Flock from developer Hollow Ponds is a unique, relaxing, and fun adventure that doesn’t require too much effort to enjoy. The game is slanted towards discovery and environmental positivity through simplistic controls that allow the player to focus on finding and identifying animals while traversing a large landscape. The only bump in the road is the occasional feeling of a lack of content.

Teenage Mutant Ninja Turtles: Splintered Fate incorporates traditional roguelike gameplay in way that should familiar for most roguelike players. It just does so in a convoluted fashion. While I appreciate its attempts to fully immerse players in the world of TMNT, the story beats needed to be more frequent and fully realized to hit the emotional highs and lows associated with the series’ deep universe. Its couch co-op should be praised, however, as this is best played with friends.

Kinitsu-Gami: Path of The Goddess yet again shows a Capcom willing to take risks. Who would of thought a niche hybrid of action, strategy, and tower defense would translate into a Japanese mold like this? While the game suffers from familiar genre tropes like a sluggish pace and busy menus, players won’t deny the clever, tense implementation of building an impeccable line of defense. From fighting dinosaurs from the future to dancing away evil spirits, I’m excited to see what new experiment Capcom brings us next.

Great googly moogly, SCHiM is a beautiful feat of a 3D-platformer with puzzle elements. Its most charming and emotional moments will sneak up on you, so enjoy every single second of this cozy tale of a little shadow that could.

Gestalt: Steam & Cinder is a good metroidvania for those wanting a middle-of-the-road metroidvania. Its steampunk aesthetic makes for a gorgeous and audibly delightful tale, its combat is as fluid as it they come, but my biggest concern is that it doesn’t take a big swing in innovation or set itself apart from other metroidvanias in a big way.

Stray Gods – Orpheus from developer Summerfall Studios falls short of the original game Stray Gods. The DLC is a shorter game that contains a more compact and less meaningful narrative, while still featuring great music and wonderful gameplay elements like the original release. If you accept those terms, you might like Stray Gods – Orpheus.

While it may have kicked my ass to kingdom come, Anger Foot is a creative approach to a chaotically simple FPS that’s light on the shooting and heavy on the kicking. Despite the simplicity of its controls, it is a refreshing take on an FPS that encourages players to do something other than mindlessly shoot enemies. I cannot wait to see what else Free Lives and Devolver cook up.

Neon White from developer Angel Matrix and publisher Annapurna Interactive is a unique and fluid speed-running shooter that uses gameplay elements methodically to create a game filled with strategy and fun.

The Tribe Must Survive from developer Walking Tree Games GmbH is a fun survival game that is difficult as it is addictive.

Spin Rhythm XD offers a sublime VR rhythm game experience thanks to its natural-feeling controls and stellar-EDM soundtrack. It’s nothing like any rhythm game I’ve played in the past, and I’m fully on-board with Super Spin Digital’s approach to creating a rhythm game that puts the player firmly at the center of the soundstage. It’s the easiest recommendation I can make for any PSVR 2 player wanting a rhythm game that feels and sounds excellent. Now if you will excuse me, I’m off to put my PSVR 2 back on my noggin and get lost in the music.

Super Monkey Ball: Banana Rumble from Sega is a good game that brings more of the same Monkey Ball fun with its single-player experience, but switches it up in a fun way with its online gameplay modes. It’s a solid party game that needs more baking on the server side but delivers when it counts.

TSUKIHIME – A piece of blue glass moon from developer Type-Moon is a stunning game that weaves a deep and terrifying tale reinforced by strong main characters and good narrative flow.

#BLUD from developer Exit 73 Studios is a gorgeous game that contains a familiar and goofy 80s/90s horror movie narrative theme but falls short in handing the gameplay control completely over to the player. The boss fights and selfie moments do make up for some of its shortfalls and also help to keep #BLUD more entertaining than not.

Noreya: The Gold Project is a very pretty 2D platformer that attempts to instill agency and creativity wrapped in a nice, neat metroidvania package. Whether it does so or not is up for debate, but one thing is certain: The puzzles and platforming are quite enjoyable.

Elden Ring Shadow of the Erdtree is absolutely worth the cost of its significantly difficult entry point. When exploring the vast reaches of the Shadow Realm, it is impossible to deny how FromSoftware managed to capitalize on Elden Ring‘s immense thrill of discovery and challenge. Shadow of the Erdtree is a full expansion of the masterful vision that represents the culmination of the developer’s work, one that raises the standard even higher, one that feels unimaginable to best. But if there’s studio that can do it, it’s the one who made Elden Ring.

