Decider's Scores

  • TV
For 2,519 reviews, this publication has graded:
  • 52% higher than the average critic
  • 10% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points higher than other critics. (0-100 point scale)
Average TV Show review score: 70
Highest review score: 100 Hacks: Season 5
Lowest review score: 0 Sex/Life: Season 2
Score distribution:
  1. Mixed: 0 out of 1831
  2. Negative: 0 out of 1831
1831 tv reviews
  1. Halo feels more streamlined in its second season. While still based on a video game franchise with nearly 25 daunting years of established lore, it’s leaning into the autonomy within himself that John-117 has unlocked, which could very well emerge as Master Chief and his team’s biggest asset against the Covenant and threats closer to home.
  2. Tokyo Vice is stylish, mysterious, and full of powerful acting turns that put a sharp edge on its depiction of the places where crime and violence intersect with tradition and ambition.
  3. It is a will-they-or-won’t-they rom-com? Is it a friendship story? Is it a saga about moving into adulthood and figuring out your life and your priorities and enduring heartbreak and loss? Will it make you cry? Yes, it’s all of those things, and it manages to capture all the muddled, complicated, aching emotions of them all.
  4. Despite our reservations, #Cybersleuths: The Idaho Murders is still a good review of this grisly case, and we think that the filmmakers will eventually get their message across about the good and bad aspects of online speculation about cases like these.
  5. Raw and impactful, the new season will keep viewers on their toes in more ways than one.
  6. We give Quinta Brunson a lot of credit for not standing on her laurels for Abbott Elementary‘s third season. Even though she’s shaken things up a little bit, the show still seems to be at the top of its game, and we hope that continues through Season 3.
  7. Shōgun‘s size and scope and overwhelming excellence explain why it took so darn long to get the series right.
  8. The final season of Curb Your Enthusiasm is pretty much more of what we’ve seen over the past 24 years. But it’s still funny, howlingly so at times. And that’s pretty much all we’re looking for from Curb as Larry and company kvetch into the sunset.
  9. This new take on Mr. & Mrs. Smith is funny and full of surprises, with great chemistry between Glover and Erskine that may lead to some interesting sexual tension as the series goes on.
  10. Three Little Birds is intended to be a feelgood series, but it’s not schmaltzy and doesn’t shy away from the issues Jamaicans and other Black people faced in England in the 1950s.
  11. We’re hopeful that Feud: Capote Vs. The Swans will provide some juicy scenes among its amazing cast, and that will be enough to keep us watching. But the story itself is so low-stakes that it just leaves us cold.
  12. In The Know is a quirky, funny series that works on a few different levels, and it effectively combines animation and live action.
  13. Expats is a show that should be better than it is, given its cast and Wang’s pedigree. But its storytelling is frustrating and its characters are ones we feel we’ve seen on TV a whole lot over the past few years.
  14. Not only is Sexy Beast a series that feels unnecessary, given its connections to a film that wasn’t a big hit a quarter century ago, but it doesn’t even rise to the level of being a good heist show on its own merits.
  15. While there are parts of Griselda that feels like a generic cartel drama, Sofia Vergara’s fierce performance in the title role demands our attention, as well as helping the show move along at a confident pace.
  16. Masters of the Air is a thrilling, entertaining watch that lacks the depth of its HBO-produced predecessors.
  17. This is the Sex Ed Talk generations of women wish they could’ve received, even better than what Novak jokingly refers to as “diagonal learning” from an older female acquaintance. This is over the top, on the up and up, and oh so funny.
  18. Superhot: The Spicy World Of Pepper People is full of colorful characters and it’s about a subculture we’re interested in. We’re just not sure there’s enough there to sustain the show for ten episodes.
  19. Hazbin Hotel is very queer, raunchy, and fun. The animated comedy is filled with memorable songs, exciting character arcs, and a thrilling story. The episodes will have you on the edge of your seat, while filling your heart with equal parts joy and angst. Even if it doesn’t sound like it’s fit for you, get it a try.
  20. The Woman In The Wall succeeds because of the lead performance by Ruth Wilson as well as the grey areas that the tragedy of the Magdalene Laundries caused.
  21. It still reliably makes us laugh, but we just wish it wasn’t so completely dependent on one character to generate those laughs, as legendary as that character (and the actor who plays him) might be.
  22. American Horror Stories definitely takes care to tell stories that are satisfying and complete despite their relatively short length, but we just wish a few elements of those stories were a little more thoroughly considered.
  23. And just like Larry The Cable Guy, Slay has found his own way to connect his Southern style to a wider audience, and he’s definitely getting it done.
  24. American Nightmare teases out the story of Denise Huskins’ kidnapping to a bit of an irritating degree, but we do understand why the filmmakers did what they did. It’s a fascinating story of law enforcement and confirmation bias, one that needs to be on a platform like Netflix.
  25. Owen’s performance transcends the languid plotting in the first episode of Monsieur Spade. Will Owen make us forget about Bogart’s portrayal of Spade? Absolutely not. But he does a good job of bringing Spade into a more of a modern context.
  26. While there are elements of Death And Other Details that have the potential to be entertaining, the show feels overstuffed and too interested in messing with the viewers to sustain what is a very complex whodunit.
  27. The Traitors pits some of the most memorable (and duplicitous) personalities against each other using a formula that’s wickedly dramatic and fun.
  28. Somehow, Boy Swallows Universe pulls off a pretty dark coming-of-age story without being depressing or hopeless, thanks to some deft writing and fantastic performances by the cast.
  29. Ted had the potential to be a heartwarming show with good coming-of-age stories — at least as heartwarming as a show about a pot-smoking, cursing, bigoted teddy bear could muster — but the episodes are drawn out by Seth MacFarlane-style gags to the point where we got bored.
  30. Cush Jumbo and her character are the reasons why we’re going to keep watching Criminal Record. Not that we hate Peter Capaldi’s character, but at the outset he feels much more generic than Jumbo’s character, and given that the two of them face off during the entire season, that could end up being a big problem.

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