Consequence's Scores

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For 1,452 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 3.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Inside Out
Lowest review score: 0 13 Hours: The Secret Soldiers of Benghazi
Score distribution:
  1. Positive: 976 out of 1452
  2. Mixed: 341 out of 1452
  3. Negative: 135 out of 1452
1452 movie reviews
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  1. Borat Subsequent Moviefilm
    Cohen still has it in fits and starts. That “pedo radar” from Who Is America really ruffled feathers. He’s a performer of chameleonic qualities; see his immersive, anarchic turn in The Trial of the Chicago 7 for a nice contrast. But applying his talents to a sporadically funny, 90-minute SNL political cold open of a film is a little bit of a bummer.
  2. Gladiator II
    All of Ridley Scott's glorious pageantry is undercut by a script tragically burdened by cliches and characters who make stupid choices.
  3. Beautiful Boy
    Carell, Chalamet and their supporting players can only spit-shine a relatively rote addiction story so much; by the time the thrill of their work passes, it’s easy to find oneself waiting for more.
  4. Moonfall
    It’s not that a great disaster movie can’t be made in two hours or less, it’s that Roland Emmerich doesn’t know how to do it.
  5. Jurassic World Dominion
    It’s probably a bad sign that of all the players in this film, the dinosaurs are probably the ones one roots for the most. They didn’t ask to be revived for a confusing new era filled with cars and pollution and ridiculous celebrity lawsuits! They’re dinosaurs! They’re innocent in all this!"
  6. Venom: The Last Dance
    Sometimes you’re laughing at the movie, not with it. But there are plenty of laughs, no matter what.
  7. The Little Hours
    The Little Hours is reasonably entertaining, but it hints just enough at something deeper that it may well leave you wanting.
  8. The Eyes of Tammy Faye
    It’s genuinely funny at times, but at two hours, it drags on for far too long, and Chastain suffers from having to hold up too much of the film’s weight on her thickly padded shoulders. It’s a killer performance looking for a movie to support it, and it’s just not here.
  9. Anna and the Apocalypse
    There’s a rich, hilarious novelty to the film’s juxtaposition of glittering pop and ultraviolence, but by virtue of the clear disconnect between story and song, that novelty quickly wears thin.
  10. Mister America
    Mister America aims for the acerbic pitch of a ‘70s alternative political farce like The Candidate, but the parting feeling is that it’s just an overdeveloped ramble. It’s not ha-ha funny, which is fine in the world of a muted humor like this. But like Heidecker’s campaign, it’s not entirely convincing as a satire either.
  11. The Mule
    The Mule is a functional take on capitalism, work-life balance, and the creeping, overlong process that is aging. The tense moments click.
  12. Pain Hustlers
    Though it may not be an awards contender, there are still sparks throughout to appreciate, especially in Blunt and Evans’ performances. Thanks to them, there’s a lot of humanity to be found in the film — the best and the worst of it.
  13. Everybody Wants Some!!
    A lot of it’s funny — especially any scenes involving Powell’s admittedly charming Finnegan or Hoechlin’s testy McReynolds– but hanging out with these guys eventually becomes a chore.
  14. Kinda Pregnant
    Kinda Pregnant is a relatively painless, if predictable, diversion.
  15. The Map of Tiny Perfect Things
    While it flirts with some exciting and original concepts, The Map of Tiny Perfect Things is plagued with an uninspired story, flat characters, and a pair of romantic leads that have zero chemistry. It’s not overtly offensive, but it’s certainly the kind of movie we won’t remember two time-loops from now.
  16. The Black Phone
    The performances are strong, and the film excels in isolated setpieces. It’s just a shame to see a neat idea largely go to waste.
  17. Red Sparrow
    When Lawrence plays to the cheap seats, the film comes to life. When she’s the blank slate expected of a spy thriller, it falters, because it doesn’t play as though she’s concealing or deceiving. It plays as though she’s empty
  18. Hubie Halloween
    Compared to a lot of other Adam Sandler movies, Hubie Halloween is watchable without being actually very good.
  19. Rough Night
    Things move at such a breakneck pace and the film is so manic tonally that Rough Night winds up feeling more like a series of vignettes than an actual movie.
  20. Train to Busan Presents: Peninsula
    Peninsula combines components from I Am Legend, Mad Max, and the Fast & Furious series for a nonsensical joy ride that, while entertaining, lacks the sharpness of its predecessor.
  21. The Call of the Wild
    While The Call of the Wild is silly, and never completely pulls the wool over the eyes with respect to the CGI, there’s enough meat on the bone to gnaw on before burying it in the backyard.
  22. Ballerina
    Eve’s backstory proves relatively trite, and the character is given nothing to connect with before or after she sets off on her quest.
  23. The Report
    While the film’s intentions are noble, and its story worth retelling, it struggles throughout to lend a lasting weight to its straightforward plotting.
  24. Terminator: Dark Fate
    It’s great to see Arnie and Linda Hamilton in the saddle again, and Davis and Reyes are welcome additions to the cast, but it’s probably time to terminate this franchise for good, and be thankful they went out on this serviceable note.
  25. The Monster
    The Monster is worth watching for Kazan and Ballentine.
  26. Armageddon Time
    Gray’s many fans will probably love Armageddon Time, and it may even win over some more neutral viewers who respond to his decidedly non-nostalgic look at a pivotal (and not especially promising) moment in U.S. history. But anyone who has found his movies less articulate than the ideas behind them will only get occasional respite here.
  27. Color Out of Space
    With its wacky space shit, off-kilter gore, creepy atmospherics, and hammy breakdown, most of which happen all at the same time, Colour Out of Space is, inarguably, one hell of a trip. It’s just not a trip that everyone is going to enjoy taking.
  28. The Glorias
    For its unconventional structure and occasional flights of fancy, The Glorias all too often reads as a bog-standard biopic more interested in recounting history than telling a story.
  29. Thunder Force
    Better than My Super-Ex Girlfriend, sloppier than Hancock, it’s nothing dynamic but fun all the same. And frankly, not every superhero flick or comedy needs to be the Super-person of its domain. Likability is sometimes an underrated super-power, and Thunder Force is bursting with it.
  30. Charlie Says
    Murray and Wever are as attuned to their roles as Smith is awkward and miscast in his. But perhaps that’s an appropriate fit for Harron and Turner’s divisive-yet-gripping take on this story: at the end of the day, the Manson women are deeper, more fascinating, and more worthy of exploration than the insecure man that connected them.
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