Shredders is admirable for its ambiguous concept within the confines of an indie budget, but its gameplay doesn’t warrant any repeated trips to the slopes. Foampunch tries to salvage the game with an attempt to charm players with its wacky humor and splashes of energy, butting heads with the game’s juxtaposition of a dull open-world in the process. Curiosity may pique your interest in Shredders as it launches on Xbox Game Pass, but you’ll likely have forgotten the game within a few minutes of your descent from the summit.

In Destiny 2: Lightfall, the great does eventually shine through the experience even if it makes a catastrophic first impression. Lightfall will likely be remembered as one of the franchise’s great disappointments for some time, which is unfortunate as there’s so much that’s worthy of your time here. Destiny 2: Lightfall is largely excellent – it’s just heartbreaking so much of that is tarnished by one of the biggest fumbles in the franchise’s history.

The good news is that today, dungeon-crawling games like this are more popular than ever, so Baldur’s Gate Dark Alliance 2 could be exactly what you’re looking for. The genre has boomed and this makes an older game feel fresh again, especially to those who didn’t play it the first time around, if you can forgive its imperfections – and some players won’t be able to. Don’t expect it to compare with the likes of Diablo 3 or Path of Exile, but fans of the genre will be well served by Dark Alliance 2.

Payday 3’s high-octane action and extravagant heists make it another iconic entry into the heist shooter franchise, but it is ultimately held back by a lackluster user interface, matchmaking issues, and online DRM. While these problems can be addressed in later patches — as Starbreeze proved with its post-launch support for Payday 2, the game ends up feeling a little half-baked in its current state.

I truly wanted to love this game, and beneath the muddled surface lies the bare bones of an awesome detective RPG just begging to be let loose. Unfortunately, it looks like that skeleton will remain in the closet. Vampire: The Masquerade – Swansong is plagued by more than just the undead: its systems aren’t fun, puzzles are irritating, and the lack of depth seals the deal. I want to learn more about our protagonists, I want the story to be Criminal Minds but with vampires, however, it simply isn’t. Having waited so long for VTM to return triumphantly, Swansong is quite the letdown. For avid fans it’s a must, but if you’ve been brought here by Bloodhunt we’d suggest just sticking to that.

Black Ops 7 has the worst Call of Duty campaign of all time, but another solid multiplayer with great maps and an addictive Zombies mode means there's still plenty of fun to be had.

All of this adds up to a great multiplayer that will no doubt keep players hooked for months to come. But while it’s a lot of fun to play, there’s nothing new here to get excited about. [Review in Progress]

Adventuring through the land is so limp and lifeless, with features pulled from Genshin or Breath of the Wild, or whatever other game it decided to do slightly worse, that it becomes a homogenous, grotesque blob. Tower of Fantasy is a complete failure in almost every aspect.

Thunder Tier One is an exciting tactical feast for both solo players and squads alike. There is some wonkiness to its AI, but its tense shooting mechanics and focus on information and visibility make it hard to overlook for fans of hardcore military shooters and tactics game experts alike. It’s not an easy mission, but it’s one you should definitely take on.

Given the attention to detail, exceptional level design, near-unending variety, but most importantly, its inventive approach to ‘scare tactics’, The Dark Pictures: Switchback is an absolute must-play for fans of the genre and those looking for a real fright. Go in with open eyes, let the distinct worlds and the many unsettling inhabitants enrapture you, and you may well be left trembling in no time at all.

If you want to have a great time with a friend while playing an action RPG, Atlas Fallen’s co-op mode is an ideal choice. However, if you intend to embark on a solitary adventure out in the dunes, you may find it becoming too monotonous at times when you’re just sliding across the desert in circles.

Over time, there’s certainly room to build from this foundation. But with the asking price and the initial lack of substance, it’s hard to see value in AEW’s first game upon release.

Scars Above is not a triple-A, big-budget, blockbuster of a game and therefore shouldn’t be reviewed as one. While well-designed and creative, the game isn’t going to appeal to everyone and will feel low-budget compared to many of the games it’s clearly been inspired by. That’s okay, though, as Scars Above knows its audience and has been crafted with sci-fi and Soulslike fans in mind...If you fancy tackling some big bosses – but with a gun that fires various elemental attacks in a world that wouldn’t be out of place in Mass Effect or Returnal, then Scars Above may be an excellent way to spend your time.

The game is an excellent throwback to a lost time in survival horror history and every fan of the genre owes it to themselves to check it out. It’s refreshing to see a game relying on ghosts as its primary source of scares after many monstrous horrors have run around the genre lately. And be in no doubt, this is a scary game. These ghosts want you to join their less-than-alive existence, and you’ll have to brave all kinds of spooks to avoid that fate.

While Forspoken delivers a solid action-based combat system and an array of challenging bosses, it fails to create an engaging narrative thanks to the surface-level characters and at times, unbearable dialogue. Not only that, the outdated open world feels like more of a checklist rather than an opportunity for exploration, leaving you yearning for landscapes from other games that are more memorable, and less lifeless. Ultimately, Forspoken lives or dies with its combat, so if you fell in love with it in the demo, it may be worth your time. However, if you’re looking for an engaging RPG that immerses you in its world with a strong main narrative and interesting side activities, this is certainly not it.

