Dallas Morning News' Scores

  • TV
For 152 reviews, this publication has graded:
  • 59% higher than the average critic
  • 5% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1 point higher than other critics. (0-100 point scale)
Average TV Show review score: 68
Highest review score: 100 No Direction Home: Bob Dylan
Lowest review score: 0 One Tree Hill: Season 1
Score distribution:
  1. Mixed: 0 out of 102
  2. Negative: 0 out of 102
102 tv reviews
  1. Mr. Baker has charisma to burn. The dialogue and storytelling in The Guardian are sharp without being overly slick. [25 Sept 2001, p.10C]
    • Dallas Morning News
    • 90 Metascore
    • 80 Reviewed by
      Ed Bark
    One could build a college sociology course around whether The Corner does more harm than good. Either side could make a strong case...At last check, though, this is still a free country. And HBO is both unbeholden to skittish advertisers and seemingly impervious to pressure groups. On broadcast networks, that combination has spurred the quick demise of provocative series such as Nothing Sacred; The PJs; God, the Devil and Bob; and Wonderland...For better or worse, television has never seen anything quite like it. [16 Apr 2000, p.1C]
    • Dallas Morning News
    • 86 Metascore
    • 100 Reviewed by
      Ed Bark
    A perceptive, powerful, five-star achievement in HBO's continuing championship season...Saluting it is a singular honor and privilege.[9 Sept 2001, p.3]
    • Dallas Morning News
    • 66 Metascore
    • 50 Reviewed by
      Ed Bark
    Mr. Cohen is better served - and better disguised - as the suited, shorthaired Borat. He's reminiscent of Peter Sellers' Inspector Clouseau, a painfully sincere bumbler who gets smashed on wine with the Mississippians on Sunday night before addressing an Oklahoma city council meeting next week. [18 July 2004, p.3]
    • Dallas Morning News
    • 57 Metascore
    • 40 Reviewed by
      Ed Bark
    Occasionally hypnotic but too often implausible or incomprehensible. [9 Jan 2005]
    • Dallas Morning News
    • 65 Metascore
    • 70 Reviewed by
      Ed Bark
    There's a thrill of discovery here that's missing from the mostly formulaic new series marching into view this fall on broadcast networks. [14 Sep 2003]
    • Dallas Morning News
    • 51 Metascore
    • 50 Reviewed by
      Ed Bark
    Boy Meets World isn't as classy as "The Wonder Years" - the opening episode doesn't show much willingness to color outside the lines, which Fred's show often did. But the chances that Boy Meets World will stay around are quite good. [19 Sept 1993, p.9C]
    • Dallas Morning News
    • 73 Metascore
    • 75 Reviewed by
      Ed Bark
    Mr. Kelley otherwise fills too much time with extraneous law cases and Ally's narrative meanderings and fantasies. ... There are sparks, though. Ms. Flockhart is an actress of considerable promise, and some of the dialogue zings home while Mr. Kelley walks his latest high wire. [7 Sep 1997]
    • Dallas Morning News
    • 66 Metascore
    • 67 Reviewed by
      Ed Bark
    It's unlikely anyone will be racing home to watch it. What we have here is a B-minus comedy that you can take or leave. Sort of like Wings. No harm done. No chill-bumps either. [3 Mar 1997]
    • Dallas Morning News
  2. Like his other work ... Mr. Kelley's new show dares to strain reality in search of simple truths. But before you go running in the other direction, let me hasten to add that he prods and preaches with such panache, passion and emotional punch that you may not even notice that The Practice is good for you. [1 Mar 1997]
    • Dallas Morning News
  3. Its first cases ... play out cheaply as setups for one-liners, only a few of which land squarely. [3 Oct 2004]
    • Dallas Morning News
    • 97 Metascore
    • 90 Reviewed by
      Ed Bark
    Some of the edge is off and the buzz isn't quite what it was. [4 Mar 2001]
    • Dallas Morning News
    • 97 Metascore
    • 100 Reviewed by
      Ed Bark
    [It] could be the best TV series of our times. Not for everyone, no. But for what it is, The Sopranos is near magical. [16 Jan 2000]
    • Dallas Morning News
    • 84 Metascore
    • 90 Reviewed by
      Ed Bark
    It is ambitious, evocative television with next to no hit potential. [24 Oct 1996]
    • Dallas Morning News
    • 74 Metascore
    • 70 Reviewed by
      Ed Bark
    Farscape is thoroughly first-rate in the special-effects department. As for the writing, it at least shows flashes of promise. [19 Mar 1999]
    • Dallas Morning News
    • 91 Metascore
    • 90 Reviewed by
      Ed Bark
    The Larry Sanders Show is still a first-rate, one-of-a-kind walk through a talk-show looking glass. [2 Jun 1993]
    • Dallas Morning News
    • 62 Metascore
    • 75 Reviewed by
      Ed Bark
    The story proves interesting enough, the visuals are impressive and the acting lands somewhere above average. [10 Sep 1995]
    • Dallas Morning News
  4. Whether intended or not, this emphasis on serial killers and other antisocial freaks indulges a morbid fascination with sicko behavior at least as much as it celebrates smart and dedicated crime fighters. [22 Sep 2004]
    • Dallas Morning News
    • 69 Metascore
    • 83 Reviewed by
      Ed Bark
    Flexing the foolproof formula and first-rate production values of its predecessor, this spinoff quickly proves to be a turn-on. [23 Sep 2002]
    • Dallas Morning News
    • 70 Metascore
    • 90 Reviewed by
      Ed Bark
    A comedy worth telling your friends about. [20 Mar 1995]
    • Dallas Morning News
  5. The Medium pilot isn't as consistently stylish as Mr. Caron's other work, and some of the action strains credibility in scenes that have nothing to do with the supernatural. [3 Jan 2005]
    • Dallas Morning News
    • 88 Metascore
    • 80 Reviewed by
      Ed Bark
    Malcolm is much more than mega-jolts of Fox "attitude." It's both quirky and charming, edgy and reaffirming. [9 Jan 2000]
    • Dallas Morning News
    • 72 Metascore
    • 60 Reviewed by
      Ed Bark
    Amusing in spots. ... Future episodes will have to pick up speed if the series expects to really take off. [28 Mar 1999]
    • Dallas Morning News
  6. King of the Hill walks a fine line between celebrating its characters and making fun of them, between being populist and reactionary. Only time will tell if it can successfully negotiate that line. [12 Jan 1997]
    • Dallas Morning News
    • 53 Metascore
    • 70 Reviewed by
      Ed Bark
    Both subversively funny and sophomorically silly. [11 Apr 1999]
    • Dallas Morning News
    • 77 Metascore
    • 80 Reviewed by
      Ed Bark
    Chicago Hope is an affecting, involving series solidly anchored by Mr. Patinkin. [18 Sep 1994]
    • Dallas Morning News
  7. Wonderfully textured... ER has hit potential. [18 Sep 1994]
    • Dallas Morning News
    • 88 Metascore
    • 70 Reviewed by
      Ed Bark
    Sometimes he's just too grating. [4 Jan 2004]
    • Dallas Morning News
    • 75 Metascore
    • 75 Reviewed by
      Ed Bark
    Without a Trace ends up delivering enough twists and turns to hold up its end of the basic TV show-viewer contract. It also visits the cliche corral on occasion. [26 Sep 2002]
    • Dallas Morning News
    • 75 Metascore
    • 75 Reviewed by
      Ed Bark
    Sean Hayes, as Jack, is the overriding reason to watch. [21 Sep 1998]
    • Dallas Morning News

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