There isn’t anything groundbreaking about the filmmaking, but the true crime at the center of the story is compelling.

Tales Of The Teenage Mutant Ninja Turtles is definitely fun to watch and is certainly more sophisticated than the Turtles’ original animated adventures.

The six-episode conclusion of The Umbrella Academy is a definite STREAM IT.

Does Mr. Throwback have the potential to fly off the rails? Absolutely. But the show’s creators have decided to keep the goings on relatively low-key, which actually makes the show funnier than it should be.

It’s apparent that the new iteration, helmed by Hampton’s authentic tough love and direction, launches a solid ensemble cast exuding their own signature star power and sass.

Cartel gets a lot of use out of reenactments, with actors in big black Aviators and cowboy boots driving around Texas in a government-issue Impala, or trying to stay incognito as they surveil their persons of interest at horse auctions. And while that stuff is effective in building tension – Lawson and the FBI were targeting a criminal group known for killing indiscriminately, always wary of being made – it’s the case itself that’s the most interesting thing here.

If he says you shouldn’t trust what he says out of context while drunk and high in a three-hour long podcast, then perhaps you can get everything you need to know about him and decide for yourself by seeing and listening to what he says here while presumably stone cold sober but slightly sweaty for just over an hour.

The Change is a funny show with a simple premise, which works mostly because of Bridget Christie’s winning performance.

Industry Season 3 is a fabulous level up for an already great show. The impressive ensemble cast continues to excavate the beautiful, broken characters the[y] play.

A Good Girl’s Guide To Murder rides on the charm of Emma Myers, but there’s also a solid mystery to get to the bottom of, which isn’t always the case in shows like this.

While we don’t love the storytelling in the first episode of Women In Blue, the performances by the four lead actresses are very watchable and the serial killer mystery that will be a big part of the first season is going to be a good driver of action.

Elite is already stirring up its component parts for a satisfyingly spicy, gossipy, and bloody series conclusion.

There was so many directions Granite Harbour could have gone in, which is why its generic story and characters are so disappointing.

We’re giving The Decameron a lukewarm recommendation because there are characters that we do want to follow in this dark comedy, and we have confidence that the storytelling will help deepen the characters we don’t love. But the comedic elements don’t hit most of the time, and we wonder how much effort it will take viewers to really buy into the goings on at this Tuscan villa.

Dirty Pop smartly ties its year-by-year timestamps to songs, like Backstreet’s “I Want It That Way” and “We’ve Got It Goin’ On,” or NSYNC with “It’s Gonna be Me,” which allows us to follow how huge the 90s boy band phenomenon really got, and wonder how those groups allowed themselves to be swindled for so long. .... The AI thing is a weird outlier in contrast to how any of the other footage in Dirty Pop is used. The docuseries readily admits the footage was manipulated. But it gives off a reek of also manipulating the viewing audience.

Pete Rose is a complicated figure, perhaps as complicated as any in the history of baseball. Whether you love him or hate him, Charlie Hustle & The Matter of Pete Rose will keep your interest; the whole story is there, and you can pick your side.

There are enough funny elements, and good performances, in Time Bandits to keep watching beyond the first episode. But we’re not sure there is enough there to sustain audience interest — whether it’s kids or adults — for ten episodes.

Kite Man: Hell Yeah! is a STREAM IT, especially if you’re already versed in the brash and bloodsoaked goings-on of the Harley Quinn animated series. This is a fun, foul-mouthed send-up of the superhero genre with expressive voice acting and a gleeful murderous streak that guarantees its NSFW-ness.

Not every athlete is worthy of a documentary, but Simone Biles isn’t just any athlete. Simone Biles: Rising is a well-crafted document of one of the best to ever do it.

Omnivore is a visual feast and an informative docuseries about essential everyday ingredients we all use and eat. We just wish it was a bit more warm and personal of a show.

Despite not really having a good idea how the show is going to get to its destination, the performances by Portman and Ingram make Lady In The Lake worth watching, hoping against hope that the story comes together at some point before the end of the season.

Those About To Die is too muddled, with too many characters, to even enjoy for the sex and violence, of which there’s quite a bit.

With Kreese back in the center of the action, everyone working towards Sekai Taikai and an extended final season in 2024 and “final battle” in 2025 on the horizon, we can see Hurwitz, Schlossberg and Heald focusing and being able to bring Cobra Kai to the finish line with a funny, emotionally affecting story.

UnPrisoned is a funny show that deals with some pretty heavy generational issues, and while it still rides on the fantastic chemistry between Kerry Washington and Delroy Lindo, the rest of the cast is getting some meaty material, as well.

Disco: Soundtrack of a Revolution emphasizes the beats and songs that built a classic sound, and the communities, often marginalized or under-represented, who did the hard work – and all of the dancing! – to bring it to life by the light of a turning glitterball, before the music ever went slick and mainstream.

There are a lot of powerful, personal moments in the interviews featured in Teen Torture, Inc. But the docuseries also relies heavily on the kind of stilted reenactments that clog up a lot of today’s true crime stuff, repeated use of the same stock footage and personal photographs, and provocative statements that it doesn’t immediately back up with facts or research.

While Mafia Spies has a good story at its core, the series itself is at least two episodes too long to tell the story effectively.

Orlando Bloom: To The Edge isn’t the ego-stroking exercise we thought it would be. The show, which actually has a lot going for it, just needs some tighter editing.