God of War Sons of Sparta is not a terrible game by any means. Even in spite of all of its flaws, this is a very competent Metroidvania that will undoubtedly scratch any itch you might have to play a game in the genre. Still, Sons of Sparta is a major swing and a miss on PlayStation’s part. This game had the potential to establish God of War as something new outside of the mainline series that could help keep it fresh for years to come. Instead, I’m now hoping that we see fewer experiments with the IP going forward if this is how they’re going to pan out.

Biomutant isn't a terrible game -- the fighting and crafting systems are both top-notch and give players a ton of choice. But while the world of Biomutant is hauntingly beautiful, the game lacks any sort of narrative substance or character. If you're looking for a strong story or even a weak story, Biomutant will leave you unsatisfied. However, if you enjoy exploration for the sake of exploration, then you'll probably lose yourself in Biomutant.

AEW: Fight Forever has the core of a genuinely great wrestling game, as the gameplay is pure, unabashedly fun. And while going the route of No Man's Sky has been teased in interviews — in which waves of post-launch updates and DLC help improve the experience — it's also possible this goes the route of Street Fighter where a sequel could build off the original idea and strike gold. This game won't change the pro wrestling video game landscape, but fans of AEW and players looking for a different experience from WWE's annual offering will enjoy it.

Vampire: The Masquerade – Swansong does an admirable job of bringing the World of Darkness tabletop experience to video games. Anyone who has been a fan of or curious about Vampire: The Masquerade but perhaps struggles to get a gaming group together, or wants something to do between sessions, will find Swansong a welcome substitute. The strength of the narrative-based gameplay, bringing a rare weight to choices, successes, and failures, will give any fan of narrative or adventure games something to enjoy, even if the tedium of exploration will likely wear on players at least a bit. Vampire: The Masquerade – Swansong could have used another coat of polish before being released, but it does enough right that I hope to see the team behind it get another crack at the World of Darkness.

FBC: Firebreak is a perfectly serviceable cooperative first-person shooter, and Remedy hits the mark it aimed for. For players looking to periodically hop in a session for a couple of Jobs will find some fun if they have a group to play with. However, the lack of an in-game voice chat makes this hard to recommend for people who exclusively play with randoms. If you’re into Remedy’s games, have a group of gamer friends, and have PS Plus Extra or Xbox Game Pass, FBC: Firebreak could be a good departure from the normal cooperative experiences out there for a weekend. But anyone looking for a game that can provide more than that should probably look elsewhere.

Forspoken is a game that clearly has cool ideas. It just can't manage to reach the level it aspires to operate at, which is really disappointing. An annoying main character that bogs down a somewhat compelling story, frenetic combat, but weak AI to fight against, and a satisfying traversal system in a dull open world make it clear that every interesting thing comes with a caveat. All of that makes it all the more painful, because you can see the heights this game could reach if it wasn't constantly getting in its own way.

There is a roadmap in place for future content, including new maps, weapons, and more, which bodes well, and the game is also budget-friendly at its $29.99 price point. Throw in some solid visuals and a truly fun and satisfying gameplay loop and you've got yourself a one-of-a-kind Robin Hood-themed adventure that will have you coming back for more. That said, it could be even better, and it will be interesting to check in a year from now and see how far it's come.

While Chocobo GP feels very much like a Mario Kart clone, it would do the Nintendo game a major disservice to call these titles equal. Square Enix has a polished game here that races rather well, and its surprising difficulty will challenge racing veterans. However, it is just too cluttered with junk to enjoy. Its lacking story mode can be overlooked easily enough by most, but its limited local co-op will make it a no-go for plenty. But if you're strictly in this for moogles and magic, well – Chocobo GP might not be so bad.

Catgirl Without Salad: Amuse Bouche is a delightful, sugar rush of a game that's over far too quickly. It's a wildly funny game with gorgeous visuals and terrific voice-acting. Unfortunately, the game is over far too soon and once the three levels have been cleared, there just isn't much else to do. The game doesn't overstay its welcome, and that helps the joke land in a way that few other games could pull off. As such, many players will find that the game's humor and style are well worth the $7.99 cost of admission, but others might want to wait for Shantae and the Seven Sirens, instead.

