Decider's Scores

  • TV
For 2,566 reviews, this publication has graded:
  • 52% higher than the average critic
  • 10% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average TV Show review score: 70
Highest review score: 100 House of the Dragon: Season 3
Lowest review score: 0 Sex/Life: Season 2
Score distribution:
  1. Mixed: 0 out of 1861
  2. Negative: 0 out of 1861
1861 tv reviews
  1. If you’re not already a fan of Carmichael’s, STREAM IT this first episode to decide for yourself whether you’re ready for what’s to come. There’s certainly nothing here, though, that would surprise fans who have watched him become more and more self-reflective and performative, from the most sanitized broadcast network sitcom version of Carmichael he first presented on NBC, to his 2019 HBO home movies, to Rothaniel, to now this.
  2. We hope is that Wainwright manages to balance the whimsical parts of Renegade Nell with the more dramatic parts. It feels like the whimsical dropped off quickly by the end of the first episode, and it needs to be there for the series to be watchable. But it’s off to a good start.
  3. McGregor’s performance is key to the success of A Gentleman In Moscow, a series which has its dark moments, but is a whole lot more hopeful than it seems on the surface.
  4. While the first episode of We Were The Lucky Ones is a bit confusing and the show has too many characters to keep track of, King’s and Lerman’s performances anchor the series and make it worth watching, even if the rest of the characters won’t get as well-explored.
  5. The Grey’s cast has changed over the years, but the show has managed to stay familiar and retain so much of what makes it addictive. Time will tell if Pompeo’s absence diminishes what made this series the flagship of Shondaland, but for now, it’s off to a great start.
  6. Despite good performances from Daniels and Tierney, American Rust: Broken Justice doesn’t make a case that a second season will be any more of a grim exercise than the first was.
  7. Mary & George takes bold swings, with regard to its approach to the period’s details and to its depiction of history. These swings are wild enough that it could off-put purists of the genre, but I was delighted. Mary & George is the type of show pushing the period drama genre where it needs to go in the future: to a vision of the past that shows us how similar it really was to our present.
  8. Once again, Time does a good job of showing inmates as humans, and how their lives suffer on the inside as they deal with real-life problems happening on the outside.
  9. Youssef might not change your mind specifically about whom you’re voting for or what side you’re on politically, but hopefully he’ll get you thinking about how you engage with your friends, your families, and even with strangers, whether you’re on Instagram or at Olive Garden.
  10. We hope that there will be more rule shakeups this season on Top Chef, as the show had started to become a bit rote over its past half-a-dozen seasons or so. But with the change in when immunity is won, and the new perspective Kish gives as host, Season 21 is off to a good start.
  11. Palm Royale feels surprisingly cynical and empty for a prestige TV series with such a blockbuster cast. There is some potential for the show to get deeper than what we’ve seen, but enduring the rest of it to get to that depth isn’t something we’re willing to sign up for.
  12. X-Men ’97 works because it feels like the exact same TV show, but with its inhibitor collar turned off. This is X-Men finally cutting loose.
  13. Alice & Jack sometimes feels like one of the most interesting love stories we’ve seen in ages, and at others it’s infuriatingly annoying. But Gleeson and Riseborough have undeniable chemistry, which is enough for us to want to see this decade-and-a-half romance play out.
  14. Does Boarders say anything new? That’s yet to be seen. But even if it treads well-worn ground, it does so in a way that’s witty and funny, with just enough drama to let the audience know that the stakes for these five teens are pretty high.
  15. The only thing that keeps Apples Never Fall from being yet another eye-rolling show about wealthy people being terrible is Annette Bening’s performance as a woman who is still looking for something, even in retirement.
  16. The latest season of Girls5Eva took a risk by making a few significant changes to its formula, but it didn’t suffer for it. The fact is that the talented actresses in the group, along with the show’s funny-because-it’s-so-ridiculous writing and songs are as solid as they’ve ever been and keep the show’s frenetic pace moving.
  17. he Reluctant Traveler With Eugene Levy finds the comedy legend less reluctant, than he was during the show’s first season. But the series is still entertaining, mainly because Levy is so self-deprecatingly funny and because we love seeing him discovering all of these new things in his later years.
  18. The Signal does a good job of splitting its story into two storylines that are well-defined, bringing the viewer along on the show’s central mystery in a way that keeps them interested without jerking them around.
  19. Unlike his treatise on 9/11 and the War On Terror, Knappenberger has done a good job of contextualizing just how the nuclear arms race got started. The first episode of this docuseries is almost 80 minutes long, but it’s riveting because it doesn’t just recite the history you might have learned in class or while watching countless History Channel docuseries on World War II.
  20. 3 Body Problem may fail to inspire true awe, but there’s enough fun, shock, and horror to keep sci-fi fans engaged. It is a completely competent season of television.
  21. Like most of Guy Ritchie’s material when he’s in caper and kooky criminals mode, The Gentlemen is a romp. Chippy, funny, stylish, cartoonishly violent, touched with mild absurdity.
  22. Manhunt winds up being a mixed bag of thrilling revelation and tortuous tedium. The Apple TV+ show often loses its all its juice by trying to squeeze in as much historical embellishment as possible.
  23. Supersex revels in layering these themes in the most seductive ways possible. I soon found myself, like Noemi, happily at the show’s mercy. After plowing through the first two episodes, I was desperate for more. I have a hunch Netflix fans will be, too. Supersex manages to weave together smut and art in intoxicating measure.
  24. Animal Control has a strong ensemble, and characters that are inherently funny without the need to spew gags. That is very evident in the second season, even after you get past the very funny view of drunken raccoons.
  25. Extraordinary continues to mine humor from well-written characters and a finely-tuned ensemble, using its superhero conceit only occasionally.
  26. The Program: Cons, Cults And Kidnapping does a good job of showing the harrowing conditions at the Academy at Ivy Ridge and other disciplinary schools, while also showing the resiliency of the people who were sent there and endured those conditions.
  27. Agatha Christie’s Murder Is Easy modernizes an 85-year-old text simply by changing the nationality of its main character, and it makes the story a whole lot less creaky as a result.
  28. While we like Fielding in the lead role, The Completely Made-Up Adventures Of Dick Turpin mostly misses the mark when it comes to the silly gags that permeate the first episode.
  29. We’re suckers for the “howdunit” format of Elsbeth, and Preston has such a good handle on the character that we are looking forward to watching her catch wily killers week after week.
  30. We’re not sure if throwing Ethan back into the mix, even if he somehow gets tangled up with the people chasing after Elliot, is the best idea, either. But there’s more than enough good stuff going on in Season 2 to override those concerns, at least for right now.

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