Summing up Ravenbound was a challenge because, despite its flaws, the game isn’t bad and I did have a good time when it worked as intended. However, it’s just badly executed with the lack of missions, explorations, and many frustrating bugs that make Ravenbound hard to recommend. Systemic Reaction are aware of the issues and are actively talking to their community through patch notes to, hopefully, revive this game and make it the fun roguelite it’s asking to be.

Unfortunately there’s not enough here to justify itself at all – nothing that mixes up the already wonderful gameplay, nor any story purpose, nor extra benefits/modes/items to care about. I only hope that this doesn’t dissuade the team to move on to other things because I would love more Textorcist – there isn’t anything else out there to scratch the same itch. The problem is that, with how fun those first set of big baddies were, we now expect each fight to be pumped full of creative ways to push the player, to always one up the previous encounter, and that’s just a seriously hard target to meet.

TowerMancer leaves a lot to be desired, which is just so annoying because it feels like they almost had something great, something you wouldn’t be able to pull yourself away from. It has an underlying addictive quality but it constantly works to push the player away with repetitive levels, fixed-path victories, and non-stop griefing. I really do hope to see another iteration from the team with a wider variety of everything – level setups, hazards, rooms, options. It could be a fab little time waster, but in its current state I think most people are just going to come away aggravated, disappointed, or both.

If Nickelodeon All-Star Brawl came out twenty years ago it would have been a smashing success, ignoring that many of the characters within didn’t exist back then. But that’s not the case, and even though I did enjoy it for what it is, I can’t recommend it when the alternatives are so incredibly superior in its current state. I’m sure with a passionate team and a dedicated community it could do really well, but with a haemorrhaging player base and the blaring shortage of anything to keep people in the game in a world dominated by season passes and constant loot-box unlocks, I just don’t see that happening.

Neptunia Virtual Stars ends up coming on stage as one of the poorer entries in the Neptunia franchise. This is a huge shame, because having an action shooter blended with hack and slash gameplay has so much potential to be a blast, but this is poorly executed. As it stands, the gameplay is not captivating enough to be enjoyable for the 16 hours or so it takes to beat, standard aiming is unreliable and enemies are reused too much and suffer from no change to their attack patterns. The ladies of Neptunia cannot carry this game over its gameplay, and with so many better options out there for this type of action, Neptunia Virtual Stars is a Vtuber that simply wants to annoy you rather than offer some entertaining pass time.

The lack of content is deeply disappointing, but the worst part of all is how interesting the idea is. I want to like it. I want it to be better. I wish it was just being released into early access in its current state so it could be greatly expanded on with the help of the community but it looks like this is all we’re going to get. Hopefully we’ll hear some good news from the team in the future or see the approach used elsewhere. Until then, however, I think I’ll leave Can’t Drive This uninstalled.

In all, Golden Force was unfortunately pretty disappointing. It would already be hard for this one to stand out, even if it was heavily polished, because there’s no hook besides the strange humour of murdering cats in a bloody shower of guts and naming all of the bosses after Mexican foods. But with all the bugs and design issues piled on top it probably has very little chance. One can only hope that the team will be able to iterate and improve if there’s ever a sequel, spiritual or otherwise, much like how the Shantae series (which gives off similar vibes) has progressed.

The premise for Bee Simulator is good, and I like the idea of doing education through video games in such a uniquely refreshing way, but the execution here has problems. When the game is not asking much from the player, then Bee Simulator ends up being somewhat fun with a great sense of scale, but the controls hamper such an important part of the game that the experience ends up being frustrating. Throw in repetitive tasks and muddy visuals and what you have is a video game that sadly does not deliver on its potential. It is hard to recommend Bee Simulator out right, especially at its asking price, but some of the younger kids might enjoy what Bee Simulator has to offer.

Generally, unless you’re incredibly interested in the spectacular visuals, I can’t recommend Trüberbrook. It feels half-made with large sections being completely disjointed from the plot and rooms, that no doubt took someone a ridiculous amount of time to design, build-out, and paint, having nothing in them, even when it’s abundantly clear that they should have. Perhaps cuts were made to meet a budget or tight Kickstarter deadlines but instead of having a lean 3-4 hour game that shows off what it does best, it drags on for around 6 with a lot of stiff backtracking and filler.

In the end, Mini-Mech Mayhem‘s charming aesthetic might win kids over, but whether or not they’ll have the patience for the tedious controls and length of matches is another thing entirely. The concept of a strategy game playing out on a virtual board is an intriguing one, but like many PSVR experiments, this one fails to execute its ambitious concepts effectively, much less create an alternative experience to traditional console-based strategy games played with a controller.