For all the old school mechanics and minor gripes, I ultimately really enjoyed playing Vampire: The Masquerade: Bloodlines 2. Once I got the hang of gliding across rooftops, scurrying up fire escapes, and kicking some vampire butt, Bloodlines 2 gave me that immersive vampire roleplay feeling that led me to pick up the Vampire: The Masquerade TTRPG in the first place. It may not quite live up to what I wanted it to be, but it still feels like a vampire game worth playing if you’ve been craving a spooky, blood-soaked RPG this October.

It'll take years for Madden to truly become a standout sports game again, as the mediocrity has gone on for too long for massive change to happen overnight, but Madden 21 is a promising step in the right direction.

Gods Will Fall delivers on its promise of being easy to pick up but hard to master, and the creativity in its complimentary gameplay systems and how they interact with one another completely won me over. You actually feel as if every decision you make matters whether that's which warrior to send in, if you should use that last item, or whether you should seek out another enemy to build up some bloodlust. All of those decisions can lead to failure or victory, and regardless of which you achieve, you'll likely be coming back for more.

Monark is not a perfect game, but it's a really solid RPG. The battle system is good, the storyline is interesting once it gets going, and there's some great music, too. Graphically, the game is one of the uglier releases I've come across over the last few years, and I think the game could do a better job explaining elements of its battle system. However, if players can ignore these imperfections, there really is a lot to love, and I can see fans of the genre falling in love with it. The RPG genre has plenty of great options to pick from at the moment, but Monark's blend of JRPG, strategy, and horror elements make it a compelling option.

Twin Mirror has some elements of it that can't help but be admirable; its concept is intriguing, its voice cast is compelling, and it could have easily been the next buzzworthy photorealistic video game. But, in execution, it comes across as a dated, surface-level experience, one that isn't sure whether to be a complex character study or an open-world mystery, and is nowhere near as rewarding as the time and effort it asks you to put into it. Twin Mirror will undoubtedly find an audience of some who want to dive into its ambiguous mystery, but it's far from the most engrossing or well-executed title that video game fans could pick up right now.

In a way, Torchlight III is a victim of its predecessors' success in breathing such vibrant life into the genre. Torchlight III's simplicity might position it as a decent introduction to the ARPG genre. For most players, it's hard not to suggest they direct their attention elsewhere.

Ultimately, Saints Row may not be the grand return to the franchise that fans were hoping for, but that doesn't mean it's not worth giving a look. Despite a poorly-paced story with average characters, it still has a ton of content and a sandbox that is ripe for hours of co-op fun. Even if you're playing solo, building a criminal empire is empowering and elevates Saints Row beyond being yet another open-world crime game. If it didn't take some steps back or feel buggy and dated, this game would get a more glowing recommendation, but unfortunately, it doesn't hit all of its marks.

Battlefield 2042 absolutely should have been pushed back by EA and DICE to some point in 2022. Instead, the version of this game that is currently available has been virtually unplayable for me at times since first releasing. Even beyond this, though, some of the key design changes that DICE has made in Battlefield 2042 don't feel for the better. Rather than improving on the core Battlefield experience that fans loved with Battlefield 3, 4, or Bad Company 2, 2042 is a bloated husk of its former self that is trying to recapture some semblance of its previous glory. As a fan that has been playing this series for well over a decade, Battlefield 2042 is a massive disappointment that I struggle to think is even worth saving.

Dynasty Warriors 9: Empires is a niche version of an already divisive game and provides very little innovation to the musou formula. It honestly feels like a half-baked game, as if developer Koei Temco felt the need to keep the Empires spinoff line of games going simply because it has done it in the past. There are better musou games out there and better strategy games out there, and I honestly can't recommend this game to fans of either type of game. Ultimately, Dynasty Warriors 9 Empires won't hold your interest for any extended period of time unless you're already a fan of the franchise.