In any other universe, I would balk at Nine Sols’ difficulty. Yet, I gave it a chance, and it more than rewarded me for giving it a moment of my time. Over 20 hours later, I came out of it bruised, battered, and wanting more Taopunk goodness.

V Rising possesses a surprising blend of genres that weave together to incorporate a kind of “vampire simulation” no other game has accomplished. Survival, crafting, and ARPGs may not be the most obvious harmony at first blush but the deeper players go, the more rewards will be reaped. Staring from the balcony of my castle crafted from harvesting the blood of my foes and the innocent, I could not help but give a fanged smile at this satisfying, gothic fantasy.

For diehards or even the new/casual fans of Formula 1, ‘EA Sports F1 ’24’ is a good installment of the franchise and worth your time behind the wheel.

Ghost of Tsushima: Director’s Cut on the PC is a top-tier gaming experience. It brings everything that the console has to offer and then turns the entire visual experience up to 11.

Indika unquestionably defies definition. A swirl of impactful narrative and visual decisions are meant to resonate with the player longer than they linger on screen. It may be offbeat to a fault but this brief journey is uncompromising in vision.

The Detective Reaper Invites is an interesting game of logic and deduction. While it doesn’t go as deep as it could, there’s enough to give players a taste of deductive gameplay that will surely test one’s reasoning skills.

Killer Klowns From Outer Space: The Game excels in its uncomplicated experiment with asymmetrical multiplayer. Rather than bog players down in multiple systems, IllFonic and Teravision choose kinetic gameplay that always has players doing something. Such a stripped-down experience is made memorable by the campy nature of the film, quick matches, and fast leveling. Of course, the circus elephant in the room is how welcome the community will be towards embracing a game that leans more into thrills and less into horror. Will the Killer Klowns wrap us up in its sugary embrace or scare us away?

Zet Zillions from developer OTA IMON Studios is an addictive roguelike deckbuilder that doesn’t quite reach the likes of Balatro but certainly proves its worth in replayability and thick strategy. While it isn’t completely perfect in some elements of its design, it’s still one of the better games of this genre that I’ve played in 2024.

Hauntii is absolutely one of a kind, despite the familiarity players may latch on to. Moonloop Games creates a title focused on exploration that is visually riveting and packed with attention to detail. Incorporating puzzles both obtuse and clever, frustration and satisfaction may go hand in hand. But enough narrative heft and creative depth mean Hauntii is no mere specter that will fade into memory.

Senua’s Saga: Hellblade II from developer Ninja Theory and publisher Xbox Game Studios proves there is more story to tell from Senua’s journey, and that the story is still centric to the game. The sequel extends and expands Senua’s character, opens her world to more possibilities, and maintains its quest to replicate and address mental health issues and disorders caused by trauma. The gameplay mechanics and action are still essentially the same as the first title, although those elements appear to be far smoother in their execution and less of a drag to the story.

Braid, Anniversary Edition is an essential product for fans of Jonathan Blow’s significant indie game. More importantly, it is a crucial reference point for anyone wishing to learn more about game development. Braid, as an experience, is only enhanced due to the updated visuals, animations, and sounds. What remains is still a game that time has been kind to, one that serves as an essential point in how we consume the medium today.

Lorelei and the Laser Eyes from developer Simogo and publisher Annapurna Interactive is a strange and wonderous new direction for Simogo’s post-Sayonara Wild Hearts success. It’s a beautiful mixture of thick narrative and difficult puzzles that ask a lot of the player but deliver an equal amount by the end. Some players may get frustrated by the beginning of the game as it gives you little direction on what you should be doing, but once they’re on the progression rails, the game rolls and gets better.

I don’t consider Athenian Rhapsody to be anything like Undertale despite some of its similarities. It’s very well written, often getting me to audibly laugh because of its absurdist humor that surprised me time after time. I truly appreciated having agency to play as I liked in this RPG and the novelty of the Rhapsody system is enough for me to be excited about seeing other players play through to the end. While I have some reservations about the way the story has been constructed and the implementation of the Rhapsody system, there’s enough for players to enjoy if they are interested in a truly silly RPG.