Any worry that Baby Groot would wear out his welcome was unwarranted. Each short zips along at a perfect pace, deploying sight gags that hit their mark every time.

In Chad & JT Go Deep, their characters are as earnest as they are detached, like stoners who make no little plans but falter on the perception and follow-through. And that earnestness can mostly make up for wherever the humor becomes so indirect as to be scattershot.

So watchable right off the bat. ... Cyberpunk 2077: Edgerunners is a fantastic addition to the Cyberpunk universe. Its narrative is even more engaging than the original game in certain respects, with a protagonist it’s easy to get behind and root for.

Despite one of the main plotlines being a bit wonky, Heartbreak High is a funny show with well-drawn characters. They just happen to hook up a lot.

Like its parent show, The Rookie: Feds is watchable because of its star and very little else. But Nash-Betts is just so damn watchable that you’ll enjoy the series despite any reservations you may have.

The Real Bling Ring: Hollywood Heist feels like it glorifies the Bling Ring participants — at least the ones who agreed to be interviewed — and victim-blames the celebrities that got burglarized, which makes the series’ perspective really tough to swallow.

Shadowland is fascinating, upsetting, sometimes depressing, sometimes revelatory journalism.

Jungle has an arresting visual style, and its rap and drill soundtrack layers in more interesting elements. We’ll see how well those layers play together as the stories get more complicated.

The ensemble on Family Law is appealing enough that we get the feeling that, once Nielsen and her writers tweak Saite’s character a bit, the show will be a funny, light law drama that’s entertainingly quirky.

Minhaj has always been more of an engaging storyteller than a joke craftsman. In this special, he remains in full control of the audience, masterfully pulling “awwwws” and applause breaks out of them with the greatest of ease.

If you want to get into the mind of Jeffrey Dahmer, there’s no better way than hearing from the killer himself, and Conversations With A Killer: The Jeffrey Dahmer Tapes gives viewers more than enough opportunity to hear from Dahmer about the impulses that led him to kill.

Sure, it’s great to see Brendan Fraser and Tom Welling on our screens, running around defeating bad guys together. But Professionals is such a slapdash show that it doesn’t really tap into the potential of two fan-favorite stars playing off each other.

While The Playlist doesn’t give audiences the satisfying dose of schadenfreude that other tech bioseries have provided, it does effectively show just how many perspectives there are to the start of a massive success like Spotify.

The show is as addictive as ever, once the show gets out of the pods and into the real world, and it will definitely spark plenty of conversations (and, more importantly, memes). But honestly, the most surprising thing about Love Is Blind Season 3 is that somehow this show figured out a way to weave complex relationship studies through all the drunken shenanigans we expect from Netflix reality shows.

It would have been interesting for Unsolved Mysteries to get the authorities on record. But according to a postscript, those agencies denied a request to speak.

Even if Kroll doesn’t spill the tea on what happened on set here, he’s still more than willing to open his big mouth with embarrassing details from his own life. As he says: “Guys, we are all just doing our best.” His best is better than OK.

Big Mouth is still as raunchy, funny, and surprisingly sweet as ever.

The series features insightful conversations with fascinating public figures, and is genuinely educational.

Warrior Nun feels revived and reenergized as it begins the second season nobody was originally sure it would receive. There’s a lot to sort out, like Adriel’s true lineage and who will survive the continued bloodshed. But as Ava, Alba Baptista is ready to lead the charge.

Mythic Quest remains not only one of the smartest workplace comedies around but one of the funniest shows on TV.

Limitless With Chris Hemsworth puts the star in some extreme situations, but the insights into his life and thinking are what’s going to keep us watching.

Leopard Skin is too twisted and tangled to devote mental energy too. Add to that some uneven performances, and you’ve got the formula for an ambitious show that just misses the mark.

If you’re deeply invested in this soap opera and love sexy Spanish murder teens, watch it. However, the hedonistic joy of past seasons has been replaced by an icky feeling of dread. That — plus the fact that we don’t have a long history with any of the characters left — makes it a wee bit harder to root for new couples, old rivalries, and friendship to conquer all.

As much as it feels like it’s two docuseries combined into a big unwieldy mess, Our Universe‘s graphics, photography and narration still make it a compelling watch.

Either be the fictionalized show with the hip-hop music cues and the 21st century dialogue, or the docuseries that gives Anne the “You’re Wrong About” treatment, or the more accurate but less sexy knockoff of The Tudors, but don’t try to be all of them. ... This series needed to pick a lane and stick with it.

Short of Michael Jordan, there’s no figure in basketball history quite as compelling as Shaquille O’Neal, and SHAQ is a worthy documentary treatment of the man, myth and legend.

Avenue 5 packs its half-hour episodes with laughs and a kind of manic absurdity that’s well-positioned to carry this comedy in whatever direction its hapless luxury space liner is pushed in next.

Firefly Lane can be soapy and sappy, but it’s a fun ride full of humor and high stakes relationship drama. Heigl and Chalke are invested in their characters and they sell the friendship at the heart of the story.