Monster Energy Supercross 4 is a game seemingly made for die-hard fans of the sport and the simulation series. The sheer depth of customization options, a massive roster, the new skill-point system, and a robust track editor provide several reasons for them to keep coming back for more sessions. Newcomers, however, will first have to spend several hours learning the systems and grinding to earn enough money and points to improve their rider and bike before finding much enjoyment.

Hellboy: Web of Wyrd has spurts of fun to be found in its gameplay, which is held up by the grand visual aesthetics at the heart of it all. If the game didn't look like a living Hellboy comic it wouldn't be engaging, but that alone cannot save it from the repetitive and slow gameplay that sits at the heart of the entire thing. Luckily Hellboy: Web of Wyrd looks good and it has a story that feels authentic to its character. In the end though, it's also a very short game, and by the time you complete it all and are then allowed to do long runs with more customization options…you may have had your fill.

Skatebird is the kind of game that the world can never have enough of -- complex but accessible gameplay, unique gimmicks, and a clear sense of style. While there are a few kinks that need to be ironed out or settings that can be modified, they're largely outweighed by the unabashedly silly and enjoyable experience of playing the game. Skatebird is the perfect low-stakes, high-reward game to dive into right now, and hopefully other players will soon agree.

While the gameplay in Disintegration is really interesting, the game's plot never felt like it lived up to its promise.

Suicide Squad: Kill the Justice League is not a death rattle for Rocksteady Studios. If anything, it shows the studio was able to salvage a piece of its identity in a game that is clearly at war with itself. Whether that's a result of Rocksteady having an ever-evolving vision that was misguided at some point or requests from Warner Bros to make it more commercially viable, we'll likely never know. The point is, the things that Rocksteady is known for are found here. Rocksteadystill excels at satisfying superhero combat and larger-than-life comic book stories. However, it would be a mistake for this studio to double down on these live-service elements in future games. This isn't a great game, but it's also not a terrible one. It's simply two different games of varying qualities blended together to create a violent cocktail with mixed results.

People who love dystopian fiction in comics will probably enjoy the story of the game a great deal, but they will have to be willing to navigate the sometimes-frustrating combat system to see the gorgeously painted tale’s conclusion.

Regardless of how satisfying the combat may be, it’s only somewhat of a redeeming component to prevent the game from being a total letdown. Godfall has looting and it has slashing, to be sure, but you end up wading through so much to enjoy those parts. Perhaps loot fiends will get hooked on the endgame loop enough to stick around for a while, but what waits at the end is hardly worth the time it takes to get there.

Final Fantasy Crystal Chronicles: Remastered Edition feels like a squandered opportunity. The game has seen a number of delays over the last year, but it doesn't feel like Square Enix utilized that time to improve the game over its predecessor. The voice work is rough, the controls are frustrating, load times are laughable, and the lack of couch co-op is glaring. The game's music and overall presentation are great and multiplayer is still fun after all these years, but it's hard to recommend the game when it feels like such a step back.

If you can get past a few little quirks in how the game runs, however, Tales of the Shire is going to be well worth your time. It is truly a cozy and wholesome escape to the Shire, full of the daily tasks a Hobbit loves best – cooking, eating, and enjoying time with friends.

The story attempts to hit a lot of familiar beats, but instead ends up feeling like someone copied the homework of the original trilogy without showing their work. Modern Warfare 3 seems to think nostalgia will carry the load of this story and that players may project their love for the original onto this one without it doing anything to earn that. On one hand, I commend Call of Duty for taking 20 years to deliver a campaign this messy. On the other hand, I hate that it happened to a story that revolves around characters and storylines that fans like myself have so much affinity for. The Call of Duty: Modern Warfare 3 campaign is not a celebration of 20 years of Call of Duty – it's a cry for help. [Campaign Review Score = 40]