If you were a fan of the original Legends Of The Hidden Temple, this reboot will bring back fond memories. But even if you weren’t (we were adults when the show came out), it’s still a light, fun watch that leans completely into its goofiness.

Romero’s zombie movies were as much about societal ills as they were about the undead. This new version of Day Of The Dead tries to mimic that formula, but doesn’t follow through with good enough storylines or characters that we care about.

The series does a bang-up job of easing you back into the world and organically weaving the info you need to know into the character dialogue and motivations. ... By exploding the plot, the sophomore season does what the best go-for-broke storytelling does: it will leave you craving more.

Home Sweet Home is not a reality show where you watch for the “gotcha” moments. But there’s more than enough interesting scenes in each episode to give the viewer a nice, heartwarming family watch on a Friday night.

The Next Thing You Eat is equal parts foodie show and quirky investigative documentary, emphasizing the vital nature of the human side of the industry while also examining what the future might hold.

If the first episode is any indication, the cases are still the same brand of Jerry Springer-esque crazy that they’ve always been. ... For them [fans], Judy Justice should be more of what they love, even if it doesn’t really break new ground for Sheindlin or the judge-show genre.

While Tampa Baes certainly gifts us with a few memorable reality characters, the show’s drama feels forced and the cast does not feel representative of Tampa’s diverse LGBTQ population.

Even if you’re not a gamer, or a fan of League of Legends, Arcane will be more than entertaining enough to hold your interest, with an interesting story backed by amazing animation.

Animal held our interest because of its amazing photography, but the energetic narration and family-centric narratives help move things along.

Always Jane shows the life of a 2020s teenager who just happens to be trans, with all the struggles that come with being at that stage of life. What makes it interesting to watch is that her life isn’t being treated as some sort of anomaly, either by the filmmakers or her family.

With the crew established and the characters beloved, the series is now taking the time to lead boldly not with surprises, but with tremendous amounts of heart.

The Curse Of Von Dutch is one of those docuseries that feels like it would have been better off as a 90-minute documentary film instead of a three-hour series. Even in the first episode, Renzi stretches the story to the point where it’s almost transparent.

Sort Of has a laid back, funny vibe, which is mostly driven by Bilal Baig’s performance. Yes, the actor and character are both nonbinary, but that’s only part of the story, which is what makes the show so entertaining.

Glória takes the standard Cold War spy drama and places it in a unique setting, which sets up some intriguing scenarios for missions to be executed and/or thwarted.

One Last Time: An Evening With Tony Bennett and Lady Gaga is both a fitting public farewell for a musical legend and a fun throwback to the golden age of live entertainment.

That comedic vibe is really what makes Baking It distinctive from TGBBS. ... If you want a gentle, family-friendly baking show that’s pretty funny, then Baking It is a good choice to watch over the holidays. Rudolph and Samberg are on their A-game here, but the opinionated grannies are the show’s secret weapon.

In a lot of ways, the show is a workplace comedy with a lot of gender politics mixed in. If you look at it like that, and appreciate Silverman’s performance as Candy for the low-key seethe it is, Santa Inc. becomes enjoyable.

Live In Front Of A Studio Audience: The Facts Of Life/Diff’rent Strokes succeeded because it doesn’t even try to come close to the way the original episodes were staged. Everyone had fun with embodying the iconic roles they were given, and it showed.

We’re recommending Saturday Morning All-Star Hits! mainly because Kyle Mooney and Ben Jones do a good job of recreating the cheesy cartoons and teen-oriented shows we used to watch in the ’80s and ’90s, and we appreciate that the satire goes super dark at times. But we so wanted it to be a whole lot funnier than it turned out to be.

The entertainment value of the show comes down to the personalities of the cast. For now, the cast members haven’t distinguished themselves from each other for the most part, but there are definitely beefs there.

We’re giving a cautious recommendation to The Journalist because we think writer Michihito Fujii has established the bones of a good story. But it needs to avoid getting bogged down in the details of the corruption and just get down to the business of examining everyone’s motivations in the scandal.

The presentation of The Puppet Master: Hunting The Ultimate Conman is pretty basic, but the story is so compelling — and compellingly told — you’ll look past the production’s cheesiness.

March is a bit of a frustrating show, because in one respect, producers Cheryl Horner McDonough, Jamail Shelton, Shari Scorca and Marcel Fuentes have shown viewers a world that has been largely unexamined until now. But in other respects, it doesn’t seem like it goes deep enough in its first episode.

You might not learn much that’s new while watching Getting Curious With Jonathan Van Ness, but you’ll spend an entertaining half hour watching the ever-funny JVN get his questions answered.

On From The Cold is one of the worst Netflix original series we’ve seen in some time. ... We would be OK with the clunky dialogue and wooden acting in In From The Cold if the show wasn’t so ridiculous. But it’s absolutely ridiculous, and not in a good way.

Love Is Blind Season 2 reveals what the show really is, what the producers want to focus on and what kind of applicants they want to cast. The result is a show that is a bit more structured but infinitely more chaotic — and yet somehow still uncomfortably genuine.

If you’ve seen Ms. Pat’s previous Netflix performance or her BET+ series, you know what you’re gonna get. And if you haven’t, then this hour may serve to tease and tempt you to explore more of her work.

Ali Wong cuts right to the chase. She wants the chase. She misses the chase. Wong demands your attention from her opening line.