Overall, SNK Heroines: Tag Team Frenzy suffers the same problem that many of the most recent fighting games have: barebones content. The character selection is small, with more characters planned to be added via DLC, but the brief story mode and unsatisfying combat put a permanent hamper on the experience regardless of increased roster. There just isn’t much here in the way of fun or fanservice, and the Switch version runs at a shoddier framerate to add insult to injury. The fun little nods and imagery do not make up the overall price tag, and the neutered controls feel far more unconventional then streamlined. Everyone should just put their clothes back on and sober up, because the mood just isn’t there this time.

Underneath it all there’s genuinely something interesting here – it just needed to be more focussed, polished, moulded into a vision instead of left as a loose idea. The gameplay and story need working on heavily in their own way. I’d definitely come back to check on a sequel but it would be out of wary curiosity, not excitement. Still, I think a lot can be done in this space and hope to see something special come from it in the future.

With over 100 levels, cartoony graphics, a low price tag, simple controls and humour to boot this is worth a few hours of your time but don’t expect too much replayability above restarting the level over and over.

I won’t pretend that Sonic Forces is a disappointment – it telegraphed its kitchen sink approach to content a long time ago. Desperately trying to please every kind of Sonic fan, it is every bit the mishmash of half realised ideas vying for your attention that it seemed like it would be. I guess I just never expected that their attempts to hold that attention would be so feeble.

Despite the good intentions of the developers, Arizona Sunshine is yet another PSVR game that is plagued by unoptimized controls, queasy camera movement and an overall brief and unremarkable experience that barely qualifies it as a rental, where such an option even possible. The standards have already been raised for virtual horror games thanks to Resident Evil 7, so it falls upon developers to catch up to the VR race and deliver the same kind of quality that Sony’s new hardware add-on desperately needs.

VR space exploring is an inspired concept, but a good game idea matters little if the gameplay doesn’t measure up, and Space Rift fails doubly as a VR experience due to its lackluster aesthetics and unrefined VR controls. Chalk this up to yet another quickly conceptualized concept that lacks the necessary polish to make it work, and only makes players yearn harder for the time when a competent developer fulfills one out of many VR dream games that companies try too quickly to capitalize on during a hardware’s launch window.

In the end, horror aficionados will probably prove the harshest audience for Weeping Doll: the potential for VR horror has already been seen in various demos and titles, creating a deep hunger for more fleshed-out and frightful experiences. Weeping Doll’s attempts to startle or unnerve players fail harder than a PG-rated horror movie on ABC Family.

A cluttered mess that tries to pretend it is high-quality immersion. It’s a shame that developer Untold Games spent so much time reaching for the stars with its VR debut that they didn’t stop to nail the necessary fundamentals to a functional VR experience: when the very act of moving from point A to point B is a nauseating challenge, that would be the time to drop back down to Earth and back into the drawing board.

It is unknown if the developers can patch Battlezone to reduce the nauseating feelings its perspective emits (reports indicate the game was even more discomforting during press previews before receiving some fine-tuning before launch), but that alone is a big enough reason to caution players from purchasing it. This is especially unfortunate, as the arcade-style mission-based gameplay can be really fun, especially when other online tanks join in.

It’s somewhat cathartic to discover the single worst launch game in a new hardware’s lineup, but simply calling Ace Banana a rotten fruit that spoils the batch does not do its awfulness justice: this is, simply put, VR poison, the kind of low-budget and poorly optimized trash that would put newcomers completely off VR gaming just as it has began its console infancy.

I can’t recommend Manual Samuel to anyone, it’s an awful game. A comedy game devoid of a sense of humour that is only interested in sucking all potential fun out of itself and replacing it with outright frustration. I mean, the game works and all but it’s never good, it’s a bad experience.

Unfortunately, the story never really got going in the game and with the slow crawl through a pretty much lifeless ship this made the game a little underwhelming. The story lasts anywhere between 2 -3 hours depending on how slow you take it and just feels too short and I’m not sure I ever really saw those stealth mechanics.

Max Damage is a game that comes filled with frustration, from the awful handling model to the bare bones limited visuals, from the tedious and drawn-out races to the generic music, everything about this recent Carmageddon game is just middling and sterile, and what fun is to be had is often in small spades that it is a struggle to play for extended periods of time.

I keep coming back to the voice acting but a big part of an RPG is the how the story is conveyed and this game falls flat on it’s face here making the story seem drab rather than the colour tale they have crafted. The environments are nice but overall nothing to write home about. The game looked good on paper but unfortunately it has too many pitfalls causing it to feel very lackluster.

As mentioned above the game is only about 3 hours long and unless you want to get an S rank on all 9 stages on all difficulties there’s really no reason to replay it at all.

While I like the roguelike progression, the rest of the game feels like an prototype, lacking any sort of redeeming presentation, polish or any score tracking to keep you coming back.

You get the impression that if Richardson had someone to bounce ideas off – someone to pick up the slack and point out the bad ideas – he’d be capable of something that’s actually interesting.

For those looking for an enthralling title for their mobile devices Metro 2033 Wars trips in almost every department.