Despite the cumbersome cast and retrograde gags, The Garcias has the same warmth as The Brothers Garcia series, and should be a fun nostalgic watch for fans of the original show.

Not So Pretty presents some pretty harrowing information in a tone that’s less hectoring and more sympathetic. By playing the, “hey, we didn’t know, either, buddy” card, its message is even more effective.

Instead of a rehash of an event that could be easily researched, Meltdown: Three Mile Island takes a familiar event from the past half-century and fills in people’s gaps in information and debunks commonly held beliefs about the event.

While Clark may dabble a bit too much in making Clark Olofsson into a hero, it’s still an entertaining look at how Olofsson saw his life, whether the stories are true or not.

The Big Conn is one of those docuseries that moves along at a good pace while not leaving out much pertinent information. It’s as intriguing as a good scripted drama, and that should be the goal of any true crime docuseries.

With some funny moments, well-researched information, and an entertainingly fast pace, The G Word With Adam Conover entertainingly tells people about how various government agencies help Americans, but isn’t afraid to call them out if they work against our interests.

Zany, sharp, and entertaining as ever, Made for Love remains one of HBO Max’s best original series.

Only if you’re a Letterkenny fan and love watching Shoresy curse between tobacco spits. Otherwise, SKIP IT, because the show isn’t that funny.

Tom Swift gets too stuck in its leaden dialogue and attempts at being edgy to tell a conspiracy story that makes any sense.

There’s nothing about Dubai that distinguishes it from other editions of the franchise, and no one from the cast stands out after the first episode.

The Orville: New Horizons is back for a third season with a new home, some light, effective tweaking, and more seasoning for its core cast.

Hollywood Houselift isn’t a particularly interesting show if you’re not already a Flipping Out fan, and it definitely pales in comparison to that show. But if you’ve been missing Jeff Lewis’ particular sense of style and, uh, work ethic over the past three years, this should give you the fix you need.

Why would we want to sit around and watch something to make us feel sad about Saget when we could watch him do what he did best: Make us laugh. ... Skip this and instead search for actual comedy from Saget.

The Lake is a coming-of-age show that isn’t trying to be for kids, but is also trying to tell a multi-layered story with smart, character-driven jokes, which it succeeds to do most of the time.

The refreshing thing about this series is that the members of Menudo who were interviewed appreciated the wild ride they went on, even if looking back they realize that Díaz wouldn’t be able to operate the band the same way today.

They prove time and again that as singular as they may be individually as scene-stealers, they’re a powerhouse duo together. Even if plenty of their sketches find themselves feeling a pinch of imposter syndrome. No, they belong here. They certainly belong here.

You are absolutely not going to come away from Who Is Ghislaine Maxwell? with any sympathy for the woman, who was just sentenced to 20 years in prison for her role in Epstein’s sex trafficking circle. In fact, you may come away from the show with a little bit of pity for her, inasmuch you can pity her for the conditions that led her to this point in her life, not for the actions for which she’s about to be locked away. ... One thing we don’t really get an insight on, at least in the first episode, is Maxwell’s inner life.

It’s about time we were reminded that comedians aren’t just observers or philosophers, but sometimes more importantly the voices we need to hear to remind us of the plights of those among us who don’t enjoy the same rights as the rest of us.

The tone of the show can be a bit too cheeky at times, but it does have a light touch, and Melanie’s almost-giddy sex-positive personality certainly helps the shy couples open up.

Claim To Fame isn’t high art, but it’s fun to guess along with the housemates, even if you can Google your guesses and find out who the housemates are before they’re revealed on the show.

Despite the Goop-ish feeling we get seeing a man of privilege getting to go on psychedelic trips while counting Netflix’s money, there is still information that he imparts in How To Change Your Mind that will, well, change your mind about psychedelics.

D.B. Cooper: Where Are You?! is a stylish docuseries that fills in a lot of blanks about a legend that has made a permanent home in our pop culture firmament, and the investigation that’s no closer to being solved now than it was in 1971.

Farzar could be a good show, but unless you’re a big fan of dick jokes — and we know you’re out there! — you’re not going to find a lot to laugh at with this show.

Amber Brown is a delightful family sitcom, highlighted by Bonnie Hunt’s witty, easygoing writing style and Carsyn Rose’s revelatory lead performance.

The Hillside Strangler: Devil In Disguise is a straightforward retelling of the famous serial killer case. But it definitely gives information and perspectives that people who paid attention to the case four decades ago might not have either gotten or remembered.

Season 3 is not just the most thrilling and emotionally charged installment yet… Locke & Key Season 3 is a fitting ending to Locke & Key, and easily one of the best seasons of a fantasy series released this year.

Despite the slow pace, easy clues and overreliance on guffaws, we still found ourselves playing along as if we were watching the older versions on BUZZR. And the modernized version of the ’60s theme song is pretty fun. If the show gets a second season, we hope Fallon and Quinn tighten things up to make the show move a bit faster.

Any worry that Baby Groot would wear out his welcome was unwarranted. Each short zips along at a perfect pace, deploying sight gags that hit their mark every time.