DIY Magazine's Scores

  • Music
For 3,422 reviews, this publication has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.9 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Superbloom
Lowest review score: 20 Let It Reign
Score distribution:
3422 music reviews
    • 76 Metascore
    • 80 Critic Score
    Their particular brand of punk never pauses for breath: it’s thirteen unabating tracks, fired up on adrenaline and the thrill of just not giving a shit.
    • 85 Metascore
    • 80 Critic Score
    Jack Antonoff’s fingerprints are easy to spot. The producer layers Taylor’s intimate stories with electronic drums that push certain moments to understated crescendos.
    • 72 Metascore
    • 80 Critic Score
    Despite its heavier moments, ‘Which Way to Happy’ is a genuinely healing listen; an album to get cosy with while its music lovingly soaks your wounds.
    • 79 Metascore
    • 80 Critic Score
    Hundred Waters lay out all their cards on this album and use every single tiny part for all its worth.
    • 80 Metascore
    • 80 Critic Score
    TOPS are a rare band that have an covalent bonding chemistry with one another, and the results are a bright, sparkling album that continues their legacy as some of the best revivalists around.
    • 71 Metascore
    • 80 Critic Score
    Unexplored avenues, Nutriblended genre combinations, and left-field pop gold have always been Santigold’s bag, and though the price tag here may be 99¢, she’s never sounded freer.
    • 62 Metascore
    • 80 Critic Score
    [Barnes has created] the best experimental discordant noise pop he's worked on since 'Hissing Fauna'.
    • 84 Metascore
    • 80 Critic Score
    Always vivid and often affecting, the record deals with love and loss in a way that constantly resonates.
    • 72 Metascore
    • 80 Critic Score
    With one foot in the classic NYC underground scenes that paved the way, ‘Underneath’ is pure bass-led, disco ball-flecked Studio 54, while the dance-punk footprints of ESG are all over ‘Cities’’ irrepressible hook and ‘Compromised’ tips a hat to godmother Debbie Harry. ‘Gentle Grip’ sounds timeless.
    • 80 Metascore
    • 80 Critic Score
    Fresh Blood is the kind of album that harks back to music’s glorious history but does so in a way that remains fresh and compelling. It’s an album of revelatory qualities.
    • 74 Metascore
    • 80 Critic Score
    It’s another reinvention from the prolific outfit, a joyous ten-track delight, just in time for (our) summer.
    • 79 Metascore
    • 80 Critic Score
    Howlin' works impeccably as a whole. Equally uplifting and calming, it's the dancefloor via the beach.
    • 70 Metascore
    • 80 Critic Score
    This album is, in reality, the sound of perfectionists giving into instinct. And once they shun exactitude and all its side effects, they emerge with a dazzling debut.
    • 74 Metascore
    • 80 Critic Score
    VI
    It may not have the depth of some of their counterparts, but it easily makes up for it with refreshing, confident fun.
    • 81 Metascore
    • 80 Critic Score
    FM!
    While ‘Big Fish Theory’ saw the rapper centre stage, relentless and omnipresent, on ‘FM!’ he lets us tune in to a calmer world, one which he dips in and out of when he pleases, filling in the blanks and staying in the fast lane.
    • 81 Metascore
    • 80 Critic Score
    Jungle’s latest is more breezy bops than all-out sum­mer smashes, but nev­er­the­less extremely rich and warm in sound.
    • 79 Metascore
    • 80 Critic Score
    Tip of the Sphere is Cass McCombs’ most elegiac and profoundly literary album, a eulogy for the end of times and a mass articulation of the absurd world of modernity.
    • 81 Metascore
    • 80 Critic Score
    This is a record dedicated to every band who’ve had to scrape together every last penny just to stay alive, and the result is an album that yearns to be heard.
    • 70 Metascore
    • 80 Critic Score
    Himalyan is loud, raucous, massive amounts of fun and it has style, swagger and teeth.
    • 77 Metascore
    • 80 Critic Score
    On Bad Witch, Trent Reznor has curated a feeling, an atmosphere, an idea.
    • 88 Metascore
    • 80 Critic Score
    Endlessly creative and euphoric, the MacGyvers of music have created a record that’s not only politically charged, but brimming with the joys of life and creativity.
    • 77 Metascore
    • 80 Critic Score
    An intriguing new chapter from Emmy The Great that carves out a world you can dive into.
    • 80 Metascore
    • 80 Critic Score
    Performance doesn’t necessarily take White Denim in a drastically different direction, but it captures so many of the different sides of the band’s multi-faceted sound that it feels expansive and wholesome.
    • 61 Metascore
    • 80 Critic Score
    Indiana successfully abuses the boundaries of genre to create a melancholic tome of songs that dares to be inventive from its first steps to its dying moments.
    • 77 Metascore
    • 80 Critic Score
    The most obvious uniting factor between this record and their previous ones, in fact, is their ability to write a whole host of bulletproof choruses, and it’s tricky to imagine coming unstuck from this album any time soon.
    • 68 Metascore
    • 80 Critic Score
    There’s so much to take in, it’s almost hard to know if it’s even any good. Between these sensory overloads, however, we get the funky bop of ‘All Wordz Are Made Up’ and the acoustic lullaby of ‘Think Before You Drink’.
    • 77 Metascore
    • 80 Critic Score
    A deeply thoughtful and yet infinitely danceable collection of songs, it balances honest truths with taunting vocals and bursts of synth-prompted energy.
    • 74 Metascore
    • 80 Critic Score
    Even with the twisting and turning of different styles Gallows remain ferocious until the last drop.
    • 79 Metascore
    • 80 Critic Score
    The soundscapes on ‘The Loneliest Time’ may not be as grandiose, or as sugar-coated as we’re used to from her, but that doesn’t mean the feelings aren’t still a lot. ‘The Loneliest Time’ is definitely Carly’s most introspective album.