles in recent years. The decisions players have to make carry real weight, significantly shaping the outcome of the story and adding a ton of replay value for players who want to uncover every consequence of their choices. However, while the stealth sequences can be tense and are well-designed, they appear way too frequently and make it surprisingly easy to kill off characters you dislike, weakening some of the emotional impact. This is an issue mainly because there are characters that are boring and uninteresting due to mediocre voice acting, potentially leading the player to want to eliminate them. Still, even with a couple of shortcomings, Directive 8020 remains an engaging narrative-driven adventure that Dark Pictures fans should not miss.
    • 76 Metascore
    • 65 Critic Score
    NTE: Neverness to Everness
    Neverness to Everness delivers a stylish, lively city packed with plenty to do, and its generous gacha system makes it easy to enjoy everything it has to offer without constant frustration. But beneath all that charm, the bloated gameplay formula starts to show, especially in its story and combat, which struggle to stand out in an already crowded field of other known gacha giants. If you’re already invested in similar games, this can be a fun, low-pressure addition to your routine. Just don’t expect it to reinvent the wheel since it’s more of a comfortable, content-rich ride with a few slightly annoying bumps along the way.
    • tbd Metascore
    • 50 Critic Score
    Jay and Silent Bob: Chronic Blunt Punch
    Jay and Silent Bob: Chronic Blunt Punch is a mediocre beat 'em up that tries its hardest to capture the spirit of Kevin Smith's filmography. In many ways, it does do that, and has elements that feel like they are right out of a View Askewniverse movie. Sadly, the combat in Chronic Blunt Punch is so bland and lifeless, and is an absolute technical nightmare. Fans of View Askewniverse will likely crack a smile at the game's absurd story, but that's where the good times come to an end.
    • 68 Metascore
    • 70 Critic Score
    Cthulhu: The Cosmic Abyss
    Cthulhu: The Cosmic Abyss successfully nails the elements I love most about cosmic horror: the crushing weight of thalassophobia, a dense atmosphere, the chilling descent of humans into madness, and Cthulhu himself. I mean, we usually watch civilians become his victims in most stories, but in this one, we have scientists losing their grip and believing his mad cult, on top of some investigative systems that are genuinely clever. So it is very interesting! However, there were some stumbles along the way that were hard to ignore and ultimately took some of the shine off the overall experience. Ultimately, the game did make me lose my sanity, but not always for the reasons I expected. While the atmosphere is great, the lack of technical polish in the latter half of the game is a significant hurdle. If Big Bad Wolf can iron out the performance following launch, this will be an indispensable title for fans of the genre. For now, it's a brilliant but bruised descent into the abyss.
    • 73 Metascore
    • 55 Critic Score
    Gecko Gods
    I'm sad that Gecko Gods didn't ultimately resonate much with me. It's a game with clear indie charm and care poured into it, but also one that never clicks in terms of puzzles, platforming, or exploration. The presentation is nice, but it's also held back by many technical hiccups, both cosmetic and core progression-based alike. The devs do seem eager to keep improving this one, but it unfortunately wasn't quite ready for release.
    • 66 Metascore
    • 60 Critic Score
    Pokemon Champions
    Pokémon Champions feels like a work in progress, in a bad way. While the battles are fine and the QoL improvements are a godsend, there's a distinct feeling that the product is unfinished and lacks vital content that will be rationed over time. Throw in the bugs, and the result is a game that I might want to check out in six months or a year, but doesn't have enough quality content to attract me now.​​​​​​​
    • 75 Metascore
    • 65 Critic Score
    Gunboat God
    Gunboat God feels like a game caught between flashes of brilliance and moments of frustration. It absolutely nails the things that make shmups so addictive: slick gunplay, a strong sense of style, and a surprisingly charming narrative that gives the whole ride a bit more personality than you’d expect. But that enjoyment is often held back by its rough balancing, and (occasionally) overwhelming level design, especially early on. Still, there’s a solid, entertaining shoot-'em-up underneath it all, and the more you unlock and experiment, the more it starts to come together. It’s not a perfectly smooth sail, but for players willing to stick with it, there’s enough charm and chaos here to make the journey and fight back to the Citadel worthwhile.
