Dallas Morning News' Scores

  • TV
For 152 reviews, this publication has graded:
  • 59% higher than the average critic
  • 5% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1 point higher than other critics. (0-100 point scale)
Average TV Show review score: 68
Highest review score: 100 No Direction Home: Bob Dylan
Lowest review score: 0 One Tree Hill: Season 1
Score distribution:
  1. Mixed: 0 out of 102
  2. Negative: 0 out of 102
102 tv reviews
    • 62 Metascore
    • 80 Reviewed by
      Ed Bark
    The Office, although derivative, is also bracingly fresh and funny. Not that it's likely to be a breakaway hit, or even a modest one, when paired on Tuesdays with the under-appreciated, ratings-impaired "Scrubs." [20 Mar 2005, p.3]
    • Dallas Morning News
  1. Beyond the cursing, nudity and brutish behavior, Mr. Fontana makes the most of his opportunity by pushing TV's visual and storytelling limits.[12 July 1997, p.1C]
    • Dallas Morning News
  2. The six-week series premieres tonight on ABC, a network so desperate it has stooped to ripping off Fox, home of the infamous Who Wants to Marry a Multi-Millionaire? [25 Mar 2002, p.12C]
    • Dallas Morning News
    • 94 Metascore
    • 100 Reviewed by
      Ed Bark
    Much of this is likely to go to waste, though. Homicide, possibly the best police series ever, may prove to be the biggest turnoff since Cop Rock. Imagine a series in which a cop walks up to a potential mugger and tells him, "Hey, we're police. Go rob somebody else." [31 Jan 1993, p.5C]
    • Dallas Morning News
    • 67 Metascore
    • 67 Reviewed by
      Ed Bark
    The O.C. looks as though it will be hard-pressed to build and maintain a loyal base of younger viewers. Sure, it's worth a look. But no, it wouldn't be terribly missed. [4 Aug 2003, p.12E]
    • Dallas Morning News
  3. The corny, almost maudlin conclusions, coupled with the show's we-are-family, us-against-the-network motif, is too sincere to swallow. [22 Sept 1998, p.4C]
    • Dallas Morning News
    • 79 Metascore
    • 75 Reviewed by
      Ed Bark
    The Wire is by no means a worthless enterprise, and Episode 2 is an improvement over Sunday's comparatively off-putting premiere. It'll be tough to go the distance with this one, though, and far easier to look away. [1 June 2002, p.1C]
    • Dallas Morning News
    • 79 Metascore
    • 91 Reviewed by
      Ed Bark
    All the president's men and women are deftly drawn and seamlessly woven through a crackerjack opening hour. Whether they'll be able to hold our interest remains to be seen. [22 Sept 1999, p.1C]
    • Dallas Morning News
    • 68 Metascore
    • 70 Reviewed by
      Ed Bark
    The show seems sophomoric at first, but gradually graduates to an interesting look at Hollywood's fast-lane ups and downs. [18 July 2004, p.3]
    • Dallas Morning News
    • 74 Metascore
    • 100 Reviewed by
      Ed Bark
    Whether darkly funny, deeply moving or spookily surreal, Six Feet Under is seldom less than bracingly original. It's another landmark series for HBO. [3 June 2001, p.3]
    • Dallas Morning News
  4. When the series moves away from stereotyping its main female characters into the slutty (Kim Cattrall), the savvy (Cynthia Nixon) and the sweet (Kristin Davis), and dives right into the muck of the boy-girl thing, it's laugh-out-loud funny. [6 June 1998, p.1C]
    • Dallas Morning News
    • 67 Metascore
    • 75 Reviewed by
      Ed Bark
    It all makes for an easy-to-take sitcom whose best moment finds Jake and Charlie singing the theme song he wrote for Maple Loops cereal. There are some funny lines at a poker game, too, where the kid turns out to be quite a bluffer. [22 Sept 2003, p.12E]
    • Dallas Morning News
  5. Along with the material, Mr. Gandolfini is so good that viewers will sympathize even as they shudder. [9 Jan 1999, p.1C]
    • Dallas Morning News
    • 79 Metascore
    • 60 Reviewed by
      Ed Bark
    Sometimes you just have to know when to stop. Scrubs is still learning. [2 Oct 2001]
    • Dallas Morning News
    • 61 Metascore
    • 75 Reviewed by
      Ed Bark
    Set in snowy Colorado but filmed in serviceable Utah, it's a stick-to-your-ribs hour with mush and syrup served on the side. This might induce a few groans, but Everwood overall finds the fine line between effective sentiment and overdone melodrama. [16 Sept 2002, p.12C]
    • Dallas Morning News
    • 92 Metascore
    • 83 Reviewed by
      Ed Bark
    Be forewarned that The Shield easily is the most graphic police series in TV history. That said, it's potentially one of the very best, too. [11 Mar 2002, p.12C]
