Football Manager 2013 is an innocent drug that is always in the back of your mind, processing the possibility of a match outcome after another click of the mouse. When you are mesmerised to that level, it's hard to say anything other than this is a brilliant piece of videogame entertainment for fans of the beautiful game.

I have nothing but praise for Codemasters’ return to the muddy motorsport of rally.

Great production values from EA, which hasn’t rested on its laurels and has gone all out to make a great game. Cracking.

Overall, Shiren the Wanderer: The Mystery Dungeon of Serpentcoil Island is a worthy addition to the PC roguelike library. It offers a challenging and rewarding experience that will appeal to fans of the genre and, in all honestly, the biggest issue I have with this PC port is entirely down to the apparent lack of people playing it, which is hardly the fault of the game itself, which is excellent. Other than that, this PC port is well-executed, with slightly enhanced visuals over the Switch original and its bags of charm, depth, and replayability make it a must-try for any roguelike enthusiast. Whether you’re a seasoned Shiren veteran or a newcomer to the series, Serpentcoil Island is well, well worth a visit.

Valkyria Chronicles is a game that deserves to be played by everyone. It’s so innovative, fresh and blends different features of other genres so well that you’d think Sega WOW had already done this before.

Here is a sprawling, compelling game made with impressive confidence – masterfully paced and expanding on its predecessor without for a moment losing track of its appeal. It’s a game that has kept its integrity intact while navigating the weird waters of mass market appeal, and one that retains a real undertanding of fundamentally enjoyable mechanics. Rise of The Tomb Raider is exceptionally easy to recommend.

Saints Row IV jacks up the action, pumps up the silly, but above all, doesn’t lose sight of what makes a game play superbly, and that, Mr President, is how you make an awesome video game.

As great as it is, there are too many irritations with the combat (and too many unnecessarily drawn-out combat sections) to hail it as a true classic.

It is an improvement in every conceivable way from previous games and allows for much more scope that ever before.

Can I recommend Death Stranding? Not really. I don’t think it can be directly labelled ‘good’. It’s a full price, full length, but all too frequently sluggish game. However, if you’re a Kojima fan, I don’t think you’ll want to miss out on this deranged roller coaster ride of an experience and that really elevates it for me.

There is much to experience here, from its great characters and solid storytelling that brings a captivating plot with two of the series biggest and best characters. It also makes strides to bring improvement to the brutal combat, while offering an eccentric presentation and over-the-top humour to keep people engaged in the wonderful and freaky world of Yakuza until its end.

There aren’t many games that justify the 1200 MS points price-tag on XBLA, but Trials HD is one of them. It’s addictive, accessible, competitive, and there’s plenty to do.

Ultimately, above all else, the game comes across as feeling wholly authentic – and that is a word you can attribute to only a small handful of games released in this day and age.

There really is no other choice on current generation consoles that allows oneself to waste hours away on your own or with friends smashing enemies and powering up through shiny, sparkling loot and coming away after a session feeling so good about it.

Is Bayonetta 3 worth playing? If you’re already a fan, absolutely. Just don’t expect it to be the absurd larger-than-life addition than we all hoped it would be. If you’re on the fence about it – this isn’t going to be the one to change your opinion. The combat is still there, even if it is starting to rust up with age. There are still signs of that unhinged expressiveness the others are renowned for under the layers of bleak environments and flat out boring narrative. The whole thing can still often look colourful and eruptive, but is heavily anchored by the limits of the Switch – truly a cruel fate for what could be one of the craziest worlds to experience in a game if Platinum Games would be set free to do as they please. It really is a shame, especially after such a long wait. It’s not a bad experience by any means, and it did have fairly unreasonable expectations to live up to, but it ended up falling rather short in just about every way. For any other series that might be satisfactory, but not for Bayonetta. It deserves better than just ‘good’.

Even though it’s unassumingly tucked away in the 3DS‘ eShop, Fallblox is frankly a great little game.

It's fun, it's fast and it's fantastic, unless the sight of (virtual) blood makes you faint there's no good excuse not to pick it up.