    • 77 Metascore
    • 60 Critic Score
    Starfield
    The PlayStation 5 release of Starfield was the game's second chance, one where it could have been shaped by player feedback, kept out of Baldur's Gate 3's shadow, and shown to a whole new audience in a fresh light. That chance has been wasted, as what's here isn't that much different from the 2023 release. Starfield is somehow bloated and yet empty, overly complex and yet lacking. It's a universe of wasted potential, one that struggles to get the player invested in its reams of content. It's not a bad game by any means, but it's definitely lacking in substance, and anyone seeking an experience with the same level of depth and engagement as Bethesda's previous outings will want to look elsewhere.
    • 54 Metascore
    • 50 Critic Score
    Legacy of Kain: Ascendance
    Legacy of Kain: Ascendance is the first new game in the franchise since 2003's Defiance. It really misses the mark on quite a few things, not the least of which is its story, which tries valiantly but just doesn't succeed in a meaningful way. In many ways, it's a step backwards and makes the franchise's most defining feature feel like a throwaway. It also just feels so bad to play, and if you were even a casual fan of Legacy of Kain back in the day, there's not much here I can really recommend outside of hearing Michael Bell and Simon Templeman again.
    • 77 Metascore
    • 70 Critic Score
    Mega Man Star Force Legacy Collection
    Mega Man Star Force Legacy Collection brings three of the iconic Capcom mascot's most niche titles. Star Force continues the tradition that started with 2001's Battle Network, combining card-based combat with light RPG elements and exploration. The games themselves have aged rather poorly, with somewhat basic combat and a game world that is determined to tell you what to do at every turn. So long as you don't mind dealing with some oddball design choices and long-winded stories, you could get a lot of enjoyment out of this unique, albeit flawed, Mega Man card game.
    • 74 Metascore
    • 70 Critic Score
    Ariana and the Elder Codex
    Ariana and the Elder Codex is a game that gives you exactly what you see on the tin. It's a straightforward 2D action RPG platformer that won't take up much of your time, but it won't break the mold either. If you are an enthusiast of this style, it is worth giving it a go for the gameplay, since the narrative is unremarkable. However, if you don't care much for action platformers or still have others in the genre to cross off your backlog, then Ariana and the Elder Codex might stay on the sidelines for a while.
    • tbd Metascore
    • 70 Critic Score
    Sherman Commander
    Like most of the Sherman tanks exposed to the elements in underfunded museums, Sherman Commander is a work of art that could really use another finishing pass. The game accurately captures the role of a tank commander in World War 2, and the individual units are exciting to lead, but the amount of micromanagement required means you spend more time staring at the map than inside your tank. Still, there are moments where it all comes together, and you get to see why this is a game like no other.
    • 74 Metascore
    • 70 Critic Score
    Fatal Frame II: Crimson Butterfly REMAKE
    Overall, I really enjoyed my time with Fatal Frame II: Crimson Butterfly Remake. While it may not necessarily be as scary as the original released in 2003, it does have its moments of greatness when it comes to scares, and there will be times that even the biggest survival horror fans have to take a breather. The stars of the show here are the atmosphere and story, both of which are so incredibly well-made, do the original justice, and validate the need for this remake to see the light of day. However, the combat is a major let down and definitely won't be for everyone. The controls feel outdated, the movement speed is excruciatingly slow, and those two mixed together can make for a rather frustrating experience at times. Still, if you were a die-hard fan of the original Fatal Frame II: Crimson Butterfly, you'll enjoy what Team Ninja and Koei Tecmo have created here.
    • 77 Metascore
    • 70 Critic Score
    Xenoblade Chronicles X: Definitive Edition - Nintendo Switch 2 Edition
    Xenoblade Chronicles X: Definitive Edition - Nintendo Switch 2 Edition may be irresponsibly contributing to poor naming conventions in video games, but it's still an absolutely wonderful experience. Unfortunately, it's difficult to recommend it to series veterans, as there's nothing here beyond the performance upgrades as far as new content goes. The performance upgrades are pretty good, and come in at a fair price of five bucks, but unless you've got another 50 hours to kill, you'll be doing just as well replaying it on the original Switch.
    • 72 Metascore
    • 70 Critic Score
    iRacing Arcade
    I expected a little more from iRacing Arcade. What's here is a very simple and easy to understand racer with a very approachable learning curve, which makes it a decent entry point for genre newcomers. It is pretty consistently fun, but it also makes some confusing decisions between available game modes, totally omits some base level racing game features you'd expect, and has a lack of gameplay depth even compared to other arcade-style titles. It's still a good time and worth checking out (especially at the price point), but I don't think it'll become a staple of my racing game lineup.
