DIY Magazine's Scores

  • Music
For 3,422 reviews, this publication has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.9 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Superbloom
Lowest review score: 20 Let It Reign
Score distribution:
3422 music reviews
    • 84 Metascore
    • 80 Critic Score
    Knowing one’s self-worth. ‘The Art Of Loving’ is all of these lessons; from the need for independence (‘Man I Need’) to the art of letting go (‘Let Alone The One You Love’), Olivia manages to convey all wisely, without becoming preachy.
    • 81 Metascore
    • 80 Critic Score
    Despite its curiously downbeat nature, it’s thoughtful and packed with intricacies waiting to be revealed. You’ll never want to leave once it sucks you into its gravitational orbit.
    • 74 Metascore
    • 80 Critic Score
    They stick to their guns, and they end up emphasising their rough-around-the-edges strengths.
    • 67 Metascore
    • 80 Critic Score
    Methyl Ethel have reached great new heights with this stellar effort.
    • 71 Metascore
    • 80 Critic Score
    While their move away from the genre isn’t quite absolute, this album proves that they possess enough confidence and ability to do just about whatever they want.
    • 63 Metascore
    • 80 Critic Score
    The startling openness with which Kate writes is nothing but warming.
    • 71 Metascore
    • 80 Critic Score
    While ‘Take The Sadness…’ may not be a bolshy, career-defining move, it is a shimmering, reflective gem, hoping to offer a little relief from the darkness.
    • 74 Metascore
    • 80 Critic Score
    It’s been four years since the band’s previous album ‘Rispah’. That period of self-reflection and resulting new energy is presented beautifully here, and despite the mantra of patience, is delivered with a sense of immediacy.
    • 77 Metascore
    • 80 Critic Score
    Whatever the lyrical content, musically every move feels like an affirming one. You’re never more than a short skip from something gigantic.
    • 68 Metascore
    • 80 Critic Score
    [Walk the River]is not for the faint-hearted but it's certainly for the soft-hearted - three albums along, they still feed our hunger for the big, the wild and the honest.
    • 79 Metascore
    • 80 Critic Score
    It’s a strange mixture of comfort and malaise, but it’s probably the most honest document of the past eighteen months, too.
    • 74 Metascore
    • 80 Critic Score
    The album’s title suggests consistency, but in fact, it is a thrillingly unpredictable musical journey.
    • 76 Metascore
    • 80 Critic Score
    A tense and absorbing record that creates its own world for you to live in.
    • 75 Metascore
    • 80 Critic Score
    III
    Whatever the hell Bo Ningen are doing, and somehow it feels almost so natural it’s instinctive or involuntary to them, they’re doing it very, very, well.
    • 82 Metascore
    • 80 Critic Score
    At its best, ‘CRAWLER’ is fresh, bold and inventive in a way we’ve never seen IDLES attempt to be before.
    • 74 Metascore
    • 80 Critic Score
    Infinite Summer is the classic case of an album that’s so fully-melded, so self-composed in its identity, that you get the nagging sense of déjà vu, that you’ve been here before, and yet it’s something brand new.
    • 75 Metascore
    • 80 Critic Score
    It’s short and easily missed, but catch it and you’ll be able to feel the excitement, freedom, and, perhaps, relief of a band rejuvenated.
    • 68 Metascore
    • 80 Critic Score
    Comedown Machine has done the best thing The Strokes could have done.
    • 72 Metascore
    • 80 Critic Score
    Born Under Saturn is a record so vivid it threatens to become visual.
    • 72 Metascore
    • 80 Critic Score
    The sound of two artists pushing each other forward makes for a fascinating listen. This isn’t just the sound of two polar opposites coming together and hoping something sticks. This is a group that have earned their right to be heard. They should be taken seriously.
    • 80 Metascore
    • 80 Critic Score
    A fresher and more enthralling take on the genre, ‘Life Under The Gun’ manages to evoke a sense of considered familiarity - nodding to punk classics such as Fugazi, Operation Ivy, and even, at times, Green Day and blink-182 - while still feeling fundamentally rooted in the present.
    • 80 Metascore
    • 80 Critic Score
    Rooted in its own creation, Night Thoughts is expansive and enchanting.
    • 82 Metascore
    • 80 Critic Score
    Sunshine Rock does exactly what it says on the tin. A rock album that sparkles; a taut collection of Bob Mould cuts that fits timelessly into his ever-expanding legacy.
    • 64 Metascore
    • 80 Critic Score
    He hasn't quite perfected his talents, but it's far and away the best work he's done as Gambino yet.
    • 81 Metascore
    • 80 Critic Score
    With jubilant tie-dye riffs and squiggly guitar lines around every corner, And Now For The Whatchamacallit is every bit the celebratory psych-rock album it strives to be.
    • 87 Metascore
    • 80 Critic Score
    A showcase of his ability and the things he loves most (Romy and Oliver Sim’s guest spots are a vital part of the LP), it’s the most confident he’s ever sounded.
    • 82 Metascore
    • 80 Critic Score
    Saves The World carries the same weight as its predecessor, but breaks the dark-pop boundaries the band themselves created with their debut. It’s an exhilarating ode to self-preservation and to being your own number one fan.
    • 76 Metascore
    • 80 Critic Score
    Perhaps not the album that will secure the band’s legacy, but one that reminds their cult following that the boys can play hard as well as work hard.
    • 80 Metascore
    • 80 Critic Score
    Effortlessly jumping between belted choruses and wistful pauses for vulnerability, she orients herself around the conflicting forces of uncertainty and longing.
    • 70 Metascore
    • 80 Critic Score
    Old, but new at the same time, the seemingly limited palette of Buoys is single minded and direct. A stunning, if hushed, indirect hit.