Consequence's Scores

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For 1,457 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 3.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Inside Out
Lowest review score: 0 13 Hours: The Secret Soldiers of Benghazi
Score distribution:
  1. Positive: 981 out of 1457
  2. Mixed: 341 out of 1457
  3. Negative: 135 out of 1457
1457 movie reviews
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  1. Get Out
    Peele is a talented director of action as well as horror, and Get Out is always far from boring even in its more familiar scenes.
  2. The Big Sick
    It’s a perfect marriage of direction, performances, and writing, the kind of comedy that people eagerly wait for. Its solutions aren’t easy, and its paths unusual, but it’s a love story that completely earns its emotional peaks, and the kind of comedy that makes you wish every single one of them were this great.
  3. Landline
    Where the narrative is sometimes slack, and the film’s larger purpose left to interpretation after a while, Landline’s great strength lies with its performances.
  4. Colossal
    Though Colossal does occasionally waver, most often due to its recurring tendency to hastily discard characters before their stories feel complete, it’s also a genuinely touching film that works phenomenally well for the most part, bolstered by the lingering sense of regret that hangs over the film’s funniest and most wrenching sequences alike.
  5. An Inconvenient Sequel: Truth to Power
    It’s less an attack on big business (though such sentiments are certainly present) than a call for a rational assessment of proven facts. If it does occasionally dabble in hero worship of its subject, it also makes the effective case that somebody has to keep showing up when nobody else can be bothered.
  6. xXx: Return of Xander Cage
    While he has a decent enough handle on the right tone for the proceedings, Caruso’s action sequences are slapdash to the point of incoherence.
  7. The Founder
    There’s just no subtlety to any of the proceedings and while there’s an argument to made in how the film’s fairly transparent about these intentions, none of it rises above being anything more than an average historical recap.
  8. Dean
    Although the movie is warm and affectionate enough, Dean is not very good, and at its worst the film treats its audience as if it is fairly stupid.
  9. Patriots Day
    Patriots Day sits right on the line between exploitation and tribute. The star power is dicey, and the action relentless, but Berg means well and likes the people in his recount.
  10. Live by Night
    In its unwillingness to settle on a singular approach, Live By Night undercuts the things that occasionally do work, and leaves it a film in search of a grander purpose.
  11. Claire in Motion
    Any sense of mystery or suspense quickly dissipates as the film returns again and again to repetitive and terse exchanges between Claire and Allison, whose revelations aren’t as surprising as they’re probably intended to be.
  12. Hidden Figures
    Hidden Figures might not be as groundbreaking as the women whose story drives it, but like those women, it does what it does very well.
  13. Silence
    Profound and illusory, Silence shows Martin Scorsese at the confessional, in sensationally cinematic style, delivering perhaps his most intimate work to date.
  14. Fences
    In this instance, the medium just doesn’t elevate the material. That said, Fences is still a gripping watch, but it’s gripping for the reasons the play has always been gripping: the language and performances.
  15. Assassin's Creed
    What saves this head-scratching, relentlessly portentous movie is what also saves the games: the action is on point.
  16. Sing
    The presentation and little tweaks along the way make Sing far less grating than you’d expect. There are dozens of great moments, beats, and tunes.
  17. Passengers
    It’s so spectacularly inept, at so many different points, that it’s hard to imagine anybody will be able to forget it. It’s not a good movie by any stretch of the imagination, but it’s the kind of bad movie that audiences with the taste for that kind of thing will eat up by the spoonful.
  18. Collateral Beauty
    It is not a bad film because of its sincerity of intention. It’s a bad film because it manages to make that sincerity feel disingenuous as it goes on, more and more so with each passing scene.
  19. Rogue One: A Star Wars Story
    For a film that’s all about hope and rebellion, it’s kind of ironic how it’s such a conflicted mess in and of itself. The Force should have been stronger with this one.
  20. Lion
    If you’re looking for a reinvention of the biopic formula, there are plenty of films this season to set you up. If you think there’s still room for the traditional ‘true-story’ drama, Lion proves these stories still have a little life left in them.
  21. Office Christmas Party
    It feels like a missed opportunity overall, a movie that’s just funny enough often enough to make you wish that more of it fit together.
  22. Always Shine
    Always Shine is a fantastic thriller for two-thirds of its runtime, ending with a ballsy third act as admirable in its ambition as it is narratively frustrating.
  23. Miss Sloane
    Miss Sloane is a smart, thorough film about a rare subject that is also as breathless, broad, and crowd-pleasing as your standard Grisham thriller.
  24. Jackie
    It’s as complex and surprising a character study as any you’ll see this year, a fact made all the more impressive when you remember that the woman in question has been turned into a collectible doll.
  25. Pet
    As hard as Pet tries to be something different, it still feels like a film about a woman in a dog cage.
  26. Manchester by the Sea
    This is pitch-perfect filmmaking, the kind that turns a hungry visionary into a popular last name. Rest assured, it’s all earned. Manchester by the Sea is a hearty, rewarding drama audiences will remember for years.
  27. Allied
    Misdirection, tight spots, intimacy as danger. Allied is a paperback thriller’s greatest hits compilation. But the film’s plotting is lively and sincere, gussying up the staid tropes of intrigue into immediate pleasures and perils.
  28. Bad Santa 2
    Everything’s so achingly foul and with zero finesse, which makes for an awful, joyless experience.
  29. Moana
    Even allowing for its recognizable traits, Moana is as much a treat to watch as any recent Disney outing.
  30. The Edge of Seventeen
    The Edge of Seventeen has more than enough earnestness of heart to make up for its structural shortcomings. It’s a teen film with an uncommonly honest ear for interactions.
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