If you’re looking for a GTA-style title with Vin Diesel in it, then you’ve found your game. If you’re looking for an open-world, arcade-style racer, then you may want to look elsewhere. Wheelman flirts on the buggy side and the over-the-top, cinematic action is often bogged down by silly additions and weird design decisions.

Avoid it. The few glimmers of enjoyable action simply aren't worth the hassle.

I can't help but feel that Gromit's disbelieving stare projects past Wallace and into the offices at Telltale, while the poor clay dog shakes his head in dismay.

Despite these flaws, we still like TrackMania DS for being a game that doesn't take itself too seriously. If you don't take it that seriously, we think you'll have a pretty good time with this game. The lack of online multiplayer and course trading is a real shame, though.

The game succeeds in bewitching players with its aesthetic quality and impressive volume of content, but the flaws are constantly remind you of their existence and sadly drag the whole production down.

So did Rune Factory: Frontier turn me into a full-fledged fan of the farming sim genre? No, not entirely, but it was definitely the most fun I've ever had with a Harvest Moon-like title.

Henry Hatsworth in the Puzzling Adventure is one of the most unique games on the Nintendo DS, and a blast to play.

The game's frequent annoyances sometimes threaten to get in the way of a great game, but it's undeniable that Suikoden Tierkreis is definitely great.

Consistently enjoyable, with only a few frustrating missions.

Pleasant music and beautiful levels help to round out this cute offering, and while I do feel the control issues could cause some frustration for players, the determined ones will work around it and keep on pushing forward.

All in all, the game is must-play for anyone studying game design and/or fans of high-pressure gameplay. Bit.Trip Beat feels like a an intentional deconstruction of videogames as a whole, with all forms of complexity stripped away in favor of delivering a simple, concentrated experience. This lack of pretense isn't totally new; WarioWare and Shadow of the Colossus both went for it in their own ways, but never to this extreme.

It’s not going to revolutionize videogames and is definitely not a huge step forward in the series, but it contains some of the coolest set pieces and most incredible boss fights I have ever seen in my entire life. And that makes me very happy.

It’s not going to revolutionize videogames and is definitely not a huge step forward in the series, but it contains some of the coolest set pieces and most incredible boss fights I have ever seen in my entire life. And that makes me very happy.

The deliciously addicting game shines on XBLA for a meager 800 Microsoft points. The little touches -- the loading bar phrases and the visuals -- lend credence to Peggle’s relevance on Microsoft’s downloadable service.

MadWorld is an odd beast. Its violence and core controls are remarkably pleasing on a visceral level and its sense of humor is so startlingly unpretentious that it's difficult not to admire, but its over-the-top premise is rarely exploited to its fullest potential.

I love the game in a fetish sort of way, in a way that I don't expect most people to relate with.

The End is Nigh seems like the foundation for an exceptional, well-put-together brawler, with the look of a Triple-A title that could have been something more. But it also feels like a concept, a shell that only gets the basics right and doesn’t take that next step to become a more interesting, engaging experience.

The End is Nigh seems like the foundation for an exceptional, well-put-together brawler, with the look of a Triple-A title that could have been something more. But it also feels like a concept, a shell that only gets the basics right and doesn’t take that next step to become a more interesting, engaging experience.

One other major issue with the game is the horrible navigational map that just shows everything as a circle of cluttered brown mess. With so much going on during a standard mission, it's understandably difficult to create a map that reads clearly and informs the player of what's happening. However, this impossible creation doesn't even come close.

MLB 09 The Show adheres to the age-old adage, “If it ain’t broke, don’t fix it,” and that is its greatest strength. Rather than implementing changes in the name of innovation or back-of-the-box bullet points, Sony San Diego has refined the winning formula of MLB 08 in nearly every imaginable way, and they’ve delivered the best version of The Show yet.

I've not had this much fun with a console FPS in a long time, and feel confident in saying that Killzone 2 is probably the best of its kind to come out this generation. While some flaws are evident in the story and a number of design choices, they pale in comparison to the purity of the gunplay and the meaty action that prevails.

Every bit as addictive as the PC version. For me, it replaces the PC versions in its more portable form.

Speaking strictly in terms of mechanics, calling Eat Lead mediocre would be excessive praise. But its charm, savvy writing and excellent humor shines in the face of all of its shortcomings and elevates it to a being a game that may not be worth owning but should certainly be played by anyone who can manage to plant their tongue firmly in cheek.

If you are a fan of mindless, old-school action games you really owe it to yourself to give Blood on the Sand a try. I promise you will be thoroughly entertained. The minute things start to feel repetitive, the game throws in a random driving level or a ludicrous cutscene that you only wish could be rewound and watched again.

If you are a fan of mindless, old-school action games you really owe it to yourself to give Blood on the Sand a try. I promise you will be thoroughly entertained. The minute things start to feel repetitive, the game throws in a random driving level or a ludicrous cutscene that you only wish could be rewound and watched again.

Well crafted and presents a huge adventure for you to lose yourself in. With everything from solid dungeons to exciting battles and sidequests, the game has a ton to offer for your buck and stands as a worthwhile entry in the genre. If you're looking to have a groundbreaking new RPG experience it probably isn't the game for you, but otherwise I think it'd be a great addition to any collection.

Other than the boss fights and the graphics, there isn't too much I'd change about this game. As a huge fan of Resident Evil 4, Dead Rising: Chop Till You Drop offered a similar take on that experience, but with more enemies on screen, more melee weapons, more comedy, and more action.

After giving it some thought, I actually can see how Onslaught could be someone's game of the year, but only if that someone was very young, and/or has never played a online FPS before.