    • 74 Metascore
    • 70 Critic Score
    Pokemon FireRed Version
    Pokémon FireRed & LeafGreen have their fair share of annoyances, especially for people who have only played the modern games, but once you get adjusted to them, there's a solid and fun Pokémon experience to be had. Anyone with a nostalgia for Kanto will be right at home here, but the slower pace might make it trickier for newbies to get on board. Just be ready to take off the rose-tinted glasses.
    • 69 Metascore
    • 60 Critic Score
    Rayman: 30th Anniversary Edition
    Rayman: 30th Anniversary Edition brings together five different versions of the classic Ubisoft platformer. The presentation and design of the package is stellar, acting almost like a living museum to celebrate the game's impeccable legacy. Unfortunately, there isn't a lot of variety here between each game variation, and it feels like there could have been more time spent on polishing up Rayman 2 and 3 for inclusion. As it stands, Rayman: 30th Anniversary Edition is a great celebration of the first game, but leaves out his most entertaining adventures.
    • 60 Metascore
    • 55 Critic Score
    Calamity Angels: Special Delivery
    The first 30 minutes of Calamity Angels hooked me. The tension system seemed like a great novelty for turn-based combat, and the contrasting character archetypes brought fun personalities. Unfortunately, the game spent the next 10 hours spinning its wheels, forgoing any gameplay development and turning its entire runtime into a mind-numbing loop. If Compile Heart had fully fleshed out its own innovations, Calamity Angels: Special Delivery could have been a compelling game, but as it stands, it is just a shallow and forgettable experience.
    • 58 Metascore
    • 60 Critic Score
    I Hate This Place
    I Hate This Place had a lot going for it, with a unique setting, an interesting isometric layout, and crafting at its core. However, it doesn't reach its full potential, and all of its systems are lackluster, resulting in an experience that is underwhelming overall. The resource economy is broken, the day and night cycle feels pointless, and the controls on consoles are so frustrating that the end result is headache-inducing, rather than an enjoyable experience. There are some moments of greatness, especially in its stealth gameplay and paranormal environments, where the exciting nature of the survival horror genre shines through, but those moments are quickly fleeting. I do recommend I Hate This Place to survival horror fans if there is nothing else to play and they're on a budget, but I wouldn't go into this game expecting the next big thing.
    • 83 Metascore
    • 70 Critic Score
    Animal Crossing: New Horizons - Nintendo Switch 2 Edition
    Animal Crossing: New Horizons - Nintendo Switch 2 Edition isn't going to break any new ground or change the world, but if you're looking to get a spiffy upgrade for your new machine, it's potentially worth diving into. If you're tired of the desert island theme, though, there's absolutely nothing here that will remedy that.
    • tbd Metascore
    • Critic Score
    Blightstone
    Blightstone has a solid, strong foundation in terms of its combat and battle mechanics. The use of environmental hazards and interactive battle arenas is what helps the game stand out. The rest of the game feels like something of a slog, however, with some harsh RNG and an inconsistent pace that makes Blightstone feel like it can't get out of the blocks. There's something fun hidden here, but it is sadly overshadowed by a game that feels more interested in punishing you for simple things than allowing you to learn. [Early Access Score = 60]
    • 70 Metascore
    • 70 Critic Score
    Philna Fantasy
    With a forgettable story and not one memorable character, Philna Fantasy sticks to the basics of an action RPG, offering a gameplay loop that feels all too familiar for anyone who has ever played a dungeon crawler. While playing with the different characters is amusing at first, the game soon runs out of steam because it doesn't bring anything new to the table. The puzzles are creative, and the boss fights are a blast, but they're one-and-done deals. After the credits rolled on my 16-hour playthrough, I didn't want to spend another second with the game.
    • 61 Metascore
    • 65 Critic Score
    Kejora
    Kejora is an absolutely charming and ambitious indie platformer adventure that has all the necessary narrative bones for a visually compelling experience. In terms of story, it largely hits the mark. However, the shortfalls in its awkward gameplay, lackluster sound design, and noticeable UI blips stagger that experience to a degree, and it probably could have used more time in the oven on those fronts. Nevertheless, if you're a fan of hand-drawn animation in games, especially of the Ghibli variety, I would say to give it the chance it deserves.