Final Fantasy XII: The Zodiac Age is a smashing port that brings all the revamps of Final Fantasy XII International Zodiac Job System and adds more to it to improve the game for a better experience. If you had issues with the story or didn’t enjoy the battle system – if you were a young whipper snapper, I recommend trying it again, as you might come round to it this time around – then it won’t do anything to fix that for you. If you have never played Final Fantasy XII or are a fan of the game, then this is simply the best way to play Final Fantasy XII and experience its innovative and fun mechanics.

CrossCode is a fantastic package that sits as one of 2018’s best indie games. In a year that launched Celeste, Dead Cells and Into the Breach, it’s no easy award to give, but CrossCode achieves this thanks to its great action RPG gameplay set in a believable MMORPG world, beautiful visuals, additive, responsive and challenging combat, smart dungeon design and some wonderful music. It’s a complete package that is bold enough to take the clichés of the genre and run with its own spin on them, and it isn’t going to burn holes in anyone’s pockets with its nicely priced £14.99, which gives players a lot of bang for their buck, top quality bang at that.

The story is extremely well written and the cut scenes are presented in a manner that will will have you forgetting these are characters in a video game. All of the characters are memorable, and the emotions shown through the voice acting are great and convey the character well. The main villain in Wolfenstein II is General Engel, who revels in her sadistic nature and is incredible memorable – the gleeful way she stomps around performing some of the most heinous things just goes to show how well fleshed out the character is. With the totally unthinkable scenes in the first 10 minutes of the game, to the insanity show by General Engel, players do get a feeling of how atrocious a Nazi ruled world would be. A faced paced FPS that is unforgiving in nature and just down right fun to play. It’s a nice break from the norm of games being released at the moment, and the focus for single player in Wolfenstein II only paid off here. With more content to unlock and the initial choices affecting the story as a whole, the replay ability is definitely here, especially with that “Mein leben” difficulty.

Overall, Devotion may prove disappointing for anyone hoping for the next big Indie Horror game, as the moments where the game forgets itself and tries to adhere to traditional horror tend to be the weakest points. Instead, Devotion should be praised for conveying a tragic story that emphasizes the far more effective approach of psychological horror, with long moments of dread and discomfort that tend to have a more lasting impression than the brief startling of a ghost popping around the corner.

All in all, Joe Danger is everything that's great about indie games on consoles.

Blizzard has done an outstanding job in bringing Diablo III to consoles, so much so that I was still getting engulfed by its addictive nature even after putting in over 100+ hours on the PC.

The short time you spend with this game is sure to put a smile on your face.

Rockstar's continued insistence on favouring animation over character control makes for an unnecessarily sluggish core game, but it is one that eventually settles into its own set piece groove, and ultimately gets swept up and propelled forward by the momentum of its story and impressive portrayal of its setting.

Besides the lack of any meaningful graphical or gameplay upgrades from the PSVR1 version (or worse yet, a cheaper upgrade alternative, as both this game and the sequel must be purchased separately without the ability to transfer progress), the only quibble is the simplistic combat, which is satisfying enough to control but suffers from a lack of moves and a bigger lack of enemies. The traversal and puzzle elements, however, are frequently kept fresh thanks to new power-ups obtained and new head-scratchers to solve as the journey continues…plus the storybook visuals combined with the unobtrusive VR effects combine into an experience that truly is a showcase game for the new PSVR2, one that guarantees most people of all ages can appreciate, rather than hurl.

I’ve found it hard to recommend deck builders recently because I’ve either thought they were clones of other games, not all that exciting or they have too much going on, however, in Monster Train they have managed to balance replayability and creativity. If you’re a fan of deck builders or are new to the genre, I feel comfortable saying you will love Shiny Shoe’s unique take. It brought back my love for deck builders, has a soundtrack that you will be humming daily, and a creative art style. It’s definitely, in my opinion, well deserving of the overwhelmingly positive review scores it has received on Steam.

At the end of the day, it was the gameplay that made last year’s XCOM: Enemy Unknown a standout title and that remains intact, but XCOM: Enemy Within is the dessert package to go with the main course you just ate, adding that sweet delight on top of an already pleasing and tasty meal.