Because the bulk of the hour is chock full of bells and whistles and topical references, it might not have the same staying power as some of his earlier specials.

If you’re not a big Brady fan or a Patriots fan, then the three hours will feel like a slog. But if you’re a fan, then I don’t need to tell you to STREAM IT.

Crouch and his writers aren’t trying to confuse the viewers. As far as science fiction stories like this go, it’s a refreshing approach. .... Edgerton does a good job of showing both Jasons’ motivations.

STREAM IT but not because you love fashion or competition shows, simply because it works best as a half-hour comedy: funny, full of characters, and a very easy way to wind down after A DAY.

When MaryLand concentrates on Becca and Rosaline re-bonding while seeking answers about their mother, the series works the best, thanks the performances from Jones and Best. The rest of the stories surrounding the sisters feel like filler that won’t really have much to do with the general direction of the series.

This series of live talk shows demonstrates why Mulaney would’ve been and still remains a great candidate to anchor anything like Update.

It’ll be an entertaining May the Fourth binge, and likely an engrossing one for Star Wars fans of all levels.

Has Criminal Minds: Evolution changed the tried and true formula that carried its original show to over 320 episodes? Not really. But with an extended storyline and most of the cast back, it’ll feel like a refresh to the show’s longtime fans, while feeling familiar enough to keep them very happy.

Here in season three the very real challenges faced by Diddly Squat give him true pause, and that creates an effective balance against the usual gripes and galavanting. We’re invested in how Clarkson’s going to solve his farm’s host of problems, and particularly enjoy it when the solution as he sees it meets real world whammies.

The Tattooist Of Auschwitz shows that there can be a glimmer of hope in even the most horrific situations.

Welcome To Wrexham isn’t exactly about the same plucky underdog team anymore. But as long as the show’s producers continue to emphasize the team’s connections with its fans and city, it should be a little more than just a straightforward sports docuseries.

We want to see more of Marcus, whom we think got the short end of the narrative stick in Season 2. But for the most part, if the rest of Season 3 of Hacks is as satisfying as the first episode was, we’ll be pretty happy.

Really, the only reason to watch A Man In Full is to see Daniels swagger his way through six episodes as Charlie Croker. The rest of the show has some fine actors, but we have no idea if they’ll get any kind of meaty stories in such a brief series.

The alchemy of Season 1 was the intense chemistry Anderson and Reid shared. Zaman, Hayles, and Bogosian are all ferocious scene partners for Anderson, but none of them come close to capturing the lightning storm that is Louis and Lestat. That said, Interview With the Vampire remains the rarest of treats on television. It’s a soapy, gothic fairy tale full of sensuality, gore, and incredible performances.

The jury is still out for us whether The Veil will be worth the time investment; on first glance there doesn’t seem to be enough story there, but Moss, Charles and Knight give us hope that things will pick up.

It’s Bon Jovi’s own decision-making that figures into the biggest dramatic hook in Thank You, which is the whys and hows of Sambora’s departure, and that will certainly keep us watching.

Knuckles is a fun, light show that has just enough edge to keep parents engaged, but is completely suitable for the whole family.

Despite our reservations, Dead Boy Detectives is mostly fun to watch, and the flaws we saw in the first episode might be smoothed over as the season goes along.

The Big Door Prize works because it allows us to spend time with a group of appealing characters that have become a “found family” as they try to figure out just what they want to get out of their lives. That vibe continues in Season 2.

While The Jinx – Part Two is still worth watching, it feels not nearly as essential and compelling as the original series was, and some of its more meta moments left us scratching our heads.

Every aspect of Big Mood, from the chemistry between Coughlan and West, the sharp, comedic commentary on pop culture and social media, and the nuanced handling of mental illness is responsible for this show being a must-watch.

Dinner With The Parents is one of those shows that is elevated by the cast. Nothing about the show is particularly fresh or inventive, and some of the writing is maddeningly inconsistent. But the cast manages to take the material and make it funny.

The Spiderwick Chronicles isn’t scary enough or wonderous enough to hold our interest, and we get the feeling that kids who watch the show will seek out other shows that are either scarier or more whimsical.

Despite some missing context, Grant Amato’s strangely normal interview footage and audio effectively drives the narrative in CTRL+ALT+DESIRE.

The producers of Our Living World take a novel approach to the nature docuseries, showing different ways living beings on this planet are connected. Sometimes those connections are a bit strained, but the footage that is being used outweighs a lot of those flaws.

Under The Bridge has more than enough complications to make for compelling drama, and the first episode gives viewers just enough information about the case to hook them in without getting them frustrated.

Parasyte: The Grey has enough action to hold viewers’ interest, but the story of Su-in’s mutant existence is also what’s going to keep us watching.

There’s going to be a lot of quirky characters, a lot of stylistic filmmaking techniques used, and a very solid sense of place and time that permeates the entire narrative. That tends to be a good thing, and it will serve this narrative well. We just hope that The Sympathizer doesn’t get distracted by its gimmicks and focuses on Captain’s story.