Somewhere in Shadow Warrior 3 is a meaty FPS that is trying to move forward with the times but struggles to keep consistent as technical problems and a muddied presentation mar the game’s strengths. The first half of the game is an enjoyable, constantly growing, and expanding experience that runs out of ideas towards the end. Lo Wang is certainly not the most memorable or likable protagonist ever seen, but I appreciate Flying Wild Hog’s intentions.

I’m rooting for Suicide Squad: Kill the Justice League though. There is enough here to suggest that Rocksteady has a grasp of what could make this game great. It will take effort and some big releases, but despite having an uneven experience overall, I’ve left relatively favorable. It has a rebellious spirit that makes it endearing...For all the noise around the game, from those fighting loudly in its corner and those trying to tear it apart, I’ve left with an unceremonious “Yeah, it’s pretty good” with a tinge of hope to boot. There is a world where the game has a future, and it’s a multiverse I’d like to live in.

Kao the Kangaroo offers a pretty solid platforming experience and its graphics and soundtrack offer a pleasant nostalgic experience. Its environmental design is so charming, and the characters are loveable despite their poor voice acting. However, this experience is stopped short by bugs, repetitive gameplay, and poor storytelling. With a number of fantastic 3D platformers released in recent history, it's hard to recommend Kao the Kangaroo. If Tate Interactive would have kept this game in its developmental pouch a little longer, a lot of its big issues could have easily been resolved. Heck, we already waited almost 20 years for this game, we could have waited a few more months.

For all its stunning vistas and fun-filled stories, Chocobo GP just doesn’t have the sparkle that it needs to propel it to the top. Plagued by poor handling, dull tracks, and a microtransaction system that will have players arguing until the cows (or chocobos) come home, the game lacks the finesse of competitors and doesn’t really give players much reason to dive back in. Unfortunately, Chocobo GP will likely gather dust in my Switch library while I return to the likes of Mario Kart – and it’s a shame, because I really, really wanted to love it.

Those looking for a third-person action shooter may lose patience with Alone in the Dark. However, those looking for a traditional survival horror experience, one with its PS1 roots still slightly visible, might be reminded why they fell in love with the genre to begin with. The main takeaway though, is that Alone in the Dark is finally back, playing to its strengths, and catering to those who've missed it.

Bloodlines 2 isn’t your typical RPG. It tells a great and complex story while taking you on an adventure where every choice you make affects the narrative, inside a city that feels alive with lovable and hateable characters. However, it could have done so much more to live up to it's predecessor and TTRPG inspiration.

The Sims 4 My Wedding Stories makes for a great pack for builders and CAS fans alike, with great care having been taken to include items that can be utilized in many different styles of ceremonies. Whether you’re interested in the new world, the formal CAS items, or even game options that cater to a more family-oriented style of play, it’s a great pack to add to your game. However, a multitude of bugs and overall surface-level gameplay that only expands on systems that are already in the game, rather than adding new ones, keep this pack from being something that I’d truly say “I do” to without a second thought. Hopefully, some of these bugs are fixed ahead of release day or addressed in an upcoming patch as until then, the new events are not something I’ll be using going forward

Saints Row is everything you’d expect from a new entry into the franchise: It’s full of larger-than-life story beats, a LARPing subplot, oodles of customization, and outlandish Skills to take down your enemies with. While it doesn’t reinvent the wheel by any means, your Boss and their three companions are where this reboot truly shines — and it’s a joy to experience Santo Ileso and all that it has to offer with them.

South Park Snow Day feels like a step in the wrong direction for the franchise. With fantastic RPGs that nailed the vibe of the show so well, it’s hard to understand why they would instead move the games in such a misguided direction...With an uninteresting gameplay loop that relies on other players for its fun, the release just simply doesn’t hold up when put against other heavy hitters of a similar genre. And even when the game does feel good, it seldom feels like a South Park project, leaving players wondering what could have been.

As much as I wanted to enjoy it, Skull and Bones feels like an underdeveloped, unpolished, and unnecessary game that was better left on the cutting room floor. With awkward quests, little incentive to explore, and far too many problematic features, it’s left us wondering how this took 11 years to release and how quickly it’ll drown in its own seas.

While Lienzo's spectacular universe is a triumph in Aztech: Forgotten Gods, the game lacks the polish it needs to propel it from being average to something truly unique. The mariachi skeleton of an amazing game lies trampled under a series of visual and mechanical bugs that just leave the whole thing feeling unfinished. I walked away feeling satisfied that I had played a pretty cool game, but not rushing around telling my friends about it in the way I had expected to. As titans rise around it and seek to conquer the gaming sphere, Aztech: Forgotten Gods will likely be banished back into the annals of the history books it came from, but trust us when we say we're sad to see it go.

Tales of the Shire offers a cute cozy adventure that perfects its fishing and cooking, but fails to succeed in any other area synonymous with the genre.

As a huge fan of the original, I went into New Tales From The Borderlands wanting to have my mind blown and regaled with a story for the ages. Gearbox delivered this in some parts as they harnessed the crazy energy of the Borderlands universe to offer up exciting new characters and a coherent story. But the overeagerness to deliver a laugh a minute and the ludonarrative dissonance of its mini-games and QTEs take away from the game in droves. If we do get a third game, then I’d love to see Gearbox move away from all this and focus on delivering a heavy, gut-punching narrative sprinkled with that insane Borderlands energy we love so much.