    • Dallas Morning News
    • 89 Metascore
    • 100 Reviewed by
      Ed Bark
    This requires some patience at first, although getting a handle on the format is relatively painless. Once that's accomplished, it's thrilling to watch Boomtown navigate twists and turns like a topflight Grand Prix racer. [29 Sept 2002, p.3]
    • Dallas Morning News
    • 87 Metascore
    • 91 Reviewed by
      Ed Bark
    This might sound same-old, same-old, but isn't. Felicity has the look and feel of a small, bright feature film. Its ensemble cast is attractive and appealing. Most importantly, the acting is strong enough to pull off lines that on paper sound like groaners. [29 Sept 1998, p.1C]
    • Dallas Morning News
  6. The intermittent blare of pop songs, telegraphing how the audience should feel, also breaks the fourth wall, undermining the power of the action sequences and the few poignant scenes between Sydney and her in-the-dark boyfriend (Edward Atterton). [30 Sept 2001, p.9C]
    • Dallas Morning News
  7. In place of the by-now clichés, House substitutes wit, taut writing and a performance by British actor Hugh Laurie that should put him immediately in the running for a best-actor Emmy. [16 Nov 2004, p.14E]
    • Dallas Morning News
    • 51 Metascore
    • 60 Reviewed by
      Ed Bark
    There's too much of this jurisdictional stuff and an overload of staring by Gibbs, most of it directed at the coltish Caitlin. The story is fairly involving, though. And Mr. Harmon is an underrated actor who's added some softer touches after playing Gibbs as a humorless taskmaster in a two-part JAG that introduced the character. [23 Sept 2003, p.10E]
    • Dallas Morning News
    • 59 Metascore
    • 70 Reviewed by
      Ed Bark
    None of the six main actors is a stand-up comic, but they're appealing nonetheless...If the scripts get a little sharper, Friends may attract enough of the right demographics to become a hit. [22 Sept 1994]
    • Dallas Morning News
    • 88 Metascore
    • 100 Reviewed by
      Ed Bark
    Joe Flaherty, the former SCTV standout, chips in as a perfectly apt one-note pop who preaches that all of his former misbehaving classmates are now - "dead!" [25 Sept 1999, p.1C]
    • Dallas Morning News
    • 86 Metascore
    • 100 Reviewed by
      Ed Bark
    Lost so far is riveting, large-scale human drama. Get those Gilligan's Island jokes out of your system. Otherwise they might be sticking in your throat after the opening 10 minutes. [22 Sept 2004, p.12E]
    • Dallas Morning News
    • 66 Metascore
    • 50 Reviewed by
      Ed Bark
    The hour ends with a ludicrously over-the-top, outside-the-courthouse sequence. A downpour gets musical accompaniment from Creedence Clearwater Revival's "Have You Ever Seen the Rain?" Then a drenched Lilly's hard-driving countenance is framed in a climactic close-up after other key players in the case look somberly upon the scene. Cleansing? Symbolic? No, just way, way overdone.
    • 80 Metascore
    • 80 Critic Score
    Think of it as My So-Called Afterlife or Nancy Drew Blood: Despite some lapses into acute self-awareness, Buffy is a biting, stylish high-school drama masquerading as a vampire-movie spinoff and cleverly combining the dark humor of Heathers, the homeroom angst of Beverly Hills, 90210 and the goofy, mystery-solving camaraderie of Scooby Doo, Where Are You? [10 Mar 1997, p.15A]
    • Dallas Morning News
    • 41 Metascore
    • 25 Critic Score
    Ms. Garth is even less appealing, forced to carry the weight of the show's many pop-culture references. It calls for a referendum ending all Wang Chung punch lines. [20 Sept 2002, p.6C]
    • Dallas Morning News
    • 65 Metascore
    • 83 Reviewed by
      Ed Bark
    It's an inventive, affecting and sometimes amusing hour. [20 Sept 2002, p.6C]
    • Dallas Morning News
    • 63 Metascore
    • 60 Critic Score
    If there's hope, it lies in the original version, which after getting off to a slow start did a wonderful job of distinguishing who was who and made you want to know more about them. Hopefully, Fox and Whedon can find a happy compromise, and the cultists can start their keyboards. [20 Sept 2002]
    • Dallas Morning News
    • 68 Metascore
    • 75 Reviewed by
      Ed Bark
    Victims Unit also imports Mr. Belzer's sardonic John Munch character from NBC's canceled Homicide: Life on the Street. His wise-guy asides are a little forced in this first hour, as are some of the recurring sexual references. But the featured case gets more compelling by the minute. [20 Sept 1999, p.1C]
    • Dallas Morning News

Top Trailers