    • 60 Metascore
    • 65 Critic Score
    She's Leaving
    She’s Leaving has a great and unique concept with a solid story, which may be enough for players looking for their next survival-horror fix. However, you shouldn’t go into it hoping for amazing gameplay, since it’s pretty barebones across the board. While engaging with real-life practices of forensics is intriguing, especially if you’re into true crime, everything else revolves around cookie-cutter mechanics to an exhausting extent. The majority of a playthrough consists of finding and using keys, unlocking safes, and running away from a stalker that becomes less scary and more of a nuisance the longer you play. While She’s Leaving isn’t the best option out there for survival-horror enthusiasts, it has enough good stuff, such as interesting forensic mechanics, story, and voice acting, that make it worthwhile for a quick playthrough over a weekend. It’s also important to consider its low price of only $16.99.
    • 65 Metascore
    • 55 Critic Score
    Call of Duty: Black Ops 7
    Mechanically, Call of Duty: Black Ops 7 is a good game, and I'd even risk calling it one of the best multiplayer shooters to come out this year in that regard. The problem is that mechanics are tools, and the game they are subordinate to is a poor artisan. Between the uninspired futuristic aesthetics and the nonsensical campaign, it's upsetting to see that this is what Call of Duty could come up with after the strongest release in over a decade. All the fun of Zombies is not enough to spare Black Ops 7 from being the worst game in the franchise, and the only saving grace is that it might serve as a cautionary tale about complacency when managing popular franchises.
    • 73 Metascore
    • 70 Critic Score
    Demonschool
    Demonschool has a quirky charm. I initially enjoyed its battle system, but I grew bored with it before long. Even though I had to push myself to finish it, I walked away with a satisfying experience. The characters, the witty and snappy script, and the story development kept me hooked. It's not a groundbreaking game, but for those who enjoy over-the-top humor, puzzle-like gameplay, and demonic themes, it might be a good pick.
    • 76 Metascore
    • 70 Critic Score
    Simon the Sorcerer Origins
    Simon The Sorcerer Origins is a game which some will love, and some will drop off of. However, in a time of re-releases with an extra 'episode' of content tacked on to the end, it's nice to get a full-blown new game in an old franchise. I hope the game does well enough to get a sequel/prequel/presequel so that they can take some more risks with the puzzles and potentially add in some help for those of us who didn't grow up with these types of adventures.
    • 62 Metascore
    • 65 Critic Score
    Wreckreation
    I can't deny that I liked my time spent playing Wreckreation. The high-octane action, the blistering speeds, and the open-world freedom all come together to offer a format that I adore. However, I can't in good conscience attribute much of this to this game, as it's about as blatant a copy I have ever seen, lifting Burnout Paradise's mechanics, UI, race types, and progression almost note for note. Yet, in many ways, the game fails to capture that same lightning in a bottle, with shoddy recreations of many aspects of its inspiration. The only unique thing this game has to offer lies within the creation and online functionality, but due to the lackluster and uninspired single-player core this game offers, I don't think these admittedly interesting features will be enough to get many potential fans behind the wheel.
    • 64 Metascore
    • 65 Critic Score
    Painkiller
    Painkiller has some truly incredible weapons and powers, but not a lot to do with them. I saw everything the game had to offer in one sitting, and while there is replayability, the repetitive and boring objectives prevent me from wanting to keep going. The game looks awesome, but falls into generic territory in several ways, while also adopting a lot of that Marvel-esque vibe we're all tired of. It's reductive to say, but we already have DOOM at home.
    • 62 Metascore
    • 60 Critic Score
    The Lonesome Guild
    The Lonesome Guild isn’t a game I would really recommend to anyone, but it’s also one I can see a very specific type of player enjoying. Every aspect of the game is undercooked, such as barebones combat, a childish story that never reaches its potential, and a relationship system that feels shoved into the game just for the sake of it. In other words, there’s no standout reason to play through its 12-hour journey. However, it does have a cozy vibe to it that may appeal to players just looking for an easy game to pick up and play, and while they may find some fleeting joy in their adventure with these characters, I wouldn’t imagine them ever coming back to it. The Lonesome Guild isn't necessarily a bad game, it's just one that doesn't do anything particularly special or great to stand out from the crowd.
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